Taoshi 2 (Feat. Alex 🎷, 1/2 Volvax 🎹)

AKW
Jonathan Aardestrup -bass
Harald Kimmig -violin
Georg Wissel -augmented alto sax, clarinet

free Improvised music on acoustic instruments by three sound nerds and masters of their craft.

excerpts from the trio's concert at Block7, Cologne, May 19th, 2025
recorded by Georg Wissel, mastered by Jonathan Aardestrup

Wissel Kimmig Aardestrup_5

Live improvisation, the mood of the moment.

Mood 2511 (Piano Live Improvisation)

enregistrements du duo de percussions franco suedois, en residence a montpellier 

creatures de vents et d'eaux

echappees

Jaki punkt wspólny mogę znaleźć w swoich nagraniach mniej lub bardziej eksperymentalnych z lat 2001-2024, jaki mianownik szufladkuje moją duszę? Żaden.
Ale 16-letni ja wersus 39-letni stary dziad to w sumie jedna bajka. Może właśnie "wiatr" definiuje to najlepiej, Windwege/Ścieżki Wiatru...
Albo po prostu w tym roku skończyłem 40stkę i zebrało mi się na podsumowania.
I pewnie z tego właśnie, sentymentalnego, powodu wrzucam tą kompilację/mix, która zaczyna się od nagrań najświeższych (2024), a kończy improwizacją z użyciem Casio MA-120 nagraną na kasetę latem 2001 roku. Odyseja Kosmiczna? Może. A może tylko zagubiony Pan Jezus w poszukiwaniu kredek. Nie mi (ani tym bardziej Wam) to oceniać. Słuchajcie, a znajdziecie. #krautrock #noiserock #spacerock #freeimprov.

https://shatteredlotusflower.wordpress.com/2025/11/17/statements-from-the-void-kraut-noise-space-2001-2024/

"statements from the void" - kraut/noise/space 2001-2024.

small promises 11.12.25

Hip Hop Beat Female Rammstein Voice

Co, gdyby w USSR ukazała się Terra Deflorata, jako Teraa Deflorata? Czy są większe tajemnice? Co z moją korespondencją z Niną Morozov? Sowieckimi hipisami? Co, jeśli covery ADII i Roberta Calverta nagrano u nas co najmniej tak samo szybko, jak Wojtek Korda grał Hendrixa z Niebiesko-Czarnymi? Co, jeśli “Demoludy” to nie tylko moja płyta, ale też stan umysłu? Co, jeśli zimnowojenna paranoja powraca? Nie wiem. Ale skądś wygrzebałem te nagrania. Może ktoś pomyśli, że nie są moje. Co jeśli tak będzie? Nie wiem, pewnie ZAiKS nie wypłaci mi pieniędzy. Nie, żeby kiedykolwiek to zrobił. Może pora przywrócić “egzamin na artystę”? 90% obecnej szołbizowej gówniarzerii by go nie zdało. Stare dziady, takie jak ja, pewnie poległyby przy fortepianie. I też bym nie został artystą. Ale wtedy nie miałbym kapitalistycznych złudzeń i urojeń potęgi. Wszystkie zwierzęta są równe.

https://shatteredlotusflower.wordpress.com/2025/11/17/szpulowe-widma-wschodu/

Szpulowe Widma Wschodu

An improvisation in the heart of November, with grey skies, early darkness, the time to go within and find the light there.

Scintillement dans le noir

Hello. I love music and the process of creating it.
If you liked any of my compositions, please share them - every author and performer dreams of having their own circle of listeners and fans. It would be incredibly cool if you also visited my YouTube channel and subscribed to it. Thank you :)

Beatmaking

Beats de alta fidelidad. Diseñados para durar.

