i have played this at least 100 times! let me know when and where your live next please!

Love love looooooooooooooovvvvvvvvve this so much!!! Thank you so much Anton!! 

12:56 is Martin Stimming!! Second song this guys uses of stimming. Idk might unlike if i hear a third.

Sets CA

The music I chose for the set is a journey through my different styles and preferences that I like to combine in a long set.
Sometimes dark and demanding and sometimes trippy und playful. 
For my definition of DJing this is the challenge to tell a story with my music.

The last year was a caesura for the whole electronic music culture worldwide and I hope that we can experience our culture together again soon. 
It is so important and holds our society together and gives people courage and confidence in these difficult times.

For me personally I try to get something positive out of this situation by being in the studio as much as possible. In addition, I am currently building up a lot with our new club label Kiosk ID, which I run together with Mira, and last year we caused quite a stir with our compilations „Give ‚em a future & 43 Katzen tanzen auf’m Tisch“ to save our club Kater Blau in Berlin.
I hope you will enjoy the next 3hours 33minutes and 33 seconds ...
Keep the vibes alive …
Love from Berlin
Peter
Soundcloud:  https://soundcloud.com/peter-schumann 
Instagram: https://www.instagram.com/peter_schumann_kater/ 
Facebook: www.facebook.com/Peter-Schumann-70546656682/ 
Beatport: https://www.beatport.com/artist/peter-schumann/8886

Kater Blau - Berlin

Flow Sessions 052 - Peter Schumann

After six years of believing that I was fully done with Burning Man, the stars happened to align this summer when I got a calling to go. 

Back in 2016, I never thought that Burning Man would allow me to press the reset button and relieve myself from many things I was carrying emotionally. Then suddenly when I was out on the playa in my element, I began to feel myself again: connected, worry-free, present. 

Thanks to 11 days of complete disconnection from my computer and phone, I was left at the mercy of nature’s elements which brought me back to a place of peace and serenity.  

It was such a joy to take part in Burning Man’s social experiment, one that unites a community of like minded beings from various backgrounds. 

I loved getting my hands dirty while building the camp, helping out with a friend's art structure and chatting with new and old friends every single day.  This was a whole new experience for me; an experience that filled my heart and inspired me in powerful ways. 

For the first time, I can safely say that I have been transformed by my time on the playa, and for that I feel grateful and humbled. 

Memorable moments like riding solo on my bike, letting go of plans, eating nourishing food, getting totally lost in the city, visiting random camps and more often than not connecting with strangers was pure magic. For me, this is the essence of Burning Man: an experience of contribution, full of serendipity and spontaneity. 
 
Here’s a personal highlight of mine that I’d like to share: 
It’s Friday evening, and I have been chosen to set the mood on the Robot Heart bus (which I must admit was one of my favorite nights out there). Here I am pre-set drinking Sake and sharing stories with my dear friend Benjamin Alexander.  The bus is parked at camp when I jump on top and begin to play for 20 minutes before the wheels start turning. Our drive to the deep playa begins, and with that a brutal dust storm follows.  I was instantly taken back in time to my 2015 Burn when I was fascinated by the fairy-lit bicycles chasing the bus, lighting up the space with an array of moving colors.  Eventually, after an hour of driving around, the wind stops, the dust settles, and the bus finds its parking spot for the night.  I finally remove my dust mask and watch the vast space in front me light up as I finish my set.  An unforgettable moment, visual, crowd…everything was perfect. 
 
To all of you who are reading this who were there dancing and glowing on the playa, I would like to say a huge thank you!  I will cherish that moment for the rest of my life.  You inspired me to smile and shine. 
 
Until next year.
 
Julien aka YokoO xx 
 
FOLLOW YOKOO
soundcloud.com/yokoo 
instagram.com/yokoo_dj/ 
facebook.com/yokoomusic/
yokoo.bandcamp.com/ 
youtube.com/user/YokoODj 
https://djyokoo.com/ 

Photo Credit:
John Dill

YokoO - Robot Heart - Burning Man 2022

I was given the opportunity to curate the lineup for our Preservation Society art car, Lucy S Cargo, last year at Burning Man. I brought my friends @oba-flip and @nodestinationmusic onboard, and we soundtracked a wonderful sunrise and morning on Playa. Here is my set from that day on my favourite snail :)

Photo credit: Jen Clarke

Christian @ Lucy S Cargo (Burning Man 2023)

a beautiful manner to explore my music collection with New York City. 

A solid D&B Soundsystem, 400 disco balls, and an open to close time frame right in the middle of the US tour. Truly feels liberating to play these longer shows and surf through a wide range of my music collection. 

