Adrenochrome - E(P) (1976)

Figures Outside a Dacha, with Snowfall, and an Abbey in the Background

Study for Wigner Function - by Reiko Yamada

For augmented ensemble and live-electronics
Duration: 13:45"
World premiere by ensemble hand werk  |  Alte Feuerwache Köln, Cologne, Germany, Jan. 29, 2025
With the kind support of Kunststiftung NRW.
Cover: artwork by Pierre Derieux-Eghdami

* Live recording: please use headphones!

...Zum Quellklang noch ungelungener Selbst gestalten...(2024)— for ensemble and live-electronics

Skript (2021)
for six voices, percussion quartet and tape

commissioned by ZeitRäume Basel
premiered in September 2021 by the Neue Vocalsolisten Stuttgart, Ensemble This | Ensemble That, Amadis Brugnoni

recording: SRF 2 Culture, Basel

Skript [excerpt1] (2021) for six voices, percussion quartet and tape

"Blessed are the poor in spirit"
Part II of Mass for organ
Performed by Konstantin Volostnov
at the Musik am 13. Concert series
Bad Cannstatt Stadtkirche (Germany)

Part I — « Cunctipotens Genitor » 
(Almighty Creator)
https://on.soundcloud.com/b96ntRbyGyykYyTPGy

Missa: II. Beati pauperes spiritu (2022) for organ

a vapor (no body, no image)
for baritone voice & orchestra
2025

written for the Tectonics Festival, the BBC Scottish Symphony Orchestra, Ilan Volkov, and Ty Bouque

www.timothy-mccormack.com/a-vapor-no-body-no-image

a vapor (no body, no image) - excerpt

Wesley Shen, pianist 
At the Array Space in Toronto - June 2025

woolgathering, solo piano, Wesley Shen

La voix du trait (concert version, 2025)

Ensemble Fractales
Renata Kambarova, flutes
Dries Tack, clarinets
Marion Borgel, violin
Merryl Havard, cello
Gian Ponte, piano

La voix du trait - concert version (2025) - flute, clarinet, violin, cello, piano

Performance: Dresdner Philharmonie, conductor Lennart Dohms
November 2011, Dresden
The title derives from the word "perigee" - the point at which an object makes its closest approach to the Earth. The Greek prefix "peri" means around, near. Here "Ge" refers to the tone G. 

Peri-Ge (2011) for symphony orchestra and live-electronics (Dresdner Philharmonie)

Ways of Returning (2020) - for string quartet and electronics
Part I (Imitation)
Part II (farbenfuge)
Part III (Monophony)

Performed by: Quatuor Bozzini
Electronics - Anthony Tan

Aesthetically, this work represents the mixing of the Classical String Quartet genre with Noise, and Dark Ambient genre signifiers. Theoretically, the work explores timbre through the historical abstraction of modal and tonal counterpoint. The first movement builds timbre through the imitation of acoustic strings by sampled, and synthetically modelled strings. The second movement is a timbre fugue. The third movement is an Industrial Ritual and explores the micro-synchronicity within a pulsation and its effect on timbral blend.

Ways of Returning (2020) - Part III (Monophony) - Quatuor Bozzini - Live Recording

Anthony Tan