bach - contrapunctus

MIGUEL BELLUSCI: Solo X "Jazzificación" (2018), for bassethorn

Demo of Gothenburg Reed Organ, Ocarina, Swedish Keyharp & Greek Lira by Michael Klubertanz www.mkscoring.de
Product page:
http://www.store.precisionsound.net/gothenburginfo.php

BACH Contrapunctus I - Michael Klubertanz

Kunst der Fuge
Created with MAGIX Music Maker 2013

J.S. Bach, Contrapunctus IV

Fie Schouten - bass clarinet
Buy download, CD 
https://fieschoutenclarinets.bandcamp.com/track/calling-2015-calliope-tsoupaki-2
Calling was composed by Calliope Tsoupaki (NL/GR) for me in 2015. The work is a musical expression of the fight against whaling in the exhibition of visual artist Fiona Tan. It is a lamento in which the sea, looking out over the ocean, plays an important role and personal sadness is expressed as well.

Calliope Tsoupaki: "you create a magical space with your sound, almost plastic, tangible and sensual"

© Copyright 2015 by Stichting Donemus Beheer
webshop.donemus.com/action/front/sheetmusic/20141
online lesson on the piece Gallery of Tones by Fie Schouten:
https://galleryoftones.com/courses/fie-schouten-extended-bas-clarinet-techniques-in-contemporary-compositions-calliope-tsoupaki-calling/

Nature

Calling (2015) - Calliope Tsoupaki

This is a live recording of me playing bass trombone with a brass quintet on Contrapunctus 4.

Bach Contrapunctus 4, Brass Quintet

Lyne Allard et Geneviève Liboiron, violons
Jean René, alto
Émilie Girard-Charest, violoncelle

Jaculations

Program Note:
“The Cold War, often dated 1947–1991, was a sustained state of political and military tension between the powers of the Western world, led by the United States and its North Atlantic Treaty Organization allies, and the Communist world, led by the Soviet Union, its satellite states and allies. The Cold War began after the success of these countries temporary wartime alliance against Nazi Germany, leaving the Soviet Union and the United States as two superpowers with profound economic and political differences. The Cold War was so named as it never featured direct military action, since both sides possessed nuclear weapons, and because their use would probably guarantee their mutual assured destruction. Cycles of relative calm would be followed by high tension that could have led to war. The Soviet Union created the Eastern Bloc, maintaining the eastern countries that it occupied, as satellite states. Romania was included as well. The Cold War put its stamps on the entire Romanian population, where I lived before immigrating to Canada to reunite with my family here.
The idea of contrasts between dreams and reality is at the base of my composition.” - Maya Badian.

In The Shadow Of The Iron Curtain solo soprano saxophone by Maya Badian

Scènes aux sons d'emeraude for piano and harp 2023

Headphones recommended

Scènes aux sons d'emeraude (mockup)

Written for and recorded by Low Frequency Trio for their project Nuevas Músicas Latinoamericanas, with the support of Ibermúsicas.

Antonio Rosales, bass clarinet
Juan José García, double bass
José Luis Hurtado, piano
With fixed-media electronics diffused through three mini-speakers attached to the instruments.

About the piece: https://micheleabondano.com/2022/12/14/no-construction-is-whole/

No Construction Is Whole (2022) | Michele Abondano

Heinz Holliger "Contrechant"
Benjamin Maneyrol - Bass clarinet
Recorded live at Festival Musica Privata V (Lodz, Poland)

Heinz Holliger Contrechant

Return of the son of "Superficies II" (2017)
Performed by Low Frequency Trio

Juan J. García: Doublebass
José Luis Hurtado: Piano
Antonio Rosales: Bass Clarinet

Gabriel Salcedo Sansón: Electronics
Live recording.

Return of the son of "Superficies II"

Mezcolanzas [2017] - Aldo Lombera

Bass Clarinet, Double Bass, Piano, Fixed Media & Video / Clarinete Bajo, Contrabajo, Piano, Soporte Fijo y Video

(use of headphones or full-range speakers is recommended)

Performance by Low Frequency Trio -> facebook.com/LowFrequencyTrio

Listen / Watch / Read More: aldolombera.com/mezcolanzas

Mezcolanzas [2017] / (Low Frequency Trio)

4 Fragments 
construction of 4 miniatures for bass clarinet and double bass

commissioned by "Festival 20/21 Transit 2018" in coproduction with Basklarinet Festijn
performed by Fie Schouten (bass clarinet) and Beltane Ruiz Molina (double bass) (part of the program "Lyrisch Laag")

live recording at "Transit 2018" in Leuven on 14th October 2018

4 Fragments (pt. 4) - Frederik Neyrinck (Transit 2018)

Johann Sebastian Bach, "Die Kunst der Fuge", Contrapunctus 6

UMBRATONO Ensemble:
Sylvia Hinz: Recorder
Ludwig Carrasco: Violin
Antonio Rosales: Bass Clarinet
Irene Carrasco: Cello

"Alfonso Ortiz Tirado" Festival, FAOT
31.01.2013

BACH-Contrapunctus 6 UMBRATONO Ensemble

Contrapunctus 3 from "The Art of Fugue" by J.S. Bach
Clarinet ensemble (2 bass clarinets; 2 clarinets)
Played by P. Sturt

Bach: Contrapunctus 3

ANTONIO ROSALES has realized the Mexican premier of some masterpieces such as "Itou" by Pascal Dusapin or "Échange" by Iannis Xenakis, "Concertino voor Basklarinet en Strijkkwartet" by Tristan Keuris, "Schattenklänge" by Maricio Kagel and "Desde el Instante" by Javier Torres Maldonado. He has performed recitals at the International Forum of New Music "Manuel Enríquez" 2006-2014, "VI Forum for Composers of Nuevo León" 2014, "28 Cultural Fest Zacatecas" 2014, "Cervantino International Festival" 2011-2013 and "Alfonso Ortiz Tirado Festival" 2012-2013. 

In 2012 he is recipient for a FONCA-CONACYT grant to make an artistic residence in Berlin, Germany with the project "Contemporary Bach" with the Berliner Trio XelmYa. The project consisted on a concert series with Bach's "The Art of Fuge" selections along with World Premiers for works by German and Mexican composers.

Antonio Rosales is Artistic Director of the UMBRATONO Ensemble and QUARTZ Ensemble and member of ANEMOS CLARINET QUARTET.

BACH-Contrapunctus 6 UMBRATONO Ensemble

Antonio Rosales

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