Much of my music still remains hidden by the noise of the digital era, so inspired to clean out the garden.  

enjoy this journey and let me know what you feel in the comments <3

special thanks to the beautiful Aionia crew for organising everything so smooth. Back in NYC May 25th 2024

Love, 

unders

unders | new york city | open to close

Forest Stage, Wolfkop Weekender 20 Jan 2024

Bloem @ Wolfkop Weekender Lilo River Flow 2024

What an honor to have been asked to play the closing set during the Super Blood Moon Total Lunar Eclipse that took place on  September 27, 2015. Total Eclipse begins around 1 hour mark.

Recorded live at Moontribe Full Moon Gathering, somewhere in Mojave Desert, California. This certainly was quite the magical experience for me, transcending time and space!

Track list:
1. DJ Koze - Amygdala feat. Milosh
2. Stavroz - The Finishing (Powel Remix)
3. Stimming - From One Cell feat. Urzula Amen
4. Bedouin - Flight Of The Birds
5. Pattern Drama - Girar O Mundo feat. Candida
6. Pig & Dan - I Am One feat. Rachel Lyn
7. VCMG - Single Blip (Mathew Jonson Remix)
8. Monkey Safari - Walls
9. Rodriguez Jr. - Kenopsia
10. Cotry & You, Oui - The Past (Denis Horvat Remix)
11. Luca Bacchetti - The Space Between Us
12. Kiasmos - Burnt
13. Oliver Englafjord - Molntus
14. Agoria - Helice
15. Antix - Let The Right One In
16. Butch & Hohberg - Medusa
17. Audision - Red Star (Robag Wruhme Remix)
18. Alex Smoke - Slippers & Slappers
19. Nathan Fake - The Turtle
20. Ricardo Tobar - Made
21. NU - Earth
22. Minilogue - The Leopard (Extrawelt Remix)
23. Nathan Fake - The Sky Was Pink (Icelandic Version)
24. Kiasmos - Bent
25. Acid Pauli & NU - 12
26. Pablo Bolivar - Another Earth
27. PQM - You Are Sleeping (DJ Tool)

Photo by: Simon Shackleton

Anton Tumas @ Moontribe (9.27.2015 Super Blood Moon Eclipse)

© artwork by franz zünkler ➲ contact ✉ franz.zuenkler@t-online.de

Atish (https://soundcloud.com/atish) presents Afterhour Sounds Podcast Nr.134

Unsere Nr. 134 kommt heute von einem amerikanischen Künstler, der mich seit 3 Jahren ununterbrochen musikalisch begleitet. Ich erinnere mich noch sehr gut an seine damalige Bunring Man Aufnahme… Sie haute mich schlichtweg um. Seitdem komme ich nicht mehr um Ihn herum. 

Die Rede ist von „Atish“, einem ehrlichen und unkomplizierten Künstler, der keinen geradlinigen Weg ging. Anfangs noch Programmierer für Facebook, entschied er sich vor knapp 10 Jahren selber Musik zu mixen, wie seine unzähligen Mixe belegen. Anders als viele andere Künstler, die gerne ihre so genannte ‚peinliche‘ Anfangszeit verheimlichen möchten, sind bei Ihm tatsächlich noch alle Mixe zum Anhören verfügbar. Dass er damals wie heute seinem Sound gleich geblieben ist, spricht umso mehr für diesen sympathischen Menschen. 

Sein Coming Out hatte er 2012, als er auf dem Robot Heart art-car spielte. Seitdem ging es steil bergauf. Tokio, New York, Istanbul, Berlin,…um nur einige Stationen seines vollgepackten Kalenders zu nennen.

Aber auch in seiner Wahlstadt San Francisco treibt er weiterhin sein Unwesen. Und wie!!! Neben dem etwas anderen Clubformat mit dem Namen ‚Late night tonight!‘, einer Mischung aus Talk-Show und Club Party, gründete er auch das Label ‚Manjumasi‘. 
Und wäre dies nicht schon genug, feilt er in jeder freien Minute an kommenden Releases und Remixen. Tendenz steigend. Sowohl in Qualität, als auch in Quantität. Wir sind gespannt.

Das von Ihm eingespielte Set ist eine herrlich ‚afterhoureske‘ Reise ins Dickicht der melodischen und verträumten elektronischen Musik. Das sich Atish für dieses Set etwas ganz besonderes einfallen lassen hat ist unüberhörbar. Ich war beim ersten Hören des Sets tatsächlich komplett geflasht, hatte ich doch etwas anderes erwartet. Aber diese Überraschungsmomente, die unsere Reihe und die jeweiligen musikalischen Interpretationen immer wieder mit sich bringen, hauen mich, nein uns, immer wieder um. Darauf darf man auch ein wenig Stolz sein. Vor allem wenn man am Ende ein ganz außergewöhnliches Set erhält. So auch hier. Schnallt euch an… Ich kann mich nur wiederholen, aber es erwartet euch eine Reise durch verspielte, sehr deepe und hypnothische Felder, wie gemacht für eine tanzbare Afterhour sind. Das gabs bei uns schon lange nicht mehr….seid gespannt.

