Dissolution Process

[PREMIERE] | Unknown Artist - In My Memory [PRRUKLTD1990D]

◘ Memory of 1990 EP by Unknown Artist

Artist: Unknown Artist
Track: In My Memory
Label: Planet Rhythm
Genre: Electronic
Style: Techno
Cat No: PRRUKLTD1990D
Date release: 24.03
Format: Digital, Vinyl (release 31.03)

◘ TRACKLIST

A1. Altered Memory
A2. In My Memory
B1. Augmented Memory
B2. Blur My Memory

◘ PRE-ORDER / BUY LINK:

https://planetrhythm.bandcamp.com/album/memory-of-1990-ep

◘ MORE:

Planet Rhythm:

https://soundcloud.com/planetrhythmrec
https://facebook.com/planetrhythmrec
https://planetrhythm.bandcamp.com/

Memory of 1990 EP

In My Memory

[PREMIERE] | Unknown Artist - In My Memory [PRRUKLTD1990D]

Lyon-based artist Tauceti has emerged as an intriguing talent in recent years. As a producer, Tauceti leans into the more obscure areas of lustrous techno and hazy ambient. On her four-tracker "47038", she fuses these aesthetics to produce a collection that bridges the dancefloor and introspective listening.

"Minya Konka" opens the EP with gnarly drums and a luminous synthline, oscillating between dense and airy soundscapes. "Minghun" melds droney textures with wintry pads, stirring up a macabre atmosphere. On a driving note, "Plum Blossom" uncoils with rolling kickdrums and aqueous stabs, forming a lithe and limber 4/4 number. The closing tune, "Queqiao", is a beatless slow burner set against a soupy backdrop, pierced with light-sabre-like FX. It summarises Tauceti's polished sound design, which bleeds throughout "47038", and showcases her explorations into dusky, cinematic techno and noise-led sounds.

47038

B1 TAUCETI / PLUM BLOSSOM

Motto Sono Records by Miia Magia & Mr. Barth presents: (MOTTO47) Lost And Found, written & produced by Joel Kinnunen. The Helsinki based producer is back on the label with his third release, including four brand new deep and dubbed out grooves.

https://soundcloud.com/joelkinnunen

Cover art by Sasa Saastamoinen
https://www.instagram.com/sasalainen

Lost And Found (MOTTO47)

Granulator, by Joel Kinnunen (MOTTO47)

"This is how you feel after you come home from a long flight; semi-destroyed. Partly inspired by M-500 “Think Quick (Maurizio Remake)”. Designed so you can set your CD player to continuous loop, put on your headphones and just float." (Alan D. Oldham aka DJ T-1000)

Progress

BANDCAMP

DJ T-1000 - Semi-Destroyed

Fresh meduza 66

HATE exclusive premiere.
Full streaming of the EP soon on our HATE YouTube channel.

Support the label, buy it here:
https://found.ee/BSP004

Backspin – the imprint launched by Regal as a love letter to early 2000s Hardgroove – welcomes techno titan Marco Bailey with the 'Drivetonik' EP: a powerful blend of past and present that pays homage to Hardgroove's golden era while keeping the focus firmly on today's dancefloors.

Artist: Marco Bailey
Title: Drivetonik EP
Label: Backspin Records 
Catalogue: BSP004
Format: Digital
Genre: Electronic
Style: #Techno  
Release date: October 31, 2025

Follow #MarcoBailey here:
https://soundcloud.com/marco-bailey
https://www.instagram.com/marcobaileyofficial/
https://www.facebook.com/officialmarcobailey
https://twitter.com/marcobailey

Follow #Backspin here:
https://soundcloud.com/backspinrecords
https://www.instagram.com/backspin_records
https://linktr.ee/backspin_records

Tracklist:
1. Drivetonik
2. Hustler (Remastered)
3. Karma (Remastered)
4. Konverter (Remastered)
5. Konverter (Hertz Remix)

The EP opens with the title track 'Drivetonik', a brand-new production that sets the tone: raw, rolling and built to move bodies. A straight-up Hardgroove banger, it's Bailey at his most focused. All momentum, no compromise. What follows is a rare treat for longtime heads: three classic tracks, originally released on the legendary Primate Recordings, now freshly remastered for 2025. 'Hustler' brings the bounce with its infectious and instantly effective sound. 'Karma' leans into tribal rhythms and percussive layering, while 'Konverter' cuts through with synth stabs and vocal chops, offering a punchy, streamlined ride through early-2000s funk. To close things out, Swedish Hardgroove legend Hertz steps in to rework 'Konverter', injecting his signature style into a remix that's as crisp as it is driving, a perfect fusion of old-school grit and modern precision.

