Dissolution Process

The Increased Difficulty of Breathing

Music and cultural movement
Deep / ambient / hypnotic / techno
send your podcast to:
Request : ethereal.mov@gmail.com

Farshad Taghipour born 1988 from Iran,tabriz
He is a DJ and producer of electronic music.
He studied music and keyboard from the age of 16 and became interested in electronic music since he was a teenager.
He started his career in 2015.

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A high-spirited artist and relentless producer, Mathys reinvents the syncopation through a mental and rude 4-decks techno, embodying the intense, concentrated and visceral, inviting for emancipation. 

From his multiple EP's released on MORD, Orbe, HAYES and Mutual Rytm recently, his music is fiery and frenetic. This spatial dimension is essential to him as a musician, where tension and reflection are combined in the space he endlessly recreates through his sets. 

Mathys Lenne is the one who sets the pace, pushing the melody to its rawest limits and establishing order with finesse.

The Scan
1/2 of Classic Blue

DJ & Producer📍 Barcelona
Sungate/ Modern Minimal / Subsist

cristian691654050@gmail.com
https://www.instagram.com/tv/CVVTuctF4XF/?utm_source=ig_web_copy_link

Тот кто вкусил мак - будет всю жизнь плакать крокодильими слезами…

The future:

08/11 Ormside, London (UK)
21/11 NE x Headframes, Kiruna (SE)
12/12 Tresor, Berlin (DE)
19/12 Under Bron, Stockholm (SE)
20/12 Astron, Athens (GR)
31/01 Industrial Copera, Granada (ES)
13/02 TBA Tblisi (GE)
06/03 Under Bron, Stockholm (SE)


Requests/Booking:

booking@northernelectronics.se

The cohesive array of depth charged devices that Anthony Linell has produced is formidable. From his opening statements as Abdulla Rashim on his early label of the same name, right through to his recent work that puts his aliases aside, there is a robust and rigorous intent that compounds the elemental strategies of techno's models to apprehend his singular vision.

Presiding over Stockholm's Northern Electronics label with Varg (Jonas Rönnberg), Linell dispenses with mechanisms of attention on all fronts. Marked by an indefatigable self-reliance, the label presents exactly what it means to display, and no more. Carving an idiosyncratic platform for his music is as great of a warning as there could be that Linell's leveraging little toward the benefit of the audience. By his measure, the familiarity and comfort of contemporary techno is stripped back to its rushing heart, the senses left tailgating the strobe in a fit of intuition over decision. The greater this is exposed the colder it gets, and its in these extremes that Linell's caustic rhythmic precision hits. Live, it comes off as a galvanizing strike from the outside; analysing the room as a DJ, it's a case of being pursued through the dark.

Just as the brevity of Linell's output in the eyes of techno is exalted as it is brought into focus, the background to this blurs as you start to decipher his other projects. Lundin Oil skirts the fringes of noise and experimental music, and in collaboration with Varg as Ulwhednar, this is perhaps even more pronounced.

Purposively ricocheting between the techno world and experimental electronic music, Linell forges a distinct passage that gathers the aesthetically uncompromising motifs and missions from across this spectrum. It's this combination and resolve that's brought Linell to the world's attention, however little that attention has been solicited.