Wir danken Dir vielmals für dieses besondere Set Atish. Umwerfend und überraschend gut. Wenn Unikat, dann Hier. Chapeu.

Wir sind entzückt.

[Text: arkadiusz.]


✘ Atish (San Francisco/United States Of America)

soundcloud.com/atish
facebook.com/atishmusic

TRACKLIST | bit.ly/atish-afterhour

Podcast 2018

download

atish presents Afterhour Sounds Podcast Nr. 134

POWEL on:
- Facebook: www.facebook.com/powel.music
- SoundCloud: @powel

HOW I MET THE BASS on:
- Facebook: www.facebook.com/howimetthebass
- Twitter: www.twitter.com/howimetthebass
- Mixcloud: www.mixcloud.com/HowIMetTheBass

3 QUESTIONS to POWEL:

Q: Let´s talk about your mix. Reading the tracklist offers a long journey yet. So how did these tracks find the way to your heart?

A: This mix can obviously only be an overview of the different styles of Electronic Music I liked between, roughly, 1997 and 2007. So between the time Electronic Music first appeared on my radar, until the time I got into producing again. It is probably the weirdest and most eclectic mix I've ever recorded. It represents most of the phases I went through, not chronologically though, that would have made the mixing impossible. It includes my IDM phase represented by “Boards Of Canada”, "Dntel" and “Mouse On Mars”, which hasn't lost any of it's impact on me, even after all those years. I think I've gotten into that, when I discovered “Arte Space Night”, a TV show which was showing random images of space combined with ambient music, a perfect thing to get stoned to. I included also a little bit of Drum'N'Bass, which was actually the music I played during my very first club gig. I think I was about 16 years old at then. There's also some House, including this track “I'm lonely” by “Hollis P. Monroe”, which I only had on a  mixtape at the time and never really found out what that track was. Until it popped up somehow a couple of years ago when I was browsing through youtube, and I was like: "Hey that's the track you used to love as a kid." That was quite a moment for me. That track “Resurrection” by “The Amalgamation Of Soundz”, is one of the first records I bought, right after I bought my first decks in 1999, so this will always have special place in my heart, it's a very versatile record, which somehow manages to cover so many different styles within just 4 tracks. I also included some minimal or minimal-ish sounding tracks in the podcast, which was quite revolutionary at the time I discovered this, at least for me. Creating so much with so little, I was really impressed by that. [see full answer on www.facebook.com/howimetthebass due to limited SoundCloud space here]

Q: You´re playing your music all over the planet. Do you have a favorite spot and would you prefer playing more local instead of endless travels every weekend?

A: For me, one of the most amazing part of traveling as a DJ is to get around, meet new people and developing friendships all over the world. I would say that this is sometimes even better then the actual DJing part. Sure, on the other hand you have to spend a lot of time at airports and they are the combined horror of overcrowded train stations, shopping malls and border crossings, but you get rewarded by playing music you like at some of the most interesting places in the world, so who wouldn't like that. I also like playing at home, but I'm trying to keep it low, just to make it more special for me.

Q: There´s a new Powel release out on Do Not Sit On The Furniture Recordings. Which other exciting projects are on the way?

A: I just finished my second EP for “All Day I Dream” on which I was working on for quite a while now. I think I’ve been pushing the release date for almost a year and half now, because it never felt a 100% ready to me, but it does now finally. So there's that. I'm also about to finish my first full length album, which I want to release sometime next year. So that's what’s kept and is still keeping me quite busy in the studio.

Powel - HOW I MET THE BASS #124

Round two...

My second year at Burning Man. This time, I was a bit more relaxed 
because I knew what I was getting myself into - well at least that's 
what I thought. I quickly realized that this year seemed somehow similar 
but also very different to my experience from last year - very hard to 
explain why, so I won't even start trying. I guess this is one of the 
reasons, why people keep coming back - you simply can't explain, and you 
don't have to. Everything is so overly fascinating here. This time I 
played the bus during the day, which was perfect because those daytime 
sets are my favourite. After a long rest and a healthy breakfast... just 
kidding, it was a cereal bar and a vodka orange, I left my camp to find 
the bus - I didn't right away actually, which made me a bit nervous - 
fortunately tho, I had the honour to play after Lee Burridge, which 
usually means that there are lots of people. So I just had to figure out 
where the crowd was headed and follow them, the perfect plan. It was 
boiling hot, and I got my first sunburn at burning man – oh right, plus 
I did play some music as well :). What can i say, it was simply 
fantastic - the vibe, the people. I'm really thankful for the opportunity. 


