Piano solo

Piano Solo

a bit of everything

Fine Shyt

Liminal space?

nevermind, everything's ok

sleep

Momento Intra

Nicole

The Minx (Original Soundtrack)

The Minx

Handmade Tales - Lovers

mi habitación-paula

Music and video composed and performed by me

Mixed and mastered by Fabio Ricchiardi https://www.instagram.com/_astomare/

Watch the full video on https://www.youtube.com/watch?v=aQYxLS3ZgdI

Ritratti - Laura

listen to this:
https://soundcloud.com/angelbambu/meditative-sound-journey-kelp

The Temprees - Love Can Be So Wonderful [Slowed Down]

I re-scored three minutes of gameplay from The Legend of Zelda - Tears of the Kingdom.

Watch it on YouTube
https://www.youtube.com/watch?v=-vIL-eU5phI&t=1s

Hope you like it!

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It was screened at the Screen Music Program 2023, in Pavia, Italy.

A string quartet played it!

Jacopo Bigi - Violin
Gabriele Schiavi - Violin
Marcello Schiavi - Viola
Giulia Lanati - Cello

I deeply thank all the staff from Screen Music Program, the musicians who played and recorded my music and all the amazing person I met during those incredible 10 days in Pavia.
I hug you all.

Bye!

Beyond the Clouds

A Music for a Short Video you can find on YouTube

Landscape Inside - I

Modest Music n.1

The Greek philosopher Eubulides of Miletus is credited with the sophistic argument known as the paradox of the sorites (heap). The most common way it is formulated is as follows: the first grain does not constitute a heap, neither does the second, and so on; thus, either the heap never forms, or if it is accepted that it forms by the addition of a given grain, it must be concluded that it was that single grain that made the heap exist.
The famous Dutch illustrator and engraver Maurits Cornelis Escher was a great master in the graphic representation of various mathematical and logical themes and paradoxes. Metamorphose II, from 1940, is one of his works that best embodies the theme of the paradox of the sorites. This is the work I have chosen to set to music.
When does a polygon stop being a polygon and start being the two-dimensional representation of a lizard, or a fish, or a bird, and vice versa?
If Escher graphically represented this theme, my work has been to transpose it musically.
When does a melody, a timbre, or a key stop being what it is and become something else?
Please, enjoy the listening and viewing experience!

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This is my latest work, created as the final work of the intensive training course “Screen Music Program”, organized by two pillars of Italian culture: the Accademia Chigiana and Cinecittà.

I thank the tireless @Antonio Artese for his work in coordinating and organizing the course and I thank the teaching staff made up of first-rate members including Patrick Kirst, Lawrence Shragge, Giuseppe Vasapolli, Sarah Belle Reid, Jeff Wolpert.
The masterclasses held by composers of the caliber of Franco Piersanti, Mark Korven, Anna Dubrich, Reinhold Heil were also precious.

Female voices are by the fantastic artist Giorgia Longo
Clarinets are by the incredible Giovanni Vai

Metamorphose II

Nichijou - Helvetica Standard -Sono 3-

FLIES 45-07
Piero Piccioni - DOPO DI CHE... UCCIDE IL MASCHIO E LO DIVORA / LA VOLPE DALLA CODA DI VELLUTO (Right or Wrong / Once and Again)
first time on 7’’
OUT ON 7th December

For the first time in a single 7’’ the gorgeous soul ballads that Piero Piccioni composed for the title credits of two Italian-Spanish thrillers, both magnificently sung by Shawn Robinson’s divine voice. Two pop-downtempo gems shining with the power of their melodies and the quality of their proto-hip hop arrangements that immediately carry us into the dreamlike, mellow atmosphere of the early 1970’s European thriller cinema. This music is characterised by timeless, unbounded elegance, poised between romanticism and worldliness, and the style that only some productions of Piero Piccioni used to feature.
Special Ultra-limited Edition with three different covers, each in their colour variant, with the breath-taking image of iconic star Marisa Mell standing out: 133 purple-cover copies with label + 133 blue-cover copies with label + 133 violet-cover copies with label.

Piero Piccioni - RIGHT OR WRONG

TItle Theme of the Visual Novel game by Nitro+

Saya no Uta Soundtrack - Sabbath

Live performance by Alessandro Deljavan
https://alessandrodeljavan3.welltempered.com

Artwork by Alessandro Quercia
https://www.facebook.com/alessandro.quercia.52

Nocturne in the Daylight

Artwork by Mariapia di Lecce
https://www.behance.net/maridyl?tracking_source=search_projects_recommended%7Cmaridyl
https://www.instagram.com/maridyl_art/

Clarinet by Umberto Galante
https://open.spotify.com/artist/0CcOvTikCQho5MOyGfJV5O?si=q-smSLwBTaCZ17CiXBWp4A

Piano by Antonello Tosto

Double Bass by Daniele Quercia https://soundcloud.com/daniele-quercia

Mix and Mastering by Giancarlo Guarrera
https://soundcloud.com/giancarlo-guarrera

Valse Naïve

Valse Naive

This is the first movement of "Souvenir Mécanique"

Composed by Antonello Tosto

Piano: Antonello Tosto

Cover Photo by Miguel Ángel Padriñán

Souvenir Mécanique - I

This is the second movement of "Souvenir Mécanique"

Composed by Antonello Tosto

Piano: Antonello Tosto

Cover Photo by Miguel Ángel Padriñán

Souvenir Mécanique - II

This is the third movement of "Souvenir Mécanique"

Composed by Antonello Tosto

Piano: Antonello Tosto

Cover Photo by Miguel Ángel Padriñán

Souvenir Mécanique - III

Any physical manifestation underlies the movement. The existence of music, a favorite field of my personal research, underlies the movement.  Starting from the assumption that art forms always interpenetrate, and even complement each other when they border and cross over into apparently remote areas, I have strongly dedicated myself to investigating the inextricable relationship between music and movement.  To do this, I create installations, videos and digital interactive works that reveal relationships between objects that belong to different systems. I try to make the invisible visible, as someone said.