Two lads from Newcastle, UK. We have spent the last 10 years DJing together under the name RJ, playing regular gigs locally to supporting big acts around Europe. 

Sharing a love of House Music since the turn of 2000, artists such as Copyright, Soulsearcher, Sandy Rivera and Harry Romero, and labels Defected, Sulphuric, Subliminal, Strictly Rhythm were heavily influenced in our sets. Our tastes changed by 2007 where Chicago/Jackin House had become our focus, the adaptability of the music was what captured it for us, being able to use soul, hiphop, Jazz or disco samples in a more upbeat fashion gave us something unique to offer as the genre within the UK was relatively unknown. Fast Forward 10 years and we entered the lower levels of BPM looking at those original Disco and soul records which provided us those sensational funky loops & samples 10 years previously has kept our fascination of re-edits and reworks of originals. 

2018 kicked off our Strut2Disco events, a party designed to offer the coastal area of Newcastle a insight to those artists & influential DJ's providing us with some of the most creative Disco edits and reworks out there, past and present.

Lenny Fontana - Karmic Power Records
Natasha Kitty Katt - SoulHeaven / Glitterbox

@ Hoochie Coochie (Newcastle, UK)
Joey Negro
John Morales
The Reflex

This Page Is Constantly Updated With All Our Mixes or live Events We Have Been Involved In. All Mixes Are Available to Download.

Always up for a good party, ever interested in booking us..
Drop us a email at info@strut2disco.com 

RJ x

For those who wants My entire international edit collection (more than 400 edits) (70
 euros by paypal) more info by MP (djmikeandtess@yahoo.fr) 

GENERAL INQUIRIES : djmikeandtess@yahoo.fr

Call it a party. Call it celebration. Call it an excuse to pay homage to the decade of free-spirited funk.....Whatever you call it, let it be known: 
It's The San Diego Mustache Bash

Lets get funked up ya'll!!!

www.mustachebash.com

If there’s anyone who prompts the question “When does he find time to make that?” it’s serial editor and remixer Pete Le Freq. For more than 20 years he’s been reworking disco and funk classics as label boss of Alpaca Edits and Llama Farm Recordings, updating originals with a distinctive dance‑floor edge. His prolific remixes have been played by DJs worldwide — he’s a regular at Beatherder, made his Ring stage debut this summer alongside Utah Saints and Jaegerossa, and is a Mastermix remixer alongside Ben Liebrand, Sgt Slick and DJ S. He’s shared decks with Young Pulse, Michael Gray, Craig Charles, Dr Packer and Jo Whiley, and already has dates booked for 2026. 

Simply put:  he makes what he loves in the headphones come out the big speakers.

Bookings: matt@thepool-london.com 
Promos: promo@gregwilson.co.uk 
DJ Dates: https://blog.gregwilson.co.uk/upcoming-dj-dates/
Greg began DJing in 1975 and is regarded as one of the most important figures on the UK dance scene. He enjoyed hugely popular residencies in the early eighties at Wigan Pier and Manchester’s majorly influential Legend, having originally started out in his hometown, New Brighton. A pioneer of mixing in the UK, he became the first ‘dance music’ specialist hired for a regular weekly session at Manchester’s now legendary Haçienda club in 1983. Greg was instrumental in breaking the new electronic, post-disco records coming out of New York, a sound he has dubbed ‘Electro-Funk’.

In 2003 he set up electrofunkroots, a website documenting this crucial era in the evolution of dance culture. After a two decade hiatus from the booth, he returned to DJing and soon welcomed bookings throughout Europe and, subsequently, worldwide.

Greg was the first DJ to mix live on British TV, putting together the first UK radio mixes of their type for Piccadilly 261 in Manchester and showing a certain Norman Cook (later Fatboy Slim) how to scratch.

Nominated by DJ Magazine for outstanding contribution, and also named amongst their top twenty remixers of all-time, Greg’s remix credits include Grace Jones, The XX, Groove Armada, Bryan Ferry, Confidence Man, Gilberto Gil and Simian Mobile Disco, whilst he’s edited tracks by A Guy Called Gerald, Talking Heads, O.M.D., Electronic, Imagination and Missy Elliot.

In January 2009 Greg’s reputation was further enhanced when his Essential Mix on BBC Radio 1 received almost universal acclaim and was selected as one of 10 classics that spanned the show’s near 17 year history.

Greg’s Blog, ‘Being A DJ’, was launched in June 2010 for observations on various aspects of club culture now an online touchstone for an ever-increasing amount of dance enthusiasts and aficionados.

In August 2010 he co-curated areas at the inaugural Vintage Festival at Goodwood, which was named ‘Best New Festival’ at the UK Festival Awards.

He has produced a series of documentary podcasts, Time Capsule, Random Influences and Early 80’s Floorfillers, as well as the long-running blog series, Living To Music.

Greg has given talks on music and DJ culture at a number events at venues The Tate Gallery in Liverpool and London's Southbank and Institute Of Contemporary Arts, whilst in 2013 he was invited onto a panel alongside legendary figures Nile Rodgers and Giorgio Moroder @ ADE in Amsterdam. 

In 2014 he unveiled the multi-media label Super Weird Substance, focusing on recording and live events. In 2015, the label released 8 vinyl singles, brought together in the 2 CD comp, 'Greg Wilson Presents Super Weird Substance'. September 2015 saw a memorable Festival No.6 Happening in Portmeirion and Greg rounded off the year with the Liverpool-based celebration of the 40th anniversary of his first club date in 1975 as well as being presented with DJ Magazine's Industry Icon award.

Greg launched his Credit To The Edit club collective at 2016's Festival No.6 and since then has taken it to Liverpool, Berlin, Brixton, Bethnal Green and finally back to Portmeirion for Festival No.6 2017.

2017 saw his label host the epic 14 Hour Super Weird Happening at Liverpool's Florrie, following a mixtape collaboration with Alan Moore, who also appeared at the Happening, whilst it also saw the digital release of The Super Weird Society's 'Gone With The Vibe', released the following year on the first Substance Select 12" vinyl alongside 'The Ghosts Of Watling Street', 'The Best Is Yet To Come' and 'Summer Came My Way'. 2018 also saw the release of Vol.3 in Greg's long-running Credit To The Edit compilation series.

After a handful of further releases, the label was put into hibernation with the onset of covid. Diversifying, ‘Greg Wilson’s Discotheque Archives’ was issued during 2020 lockdown as a limited run paperback, with more books, both Wilson’s own projects and by other authors, now planned.

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