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Usuario: Findemundo (https://soundcloud.com/findemundoxxx)

Formato: Digital set

Elemento: Arsénico

Descripción: El arsénico es un elemento químico con símbolo As y número atómico 33. Se clasifica como un metaloide, encontrándose en la naturaleza principalmente en minerales combinados con azufre y metales. De aspecto gris metálico en su forma más común, ha sido utilizado históricamente en pigmentos, pesticidas y aleaciones, aunque hoy su empleo está limitado por su toxicidad. Actualmente se usa en la industria del vidrio, la metalurgia, la preservación de maderas y en pequeñas cantidades en semiconductores y dispositivos electrónicos. En el plano esotérico y simbólico, el arsénico representa la dualidad entre veneno y medicina, destrucción y purificación, funcionando como metáfora de transformación y renovación. Se le vincula con el poder oculto de la energía y con la reflexión sobre el equilibrio entre luz y sombra, evocando la necesidad de un uso responsable de aquello que, en exceso, puede ser destructivo, pero en equilibrio puede abrir caminos de cambio.

Findemundo es el alias de Fabián Meric S., DJ y productor nacido en Santiago de Chile en 1993. Inició su carrera en 2011 musicalizando reuniones y fiestas informales, para luego expandirse a ferias y clubes de la capital como Mamba, Club Vita y La Matrix, además de presentarse en Barcelona en 2023 y colaborar con radios internacionales como Wide Radio (UK), DNTFCK (MX) y Jerome (CA). Su estilo se caracteriza por la improvisación y la mezcla de sonidos atemporales que fluyen sin guiones previos, explorando influencias que van desde el house, el Detroit/Chicago techno y el deep house hasta el acid, progressive, electro y hardhouse. En sus producciones mantiene la experimentación como sello, buscando un sonido que escapa a categorizaciones; en esta ocasión elige al arsénico como referencia simbólica por su versatilidad y múltiples formas, cualidad que refleja en los matices y transformaciones de su mixtape grabado en CDJs 850 Pioneer y mixer DJM 350.

Master: https://soundcloud.com/colmorecords

Findemundo - Arsénico (059)

Este es el primer EP de una serie dedicada a la música techno, electro, minimal y house.
Espero lo disfruten y gracias por estar acá <3

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This is the first EP of a series dedicated to techno, electro, minimal and house music. 
I hope you enjoy and thank you for being here <3

Kalypso

Refrain

Maja Ratkje - Crepuscular Hour part 1

This classic minimal music album is now available again on vinyl for the first time since the 70s.

https://www.aguirrerecords.com/collections/aguirre-records/products/terry-riley-persian-surgery-dervishes-2xlp

Californian composer Terry Riley’s In C, first issued on vinyl in 1968, is widely acknowledged as a Minimalist landmark that altered the course of twentieth-century music. His influential album A Rainbow In Curved Air, which appeared the following year, is a vivid fusion of rock and raga, jazz and psychedelia realised through overdubbing on an 8-track machine which had recently been installed at the studios of Columbia Records.  

By the early 70s Riley had come to feel that scores were a distraction. Faithful interpretation of an already written piece was a deviation from the true purpose of making music, which was spiritual quest. Fortunately, some of those live performances, personal journeys towards a state of transcendence, were captured on tape. Persian Surgery Dervishes, issued initially on the French label Shandar, features two such concerts for electric organ and reel-to-reel delay, one recorded in Los Angeles on 18th April 1971, the other in Paris on 24th May 1972.

At the start of that decade Riley became a dedicated student of the great Hindustani singer Pandit Pran Nath. Looking into North Indian classical tradition he found correspondences to modal and cyclic ideas that he was already working on. In 1971, as a way to learn more, Riley himself started teaching Indian music at Mills College, in Oakland. That experience fed directly into his solo keyboard performances, but other influences were also shaping the music heard on Persian Surgery Dervishes. Personal research into ancient Persian culture and the poetry of Rumi lit up his imagination, while the repetitive swirling of Sufi devotional music from North Africa, which Riley had first encountered in Europe during the early 60s, reverberates through these performances. Jazz, as conceived by such masters such as Bill Evans and John Coltrane, is also present as an enduring source of inspiration. 

The Californian version of Persian Surgery Dervishes starts with low dark tones, dense and brooding like a huddled human figure, deep in introspection. But as the improvisation unfolds Riley’s buoyant spirit asserts itself, spiralling out in ecstatic coils, as though liberated from the grip of body consciousness. The Parisian concert conveys a different mood, brighter and more open in texture, more relaxed from the outset and breathing with greater freedom as it takes flight. 

Echoes of Terry Riley’s inspired music have spread far and wide - into progressive rock, New Age and ambient soundings, film soundtracks, blissed-out electronica and dance-floor trance. His fluent and hypnotic keyboard playing can be heard as part of a continuum, transmitting energies from ancient and distant musical sources into the living here and now. Persian Surgery Dervishes is a significant part of that picture, a mesmerising record of a vital stage in Riley’s ongoing quest for connection with the universal mind and the sublime music that flows ceaselessly from it. 

“Music is my spiritual path. It’s my way of finding out who I am.”  Terry Riley, in 1976

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