Licencias | Colaboraciones

„Fakty nie przestają istnieć tylko dlatego, że się je ignoruje.” — Aldous Huxley

Adam Majdecki-Janicki (ur. 1985) – poeta, autor tekstów i niezależny muzyk związany z nurtem freak-folku oraz eksperymentalnej piosenki autorskiej. Od końca lat 90. prowadzi intensywną działalność artystyczną, koncentrując się na tworzeniu utworów opartych na żywym instrumentarium, głównie gitarowym, oraz na eksploracji form narracyjnych i lirycznych. Jego twórczość charakteryzuje się połączeniem prostoty folkowej pieśni z elementami psychodelii, ironii i mistycyzmu. W warstwie tekstowej operuje językiem pełnym symboli, odniesień kulturowych i osobistych mitologii, często nawiązując do tradycji kontrkulturowej. Wydał szereg albumów w Polsce i za granicą (m.in. Stoned Gypsy Wanderer, Demoludy, Eimi), które stanowią świadectwo jego konsekwentnego poszukiwania autentycznej, niezależnej formy wypowiedzi artystycznej.

I am thrilled and honored to be part of this wonderful group of musicians, daringly sharing their music with the world. 

I’ve played the piano since I was 7 years old and one of the happiest moments of my life was when a big black upright came into our family home on a Christmas eve many years ago.

Since then, I’ve been a classical pianist, performer, teacher, accompanist, and chorister. 

An accident and subsequent health issues caused a change in lifestyle as well as a deep spiritual search which brought me closer to my musical roots and so, I began improvising and composing. Now, I combine past experience with a newfound wisdom (hopefully) and an intuitive sense of harmony and sound, to create rich evocative music.

I have 2 CDs both available at cdbaby.com and iTunes.
“In the Moment” is a collection of acoustic piano improvisations in a contemporary classical style and “The Kingdom of Enki” is an electronic musical fantasy in a fanciful soundscape which has been described as exciting, joyful, scary, and light.

Thanks for listening!




I make music because it is where I let go of the have-to’s, and become part of something larger than myself. The language I speak on the keyboard when I improvise expresses a part of me that only comes out there at the moment of creation - when I’m fully connected and in the flow. In those moments when I disappear in the music, those are where I’m most fully alive. The musical question I pose to myself when I play is largely this: how can I release my inhibitions and let go of patterns sufficient to bring something entirely new, unexpected, and enlightening into the world, with structure, precision, clarity, and depth of expression. These pieces are meditations that are of me, but more precisely, they come through me. When I’m in the flow, I’m channeling the energy and only moderately directing it. The challenge is to be open to take risks while maintaining a structure, melody, and tempo that makes it interesting and satisfying enough to keep listening. I keep doing this nightly because it’s a language, because it’s a connection to something greater than myself, and because it’s very very relaxing.

(upcoming concerts see https://georgwissel.wordpress.com/terminedates/ )
Improviser, Composer, 
Sculptor of compressed air via augmented saxophones, clarinet and other soundsources
working internationally as Improviser 

current projects:
Solo: - "the Arte of Navigation"; navigations for (prepared)    saxophones
          - "MIND THE GAP", for solosaxophone and 'tape'
          - various acousmatic compositions
Duo:   - WISSEL&LYTTON -science friction of flow- (D/UK); 
                Georg Wissel,(prepared) saxes and Paul Lytton, percussion
          - the MirrorUnit (D/AUS), with Tim O'Dwyer, two altosaxophones, two
                Improvisers and two explorers, too  
          - DiG ; with Dusica Cajlan-Wissel, melodika, ruined or extended piano;
                 Improvised music sometimes also with chips of folksongs from the 
                 west balkans  
          - WISSEL&NIES (D); with 'electro sapiens' Joker Nies, bended sound
                 devices and custom made synthesizers
                 www.soundcloud.com/wissel-nies/sets
                        
