2014// JEREMY AUTSON CHARTS

Released on Nov 25, 2009. Buy on Beatport: http://www.beatport.com/release/salamandarin-ep/206156

Marc Houle returns to Minus this year with a special digital only release of tracks collectively titled the Salamandarin EP. The purpose here is functionality, as Mr. Houle simply puts "these are five tracks to dance to".

Connect with Marc Houle:
www.marchoule.net/
www.facebook.com/marchoule.official 
www.mixcloud.com/marchoule
www.youtube.com/user/MarcRHoule
www.twitter.com/MarcRHoule
www.itemsandthings.com

Buy on Beatport

Marc Houle - Yonkers | Minus | 2009

Marc Houle - Salamandarin | Minus | 2009

Out on beatport: http://btprt.dj/14vukoo 
Out on t-shirt: www.ondango.com/shop/kling-klong-records 
Out on vinyl: http://www.deejay.de/Finder__122330

Played by Matthias Tanzmann, Davide Squillace, Adam Beyer, Loco Dice, Nick Curly, Monika Kruse, Tiefschwarz, Butch, Riva Starr, Claptone, Ramon Tapia, Gregor Tresher, Chus, Popof, Kaiserdisco, Shinedoe, Wally Lopez....

Matthias Tanzmann playing Ninetoes at Fuse (Brussels): http://youtu.be/qrOeriqLZV0 
Davide Squillace playing Ninetoes: http://youtu.be/CZnwPLfyHDc

As always Kling Klong gives space for new artists and supports upcoming talents. This time Martin Eyerer & Rainer Weichhold had no doubts signing this debut release from Stuttgart's dj/producer Ninetoes as 'Finder' is obviously a massive stand-out track which has the words 'summer hit' written all over it. So it was just easy to convince Leon and Re-UP from Italy to do the remixes and help to make this release even more oustanding.

Check: 
http://www.facebook.com/KlingKlongRecords 
http://www.facebook.com/ninetoes78 
http://www.facebook.com/LeonOfficial 
http://www.facebook.com/pages/Re-UP/130750946964913

Ninetoes - Finder (Martin Eyerer Remix) (Kling Klong)

SOE065 Rodskeez - Viviera (Dubspeeka Remix)

<b>DB-105 J.Phlip - Say My Name </b> 
<br>
Available on The Birdhouse: drip.fm/dirtybird
Available on Beatport: btprt.dj/1h9KxVr
Available on iTunes: www.smarturl.it/JPhlipSayMyName
Available on Vinyl: bit.ly/1iVA7g5
<br>
Fresh from supporting Claude VonStroke on the massive 25 date North American Urban Animal Tour, J.Phlip, has finally stolen a moment to complete her latest and much anticipated release.  Her last appearance on dirtybird called "Coefficient," found the girl from Illinois flexing her European techno muscles and adding the likes of Surgeon & Dave Clarke to her rapidly swelling fanbase. Her incredible DJ skills on the road have been catching everyone's attention and she is currently prepping to go back on the road with VonStroke for the Europe leg of his tour.

Says VonSroke - One of my best friends from Detroit went out to catch Jessica (J. Phlip) at a warehouse afterparty this year and he summed it up best.  "Man... Jessica plays darker than you, more gritty and real and I'm into it."  This pretty much describes Jessica's much needed niche in the original dirtybird crew.   

This release shows off that gritty side of J.Phlip. "Say My Name" is a bold techno influenced acid dipped hybrid track that works up to its dark climax and then drops it like a bag of hammers. 
The remix on the flip (done in tandem with San Francisco's young Aidan Chambers) is an even more cinematic acid trip and a welcome addition to the original.

@jphlip
www.facebook.com/jphlip

www.facebook.com/dirtybirdrecords
www.dirtybirdrecords.com

J.Phlip - Say My Name [Preview]

Presented By Neville Bartos & Friends

Available on Beatport Soon.

Neville Bartos feat. Oz Jones : Get Up (Original Mix)

A ‘pan-pot’ is a simple, functional dial that governs the left and right axis of the stereo field, useful but unremarkable; mobilee’s Pan-Pot is an entirely different proposition, a duo whose mastery of audio principles allows them to turn conventions on their heads, casting functionality aside as they plumb the deep, uncharted depths of pitch-black techno.

