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An Amsterdam based independent organization, promoting highly popular Trance events.

To listen to Billy Gillies is to capture true joy, because every song he produces and DJ set he performs radiates pure passion and vibrant spirit.

 

The Northern Irishman’s blend of quirky Eurodance synths, uplifting trance grandeur and hard-hitting bass rhythms goes beyond catchy melodies and expert timing, as breakout hits “Lagoon” and “Youth” tap into the very essence of what makes a night spent on the dancefloor with your best mates such a special experience.

 

That’s why he’s earned more than 145 million views on TikTok, filled a Creamfields tent with thousands of ravers at 1 p.m. on a Sunday, and why he’s managed to get an official remix of Madison Avenue’s 1999 hit “Don’t Call Me Baby” after ripping the iconic vocal off the internet.

 

Crowds chant his name from Taiwan to Texas because Billy Gillies dares to do something different; something unique to himself. Now, Billy Gillies is the next superstar-DJ-in-the-making, poised to take over the world.

 

Billy’s musical obsession started in the 2000s when his older sister started buying Clubland compilation CDs and dating a local DJ. One night, the boyfriend came over and brought his decks, but when the couple left to go dancing, 11-year-old Billy snuck into his sister’s room and started playing with the turntables.

 

“I was like, ‘what is this music? I love this,’” he laughs. “On the Christmas list for that year was a set of decks.”

 

His mom delivered with his first set of Kam belt drives, and Billy’s been mad for mixing ever since. Each Saturday, he’d head out of the house with a five Pound note and spend it on a new record (Tiesto’s Traffic being particularly influential). In turn, he’d spend the next week learning to mix that record in and out of his steadily growing collection.

 

When he was 17, he got his first taste of true Clubland. A year underaged, he caught an hour-long bus from Belfast to Banbridge and talked his way into a club called Coach. Japanese DJ Yoji Biomehanika and the UK’s own Lisa Lashes dropped heavy hard-house records all night, and Billy started dreaming of his own chance to rock a crowd, proper.

 

He knew that if he wanted to be an in-demand DJ, he’d have to come up with some original songs. In 2011, he locked himself in his bedroom with a copy of Ableton Live and didn’t come out until he’d mastered the basic trance sound.

 

He fell in love with music production and started sending his tracks to BBC Radio 1 DJ Judge Jules, who played them on his show every Friday night. For 19-year-old Billy, there was nothing better.

 

After spending much of his 20s as a self-described “party animal,” 28-year-old Billy once again locked himself inside his bedroom and churned out a ton of original tunes. The result? A spot on the lineup of Luminosity 2019 alongside major trance legends Paul Van Dyk, Ferry Corsten, Gareth Emery and more. He played a set of all-original material, and when a recording was posted to Soundcloud, it earned more plays than any of the headliners.

 

“I’d brung a fresh sound into the trance scene,” Gillies says. “Everyone was making the same type of thing, where I just look back at my influences growing up and crammed it into the main trance style.”

 

International booking requests flooded in, sending him to Argentina to Australia—and then COVID struck. Many of his peers saw no point releasing music to a locked-down crowd, but Billy saw a chance to experiment.

 

“People need music in hard times, not just for clubs,” he says. “The music I was making around that time was proper emotional melodies, and it was resonating with everyone.”

 

He’d share each tune in a rough clip to Facebook or TikTok, and every post brought shares in the thousands. His fan base wasn’t just growing, it was ballooning, due in part not only to his masterful skills in the studio but also his effervescent personality that spills into each tune.

Management: 
hello@watsematter.com

Bookings: 
katarina@aceagency.com

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Stream Step-Grandma here:
https://salvatoreganacci.lnk.to/SU8lcizh

Stream Fight Dirty here:
https://mdlbeast.streamlink.to/fight-dirty

MGMT
stephan@refune.com

Bookings: musicbenpearce@gmail.com

To many, Ben Pearce’s name is synonymous with ‘What I Might Do’, his oddly anthemic deep-house debut that dominated club floors across the world in 2012. Whilst this is an easy correlation to make (the track went platinum in Europe, reached #7 in the UK charts and was the most Shazamed tracked of 2013 in the UK), those who have followed him since the beginning can testify that he is so much more than that.

Ben is very much an underground DJ first-and-foremost, aided in no small part by his vast musical knowledge and the ability to play across a wide range of musical genres. His skills behind the decks have not gone un-noticed, as shown by high-profile sets alongside the likes of Simian Mobile Disco, Tensnake and Claptone. 

On the rise, Ben was named DJ Mag's Best Breakthrough Producer in 2013 and in the following year further proved that he's deserving of the coveted award. Becoming increasingly known for his remixing abilities as well as his own original productions, remixing for Le Youth, Kwabs and Tender Games all in 2014. He collaborated with Black Orange Juice ‘Predictable’ for MTA, a soulfully smooth single that equally showcases lyrical flair and production talent, as well as release the underground club infused 'Lego' EP on his own label. 

The latter end of 2014 saw Ben launch of his new disco inspired project The Sextape Series. Which incorporates a number of free mix tapes, cheeky edits and a sequence of Sextape inspired parties. These specific nights see Ben playing extended funk-infused sets across a range of characterful, intimate venues in the UK. 

Through 2015, Ben has continued to tour around the globe, starting the year in Australia before embarking on a tour of North America in March. Starting in Miami where Ben played a special Sextape Series set, the tour also took in dates in Montreal, Texas and Mexico City. Having appeared for the brand last year, Ben was given a recurring residency for ANTS at Ushuaia and additionally appeared for We Love… and Magna Carta at Sankeys Ibiza. Not to mention the inaugural Creamfields Festival in Ibiza at Ushuaia. Away from the White Isle, Ben played at the first ever Lost Village Festival as well as Parklife, We Are FSTVL and the Ruis Festival in the Netherlands.

Revered for his classic disco sets, the legendary Giorgio Moroder also enlisted Ben to play a special set at the launch party for his new album at Shoreditch House in May - an event that also served as a fundraiser for Bridges for Music. 

Alongside a hectic touring schedule, Ben has also provided remixes for the likes of IYES and Hayden James on ‘Something About You’ in 2015, as well as standout collaborative record ’Nothing Ever Hurts' with Shadowchild and featuring vocalist Laurel - a track that reinforced Ben’s penchant for blending astute melody with peak-time bass.

Ben also successfully runs his own label imprint Purp & Soul which has celebrated its 12th release with regular artist showcases and releases. After a massive couple of years, Ben has shown that he’s not one to rest on his laurels and 2015 is sure to further Ben Pearce’s status as one of the top DJs and producers in the industry.

AW1 is following