Photo:  John Dill

Powel - Robot Heart 10 Year Anniversary - Burning Man 2017

Mind Against @ Musée Des Confluences for Cercle
Full HD video: https://www.youtube.com/watch?v=VMiSnR9frEg

@mindagainst
____

Follow us on www.cercle.live

Mind Against @ Musée Des Confluences for Cercle

[LE RECOMMANDÉ - NOVEMBRE 18]

Kronembourg à la Poste, 
Chronopost à la bourre !

La sélection PTT des meilleurs sons de novembre 2018. Proposés par vous, mixés par vos facteurs préférés.

ENJOY

1 - COEO - Coast To Coast
2 - The True Underground Sound Of Rome - Secret Doctrine
3 - LeonxLeon - Rokanbo
4 - Metro Area 'Piña' (SWAG's 'Más Jugo' Dub)
5 - Simple Symmetry - Too Much Fun In The Temple Of Doom
6 - Wolfram - Automatic Dub
7 - Pleasure Model - International Geographic 
8 - Âme - Junggesellenmaschine
9 - Erol Alkan - Spectrum
10 - Themba - Who Is Themba?
11 - Johannes Heil - B2
12 - The Dead Rose Music Company - Nutkins


DISCLAIMER : I do not own any rights on the material in this mix. Just for promotional use. Please write me a direct message if you have complains about this upload concerning copyright issues. In that case, I will remove the video immediately ! Thank you very much for your understanding

Le Recommandé - Novembre 18

Pornceptual Podcast #5: Dasco

facebook.com/dj.dasco
@dj-dasco

Artwork: Jonathan Markish
jmarkish.com

TASCAM DR-40

Pornceptual Podcast #5: DASCO

Subsonic Music Festival Australia Saturday December 1st 2018. Saturday night Pizza Lab

Ant J Steep Subsonic Music Festival 2018

Angels,

It's time to wake up to a gem... Deer Jade is one of our most favourite DJs at the moment. Nothing feels more refreshing than to be around a being that has found his or her passion in life, especially when that passion is music. 

Find yourself in a few hours that we have recorded at her show for Wild as the Moon. We gave her the second room as her playground, a free space where she could take our crowd on a journey for hours. 

It was probably one of the most memorable performances in that room.. We can't wait for this wonderful human to return to the decks and fortunately this will be at The Monastery.

Let's beat the downward spiral of a Monday and enjoy this day fully.. Happiness is inside you.

Much love,

The Gardens of Babylon

The Monastery presents Deer Jade

Doyeq - Live @ Zero Take Over SaSuMo (Kater Blau / Berlin 07.07.2019)

Anton Tumas is a man that wears many hats. As a DJ, promoter, and label owner, he has left an inevitable mark on the underground scene, spanning over a decade.

Cutting his teeth at LA’s clubs, desert parties like Moontribe and Burning Man, where he’s played everything from Robot Heart to DISTRIKT and Mayan Warrior, festivals such as Lightning in a Bottle, Desert Hearts, Further Future and Woogie Weekend, he quickly found himself playing with the likes of Hernán Cattáneo, DJ Tennis, and Danny Howells. Refusing to be limited by run of the mill music, his ever-evolving taste ranges from the farthest corners of house and techno to abstract electronica and everything in between.

Gaining the ability to control a dance floor led to his being inspired to understand the makings of a good party. Using his laser-like focus, he was soon a self-taught promoter, throwing parties in city parks and outdoor venues. Most notably, he essentially discovered the Belmont Pier in Long Beach as a venue, and set up one of the region’s most respected residencies, Subtract On The Pier. 

Now well into its sixth year, it continues to attract local icons, such as Doc Martin and Marques Wyatt, and major international headliners including Hernán Cattáneo, Patrice Bäumel, and Max Cooper. This residency combined with his promoter prowess led him to co-produce and curate the Love Long Beach Festival, which is in its seventh year and attracts more than 15,000 people.

Having initially founded the Subtract brand as a record label, he showcased emerging talent as new indie labels do. Although that commitment to new artists remains unchanged, his credibility now attracts remixes from superstars like Stimming, John Digweed and Damian Lazarus. The label releases just once or twice a year, with a focus on quality over quantity.

Now, with years of experience under his belt, he is ready for the next chapter. “We’re in an ever-evolving landscape, and are inventing it as we speak. But take this as a promise: We are about to raise the bar.”

Anton Tumas @ Moontribe (9.27.2015 Super Blood Moon Eclipse)

Anton Tumas

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