Since their inception in 2005, Pan-Pot have become a dominant presence in modern techno, an ascent mirrored in the rise of their home label mobilee records to the top tier of electronic music. Tagging themselves as “the dark side of the force,” Pan-Pot have melted minds, warped perceptions and reinvigorated the dancefloor with their heady, unorthodox sound; within their work, subtle pitch manipulations square off with wall-of-sound distortion, the dark stomp of 4/4 is tamed by intricate sound design, and minimalistic frameworks duel with throbbing bass lines, epic builds, and murky, off-kilter melodies.

Tassilo Ippenberger and Thomas Benedix met at Berlin’s SAE, and their studies in the production and manipulation of sound aided them in identifying Pan-Pot’s overarching sound aesthetic. The duo booked Anja Schneider for an ill-fated party in 2005, but the unfortunate circumstances helped forge a fortuitous connection with Schneider and her then-fledgling mobilee imprint. Within weeks, mobilee’s second ever release was Pan-Pot’s official debut, „Copy and Paste“. The steady stream of original tracks and remixes that followed on mobilee and Einmaleins, charted the duo’s unwavering commitment to precise, undulating and kinetic grooves.

The defining moment of Pan-Pot’s career came in 2007 with the release of their debut artist album, Pan-O-Rama. The aptly named long-player offered a 360-degree view of techno at its most twisted, balancing somber atmospherics with a lightness of touch, and spawning the overground hit “Charly”. More recently “Confronted” and “Captain My Captain” have demonstrated their classic, strong and timely production style, presenting them as the most consistent purveyors of techno around.

Pan-Pot are ceaselessly working and endlessly inventive. When not in the studio writing original material or remixing tracks by a myriad of artists, they can be found on the road, touring. Their DJ sets reveal a keen understanding of the dancefloor’s needs, and they are unconstrained by boundaries, traversing techno, house and everything in between.

Pan-Pot may have taken their name from an unexceptional element of studio equipment, but as with their music, they have rewritten notions of form and function through their own idiosyncratic language; once you’ve experienced Pan-Pot’s colossal, haunting soundscapes you will never forget them. Their vision, passion, and love of music continues to drive Pan-Pot — and the extended mobilee team —in all that they continue to do, and all that will come.

Pan-Pot - Charly (Original) - mobilee030

herald the angels sing

Gaiser - Oolooloo

Continuing a busy run of recent releases on Minus is one of the label's core contributors, namely Jon Gaiser. Since late 2005, the Detroit-born, Berlin-based producer has been intrinsically linked to the rise and rise of the label owing to key releases like his Eye Contact EP, genre defining 2008 full length, Blank Fade, and last year's huge EP, Unstable Witness. 

Gaiser - Some Slip

Gaiser - Unstable Witness

01. Aux 88 - Voice Modulation (Anthony Rother Remix)

watch "APE MACHINE" Video on Youtube
www.youtube.com/watch?v=uu6juOlw5bE

www.anthony-rother.com

Video by Sebastian Pfeiffer (Everfresh Design)
www.everfresh-design.de/
Cover Artwork by Rafael J. Heckmann (Fuku)
www.fuku.org
Mastering by Tony Calhoun (m3mastering)
http://m3mastering.com/
Vinyl Cut by Andreas Kauffelt (Schnittstelle)
www.schnittstelle.ws
Manufacturing by Handle With Care
http://handlewithcare.de/

(c) DATAPUNK
www.datapunk.de

Buy at Bandcamp

Anthony Rother - Ape Machine

My Name Is Beuys from Telekraft

My Name Is Telekraft

Ninetoes - Finder (Original) (snippet)

Download EP here: http://www.beatport.com/release/techno-vocals/73547

Release date: 28/09/2007

Why are the vocals turned down so low? This is the way we make Techno!

To mark the label’s 50th release Marc Houle gets right back to basics with two raw, stripped down future classics. What’s more both vinyl cuts, “Techno Vocals” and “On It” clock in at under six minutes meaning that this compact 12inch’s sound and message is going to be coming through extra loud and clear.

On “Techno Vocals” (as with all Houle productions) each sound is perfectly realised, commanding its own space with metronomic discipline. The rigid drum patterns, analogue explosions, regimented snare rolls, laser guided effects and delayed bleeps interact with supreme efficiency, while the arrangement is mapped out with cool, calculated intent. The result is a totally robust example of A-grade techno that’s really brought to life by the self-referential, pitched down vocal hook!

