HORMOIL ACTG - HORMOIL CHANGE

XRML ATXG - CHARLIE ERROR

First track from my forthcoming album (november 2019)

AND LIFE GOES ON

https://soundcloud.com/hormoilactg
https://soundcloud.com/groovedge
https://www.facebook.com/groovedgerecords/
https://www.discogs.com/Dj-Spinelli-Third-Optics/release/13662751

PREMIERE: DJ Spinelli - Third Optics [Groovedge Records]

The galaxy was made up of all sorts of weird, odd life forms. They were not from planet earth and were certainly a little bit out there... The people of Cosmuchi were perhaps the strangest of the bunch, wobbly beings with flexible limbs and distinct intelligence. They danced at night beneath the glow of the stars on a planet millions of miles away. Soon they would venture down to earth to say hello but for now they were happy upon a floating rock which travelled with promise through the darkness... The sounds of drones would guide them home. 

Dj Spinelli is set to release an abstract cross between a mini album and an EP. A soundtrack of sorts, the release is forthcoming on Groovedge Records and wanders between the realm of abstract jazz, contemporary soundscapes and electronic haze.

PREMIERE: Dj Spinelli - Cosmuchi [Groovedge Records]

Digital artist and composer, DJ Spinelli releases his debut EP ‘Third Optics’ on Groovedge Records, a complex blend of jazz, ambient, experimental, to footwork, 90’s electronic and trap influences. Featuring complex bass lines and mental rhythmic work, these early works from French producer promise some more really interesting works in the future… We recommend to stay tuned!

https://soundcloud.com/groovedge

PREMIERE | DJ Spinelli - Amygala [Groovedge] 2019

@trommellive delivers one hour of pure electronic music wonders.
Check out his latest release on Sungate: sungaterec.bandcamp.com/album/hiatus

Sungate Journey #10 by Trømmel

We feel very lucky to have Antonio Marini on board for our first release , the Italian producer known as Healing Force Project has already a long history that has led him to publish his music on labels as Acido, Firecracker recs. Berceuse Heroique, Bedouin Records among others.  In this first release ,coming in a 7 " format ,HFP delivers two tracks in which the producer develops one of the most recognized musical aspects in his productions, creating sonic structures where the electronic sound  converges with the experimentation closest to a free jazz style.
                                  -------------------------------
Para nuestra primera referencia nos sentimos muy afortunados de contar con Antonio Marini, productor italiano conocido como Healing Force Project, Marini cuenta ya con una dilatada trayectoria que le ha llevado publicar sus referencias en sellos como Acido , Firecracker recs. Berceuse Heroique , Bedouin records entre otros.  Esta primera referencia en formato 7” consta de dos tracks en los que el productor desarrolla una de las vertientes musicales más reconocidas en sus producciones , la mezcla de estructuras sónicas en las que la electrónica converge con la experimentación más cercana al free jazz .

Hikikomori (preview) - Healing Force Project

From Paris with love here comes mix 008 by Second Circle artist and friend D.K. (@d-k-music). Q&A (excerpt) here below.

www.musicfrommemory.com

MFM: Salut Dang Khoa, welcome to our podcast series. Had a nice summer?

DK: Hey! Thanks for having me. My summer was pretty cool, I was happy to play some nice festivals and gigs in Europe. I also had a little break to go on vacation with some friends in Marseille to enjoy the sea and the South coast of France.

MFM: Speaking about summer, your music has quite an exotic touch in which melody and percussion both seem to play a pivotal role. Where does that come from? 

DK: At the very beginning, it was simply inspired by the kind of house music I was listening to. But it changed through the years. I had a period when I was into industrial stuff, and I’ve been really inspired by the textures, by that sensation of mechanical groove and how the percussions were used. It kind of lead me to listen to the roots of music, and got into ritual sounds. Regarding the melodies, I don’t know man, it’s maybe because I’ve listened to too much R’n’B when I was a teenager haha.

MFM: But you're not a trained musician in one way or another? Like, can you read notes and play keys or other instruments maybe?

DK: I played violin when i was very young at the Rennes Conservatory of music for 6 years but it was a long time ago and i didn't practice since. I still can read notes but i'm super slow when it's about to play a musical score with other instruments now.

MFM: Would you say you have a D.K. workflow when in the studio?

DK: I like to have a precise idea of what I want to do before I start, even if it’s going to change completely during the process. Also, the shape of a track will really depend on what I’m listening to at the moment. I can easily get lost sometimes, producing something that is totally different of what I’m doing but I always learn some new technics. It’s a good way to find new ideas as well. Most of the time, I work on the same loop until I’m satisfied, almost all the elements of the track have to be already present on this loop, so I can have a vision of what it’s going to look like. Then, I know it will be easy to structure, edit and finish.

MFM: Interesting, for a lot of producers making arrangements seems a tough task or annoying burden even. What's your trick?

DK: I start with the  rhythm structure then focus my work on finding the main theme of a track,  and i build everything around it. If the beat and the  hook are strong enough it's usually not a tough task to make the arrangements.

MFM: You've been putting out music not only as D.K., how come?

DK: I decided to use that 45ACP moniker to focus my work more on sound textures and beats. It was maybe more heavy and club-oriented than what I used to do as D.K.. But now, I’m trying to combine everything in one project to create more contrast in my music. I’m generally interested by the opposition of textures and sounds in music. For instance, I like to mix raw percussion parts with clean drums or melancholic cold pads with naive midi melodies.

MFM: So, what can tell us about the mix? Any specific theme behind it?

DK: It’s a collage of tracks that I’ve been listening to at home recently and some edits I’ve made, from ambient and tribal to Japanese stuff. It’s obviously not what people can expect to hear me play in a festival or club but I would say that it’s more the vibe that I’m trying to create when i’m performing live.

MFM: Last but not least, any exciting news you'd like to share?

DK: I’m wrapping up my next Ep at the moment, it will be the third volume of my trilogy dedicated to club music on Antinote. I also have a release to come out soon on 12th Isle, and a couple of remixes.

MFM Mix 008: D.K.

De camino a la romería en Costelo Club donde se reuniría con el resto de la crew y un héroe más de nombre Hyman Bass, el autoestopista paró a tomar algo en un club de jazz de los bajos fondos de Babylon Downtown.
Al verle que portaba una maleta repleta de discos siempre consigo los regentes del lugar amablemente le preguntaron si le gustaría poner unos discos aquella noche.
El villano accedió con la única condición de poder grabarlo y mandárselo de regalo a la buena gente de Ego Trip aka rookies del año en la ciudad.
En este set he querido plasmar lo que me gustaría poner en un Ponle FUNK a los niños, una mezcla entre pregones orgánicos y alegres y pregones más minimalistas detroitianos , todos ellos tienen tienen tintes jazzeros propios de sellos como Sound Signature,Wild Oats o KDJ. 
House yankee a 120 y muy poquisimos bpms para cuando vengan fuertes los domingos y sus resacas.
P.A.Z y muchas gracias por contar con Down Wall para grabarse algo para Ego Trip
Bendisiones (L)

Metamorphosis

Anthonius...

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