With each release, Backspin Records continues its mission to rediscover, revive, and redefine the foundations of 2000s groove-driven techno. With the 'Drivetonik' EP, Marco Bailey shows us why his legacy remains firmly embedded in the genre's foundation.



___
DISCLAIMER: All tracks are uploaded in a low quality for promotional purposes only and with buy links to respect label and artists.

CONTACT EMAIL: hatemusic1@gmail.com

Follow us on INSTAGRAM and FACEBOOK for releases previews and news:
https://www.instagram.com/hate_collective
https://www.facebook.com/hatecollective/

Follow us on SOUNDCLOUD for exclusive podcast series:
https://soundcloud.com/hate_music

Drivetonik EP

Karma

Premiere: Marco Bailey — Karma [BSP004]

Feral

NIHAD TULE // GLOBE

Program, sinteza i sekvence Nihad Tule. Sva prava zadržana.

SLOBODA // SLBD0000000

http://slobodamusic.com
http://sloboda.bandcamp.com
http://youtube.com/user/SLBD0000000

© 2018 Sloboda

SLBD0000000

Buy @ SLOBODA Bandcamp

Nihad Tule - Globe (Sloboda SLBD0000000)

The duo returns with the third part of their reputable ‘vs.’ series! Close your eyes and forget everything around you...all 4 cuts are pure ‘in the zone’ techno trips. 

About the series: 
Enemy vs ARTS is a split-release vinyl series where each label controls the A&R of one side of the record. ‘Modern Penetration’ follows previous releases ‘Excuse the Disorder’ and ‘Man Worships Power’. 

HYPNOSIS ENDS PAIN. 
HYPNOSIS BRINGS TRANQUILTY. 
HYPNOSIS WILL GUIDE YOU... 
TO THE ASTRAL PLANE.

Enemy vs Arts 003

Buy on Bandcamp

Eternity's Edge

Maan - Trow (Steve Rachmad Remix) [non008]

The future:


 30/08 Berlin Atonal w/ Neel & DJ Red (DE) 
31/08 Berlin Atonal LIVE (DE)
06/09 Sejong Theater, Seoul (KR)
06/09 Vurt, Seoul (KR)
12/09 Trädgården closing, Stockholm (SE)
13/09 Magick Bar, Rome (IT)
18/09 Solace, Melbourne (AU)
 19/09 Eucladia x Solace Sydney (AU)
 20/09 At.las, Melbourne (AU)
21/09 Subvert, Adelaide (AU)
11/10 Inkonst, Malmö (AU)
01/11 Under Bron, Stockholm (SE)

Bookings:
booking@northernelectronics.se

The cohesive array of depth charged devices that Anthony Linell has produced is formidable. From his opening statements as Abdulla Rashim on his early label of the same name, right through to his recent work that puts his aliases aside, there is a robust and rigorous intent that compounds the elemental strategies of techno's models to apprehend his singular vision.

Presiding over Stockholm's Northern Electronics label with Varg (Jonas Rönnberg), Linell dispenses with mechanisms of attention on all fronts. Marked by an indefatigable self-reliance, the label presents exactly what it means to display, and no more. Carving an idiosyncratic platform for his music is as great of a warning as there could be that Linell's leveraging little toward the benefit of the audience. By his measure, the familiarity and comfort of contemporary techno is stripped back to its rushing heart, the senses left tailgating the strobe in a fit of intuition over decision. The greater this is exposed the colder it gets, and its in these extremes that Linell's caustic rhythmic precision hits. Live, it comes off as a galvanizing strike from the outside; analysing the room as a DJ, it's a case of being pursued through the dark.

Just as the brevity of Linell's output in the eyes of techno is exalted as it is brought into focus, the background to this blurs as you start to decipher his other projects. Lundin Oil skirts the fringes of noise and experimental music, and in collaboration with Varg as Ulwhednar, this is perhaps even more pronounced.

Purposively ricocheting between the techno world and experimental electronic music, Linell forges a distinct passage that gathers the aesthetically uncompromising motifs and missions from across this spectrum. It's this combination and resolve that's brought Linell to the world's attention, however little that attention has been solicited.