It’s well documented that Marc has more than a passing interest in 80’s electro, New Wave and retro computer games and these influences are somehow more apparent on Minus 50 than on his earlier solo releases or as part of Run, Stop, Restore. “On It” in particular will turn a few heads, making, as it does, a detour into previously unexplored territory. Revolving around a heavily filtered melodic bass riff, Houle punctuates the dry, upfront groove with a choice selection of rough, old school samples before dropping into a series of moody bass variations that give the track its distinctive flavour.

To complete the release, dub and accapella versions of “Techno Vocals” are also available as digital downloads offering amongst other things the chance to reformat the vocals over the original beats.

Press contact: press@marchoule.net

Connect with Marc Houle:
www.marchoule.net/
www.facebook.com/marchoule.official 
www.mixcloud.com/marchoule
www.youtube.com/user/MarcRHoule
www.twitter.com/MarcRHoule
www.residentadvisor.net/dj/marchoule 
www.dj.beatport.com/marchoule 
www.juno.co.uk/artists/Marc+Houle/
www.discogs.com/artist/Marc+Houle 
www.itemsandthings.com


Marc Houle - Techno Vocals | Minus | 2007

Anthony Rother is described as an influential visionary, an electro pioneer and one of electronic music’s most prolific producers. For more than two decades Rother aggregated a vast musical canon that reflects his unique career as a sound researcher exploring the aesthetics far beyond the boundaries of electro, techno and pop music.

Starting his recording career in the late ‘80s, the Offenbach-based producer established himself in Germany’s electronic music scene with his first two releases, "Sex With The Machines" (1997) and "Simulationszeitalter" (2000). In 1998, he founded his label Psi49Net, allowing him to keep his artistic independence and showcase his vision of electro music that cultivated a unique storytelling approach, guided by dystopian future visions on societal changes due to technological progress. The vocoder-driven vocals and the dark dystopian synth sound with machine-like beats have become Rother’s trademarks, even before he found international recognition as a science-fiction avant-gardist with the virtual electro-pop project "Little Computer People" (2001) and his 3rd solo LP "Hacker" (2002).

In 2004, Rother created the Datapunk imprint to evolve an immediate, more song-orientated language that used simple melodies and even autobiographic anecdotes collected on "Popkiller." Perceived as one of his most venturous endeavors, yet his sonic shift had a decisive effect on many artists' careers: The Hacker, Boys Noise and Terence Fixmer published on Datapunk in its early days. While some of the experimental ambient recordings for Pete Namlook’s infamous label Fax +49-69/450464 reflects Rother’s prolific output, he also worked and co-produced with several prominent artists such as from former Kraftwerk member Karl Bartos, Sven Väth and DJ Hell.

After its success, Datapunk turned into an enlarging business which devoured both time and creativity to make music. In 2013, Rother decided to let the project rest and took a break that he used to move his studio while only producing music for his HYBRID sets. Through his self- contemplative retreat, he eventually rediscovered the artistic instincts that brought him back to his roots; both in terms of his renewed independence as well as how he channels creativity as a producer. In late 2017, Rother resurfaced with an EP on Danny Daze’s Omnidisc and contributed the track "Technic Electric" to Fabric 96 mix by DVS1. Last year, Rother returned to his Psi49Net label with a new album "3L3C7RO COMMANDO" that transports a clear message: Anthony Rother not only lives in and through his pure electro music, he still has something to say – here and now. The past represents the future!

In April 2019, Rother will release two 12’’ on DVS1’s Mistress Recordings followed by another EP as well as a conceptual LP for Psi49Net in fall. Moreover, Rother will drop a 12-inch on Radio Slave’s Rekids offshoot Stranger In The Night.

Jeremy Autson is a DJ & an Audiovisual producer based in Belgium. 
Started in 2006 he made a name in the belgian nightlife.

Loving big drumming tracks from deep to electronics, underground/garage, minimal music style, he started to collect tracks such as someone who's collecting paintings depending about emotions felt.

His major influences are coming from Germany and from UK.

Anthony Rother - Ape Machine

Anthony Rother (Official)

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