Trio:  - the wisseltangcamatta (D); with Simon Camatta, drm and  
                             Achim Tang, doublebass, GW, prepared altosax, clarinet
            - C/W|N; with Dušica Cajlan-Wissel, extended
                 piano, Etienne Nillesen, extended snare drum, GW, augmented altosax
            - SIN-3 (D/A) Burkhard Beins, perc., Thomas Lehn, EMS synthesizer, 
                 GW, alto sax + preparations
            - Broken Ghost Consort (US/D/CZ) Matthew Goodheart, pno, 
                  reembodied sound objects, George Cremaschi, bass, GW, clarinet
            - 2+2=3: WISSEL_LYTTON_NIES
            
Quartet: - EEPS with Paul Lytton-perc, Joker Nies-electr., Richard Scott-
                   electr., GW-prepared saxophones
               - Canaries on the Pole (D/B); with Jacques Foschia, cl; Mike 
                    Goyvaerts, perc; Christoph Irmer, violin
large Ensembles: 
             - WIO (Wuppertaler Improvisations Orchester); one of europes finest
                    Improvising Orchestras working with conduction signals

collaborations with Liz Allbee, A-Trio, Peter Behrendsen, Lawrence Casserley, Nicolas Collins, George Cremaschi, Matthew Goodheart, Gunda Gottschalk, Ensemble Handwerk, Paul Hubweber, Carl Ludwig Hübsch, London Improvisers Orchestra, Lukatoyboy, Marcelo Maira, Jerome Noetinger, Dan Peck, Tim Perkis, Pöhl Musik, Melvyn Poore, Michal Rataj, Frank Köllges'  Adam Noidlt MISSILES, Manja Ristic, Simon Rummel Ensemble, Nicolas Simion, Norbert Stein, Ute Völker, Rie Watanabe, ...

CD and broadcast productions
tours and festivals in Europe, South America, Middle East, Asia, Australia, USA

Since Feb'23 Every Day An Improvised Song/Track Is Posted. 

All of the Tracks are created, played, mixed and recorded Live with No Plan, No Computer, No Arrangement, No Mastering, No Talking ...

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Only LIVE Freestyle sessions, influenced by a lot of styles and genres (Jazz, Rock, Reggae, Acoustic, World, Fusion, Oriental, Psychedelic, Ambient, House, Techno, Tekno, Acid, Trance, Break, Electronics ....) 

Music changes all the time, depending where am I (home, street, forest, concert, party, festival) with who am I (alone, with friends or with random persons) and it especially depends on "Setup-Gear"; what I am using for playing and recording :

Guitar - Vocals - Melodica -Korg Electribe (Since 2019) - Loop Station Boss RC 500 (Since 2020) - Zoom H5 (2020 - April 2023) - Roland TR-8 (Since 2022) - Roland GR-K 55 ( since April 2023)  - Zoom L8 (since April 2023- Decembre 2024) -Boss RC 600 (Since Septembre 2023) -  Roland TR-8S (Since April 2024) - Allen And Heat CQ-18T (Since Septembre 2024) 
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Welcome to NoPlanNoComputer's Dawless Libratory of Full Improvised Live Music, Enjoyyy the music that life express Through Me, Through You, Through Us  <3

The following artists met, interacted and participated  either planned or completely by chance several times in the Full improvised intuitive music of No Plan No Computer :
- BBeng : Guitar/Bass
- Alex : Saxophone
- Dowan : Piano
- Romain - 1/2 Volvax : Keyboard/Trumpet
- Priska : Trombone/Vocals/Guitar
- Chai : Accordion 
- Antoine : Guitar/Bass/Vocals/Machines/FX/Saz
- Ammar: Live Visuals/Guitar/Bass
- Jardin Secret : Trumpet
- Guillaume : Didgeridoo/mouth harp/Handpan/N'goni/Morin khuur
- Thomas : Human Coordination/Logistics
- Me : Guitar/Vocals/Machines/Looper/FX/Live Sound/Sound Recording/ Human & Music Coordination/Logistics


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Be inspired and feel free to download, use, copy, sample whatever you want. But, Please stay always humble to life and don't forget to mention us & those who inspired you <3

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Met4Morph  : Events - Concept  -Full Improvised Music Area

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