Montenegrian experimental sound artist Relja Cupic, or Regis, composes and produces music using a blend of vocals and acoustic instruments, creating film scores and installations and performances for various environments, including art institutions, galleries, and more-commercial [music] venues.

His work has been inspired by soundsystem music culture, which is evidenced by his early association with Mystic Stylez, a Belgrade-based music collective, commenced in the 2010s, that revolutionized the bass driven dance music scene in Southeastern Europe. 

Regis, hailing from a small and relatively isolated Balkan nation, brings to the global music scene a sonic palette that is as diverse as it is distinct. The full-heartedness of his music is a result of his early influences, such as dirty south rap, afro house, slow jams, trance, turbofolk and krautrock, to name a few. A multimedia sound artist and composer, he has also achieved significant popularity as a contemporary hip-hop and R&B producer on his home turf. In both segments of his work, Regis explores the boundaries of what sound can be and how it interacts with other mediums, constantly pushing the limits and challenging conventions, blending the traditional with the new.

Kӣr is the solo production epithet of Bane Jovančević, resident live
artist and program manager of Belgrade’s club Drug§tore. His first
release Imrali was on Creme Organization and second one
Mramorje was released on Yerevan Tapes.
By combining traditional and experimental influences in electro-acoustic music,
Kӣr creates the sound in which drone-navigated post-industrial logos
transgresses into a tribal mythos, in search for the traces of future. The clash of
synths and acoustics invoke an audio landscape of Byzantine sacral traditions
and Balkan folklore rhythms. Kӣr’s symbolic language (Dimiskija, Imrali,
Mramorje, Balčak) layers it up with an ancient temporality and its logic of being
that is not past but our own. The basic concept is to challenge conventional and
predominant rhythmic structures in music by juxtaposing traditional rhythms with
contemporary electronic sound design. The visual imaginary invoked in the
sound – that of a forest air, a river, a hum of birds – delivered through the
ruthlessness of the machine, insist on an active listening, to all the otherworldly
of this world. It is music that hypnotizes, contemplates and raves. And it always
dances.

- Bones ( https://soundcloud.com/teamsesh )
- Cat Soup ( https://soundcloud.com/cat-soup-cfgsta )
- DeerGod ( https://soundcloud.com/deerxgod )
- Drew The Architect ( https://soundcloud.com/drewthearchitect )
- Drip-133 ( https://soundcloud.com/drip-133 )
- Fleece ( https://soundcloud.com/fleece )
- GhostnGhoul ( https://soundcloud.com/ghostnghoul )
- Grayera ( https://soundcloud.com/grayera )
- Greaf ( https://soundcloud.com/greaf )
- Hnrk ( https://soundcloud.com/hnrk93 )
- Kodyak ( https://soundcloud.com/kodyakhiphop )
- Messiah ( https://soundcloud.com/uriahhaughawout )
- Blanco BIllions ( https://soundcloud.com/blancobillions )
- Smitty The BG ( http://soundcloud.com/smittythebg )
- Vegard Veslelia ( http://soundcloud.com/vegardveslelia )

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