2017 World Premier:
Festival Internacional Cervantino—Teatro Principal
October 14, 2017
Conductor: Piere Roulier / Countertenor: Guilhem Terail / Ensemble2e2m / Video: Ian Winters

Based on Juan Rulfo's tale, Macario.

The four movements are the following:

I-Preludio Pastoral (Pastoral prelude)Purely instrumental movement inspired by Macario’s descriptions of nature and of folklore music.

II-Canto del Deseo (Song of Desire)The countertenor sings a series of key words from the tale, related to Macario’s desires: SALIVA (saliva), LECHE (milk), MIEL (honey), DULCE (sweet), LENGUA (tongue), OBELISCO (obelisk), DORMIDA (asleep), COSQUILLAS (tickles), FLORES (flowers), OJOS (eyes), CIELO (sky), FELIPA.

III-Letras Veladas (Veiled letters)An exploration of Macario’s fears. The countertenor sings the different letters of the word MIEDO (fear).

IV-Canto del Tambor (Song of the Drum)The countertenor sings a series of key words from the tale, related to Macario’s description of the drum he hears and imagines: SUENA (sounds), TAMBOR (drum), OÍRLO (to hear it), LEJOS (far), HONDO (deep), PEGARLE (hit it), QUEBRARSE (to break).

Tum Tambor (2017) for countertenor, chamber orchestra, and electronics

recording Max Hundelshausen, september 2014

Séverine Ballon, Improvisation 1 for solo cello

Piano and  vocalize - Gilberto Mauro 
Guitars - SauloFergo
Bass- Ricardo Prates
Drums - D'artagnan Oliveira 
CD Terra Alta 

TERRA ALTA.  - Band   - 2011

Max Hundelshausen recording, september 2014 

Séverine Ballon Improvisation for solo cello 03

Stefano Bellemo - Registrazioni e manipolazioni.
Anno Prod. 2014
Grazie per la vostra attenzione.

Orizzonte Chiuso

Reportage de Pierre Rigaudière sur la création de "Hunted" au Festival Aire de Jeu des Subsistances (Janvier 2015, Lyon). Conception, Chorégraphie, Réalisation : Maud le Pladec
Chant, Performance : Okwui Okpokwasili
Accordéons : Fanny Vicens et Jean-Etienne Sotty
Musique : Sonata "Mustat Linnut" de Kalevi Aho, arrangée et spatialisée pour 2 accordéons

Hunted - Les lundis de la contemporaine

Rapsódia de Areia - Piano  - 2011, original - 1990

Composition

Composer of contemporary orchestral music

Tum Tambor (2017) for countertenor, chamber orchestra, and electronics

Antonio Juan-Marcos

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Madalyn Ipock

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