DJ BOOKINGS - Anormusic@gmail.com 

ANoR are Andy & Fraser, a DJ/producer duo from the UK.

Owners of https://soundcloud.com/nitemovesmusic. 

Please send all demos to demos@nitemovesmusic.com

Martin Buttrich is famously as fluent behind a mixing console as in front of a virtual drum kit. That technical prowess, combined with a fascination for music of every shape, has resulted in outstanding releases on influential labels such as Planet E, Four:Twenty, Cocoon, Poker Flat, Nervous and Desolat. He’s also put his sonic thumbprint on many big ticket artists, notably receiving a Grammy nomination for a Tori Amos remix in 2003. Such diverse musical horizons are rare. While other prolific artists may have slowly watered down their music, Buttrich’s star has risen in diametric opposition. His vision has become more and more condensed, more and more crystallised. Flipping and puncturing grooves in a live setting is a snap for him, and he’s entranced audiences at festivals like Time Warp and Creamfields, at temples of boom such as Fabric (London), Womb (Tokyo), Cocoon (Frankfurt), Panorama Bar (Berlin) and Amnesia (Ibiza) and at worldwide Desolat Experience parties with Loco Dice.

Buttrich’s journey into electronic music began in clubs in Berlin and Hannover at the dawn of the ‘90s, when post-Summer of Love-Europe began to swing to its own hypnotic, machine-like groove. At 18 years old he began experimenting with production as X-Rotation (with Daniel Bross), which led to the projects Rhythm Assault, Sounds of Life and Phunk Diggazs (with engineer Andy Bolleshon).

Buttrich began a notorious collaboration with his then co-worker at Peppermint Jam distribution, Timo Maas, in the mid-‘90s (they worked the telephones together). After setting up his first studio in the basement of the Peppermint Park studio building, the partnership led to over 100 co-productions and remixes that included Madonna, Muse, Fatboy Slim. Josh Wink and Green Velvet. Buttrich has produced funk legend Bootsy Collins, while switching the patterns for artists including Tom Jones, Kelis, Moloko, Depeche Mode, Placebo, Yello, War and Roger Sanchez. His Azzido Da Bass “Dooms Night” remix with Timo Maas hit the UK top ten charts.
 
All the while he created an impressive library of beats and collected an arsenal of music production equipment for his studio in Timetools, a studio complex founded in 1997 in Hannover with a group of musicians. Buttrich is happy with the subtle crunch of an SP-12 sampler and the ‘smoky’ vibe of his analog mixing desk – adding a bass guitar or other instrument when necessary. But he’s not above having fun with a laptop either: approaching music programs as if they were video games. He doesn’t rely on any one machine or music composition technique, and his array of outboard gear is mouth-wateringly state of the art.
But he never loses touch with the gritty, human side of music, and the environments that it is played in.

Another key musical partnership, with Loco Dice, begun in 2002, undoubtedly inspired Buttrich to delve deeper into the musical histories that first lured him towards after-dark melodies. In a short space of time they’d built up a deep discography creating an era-defining sound in the process. They spent more than half a year living in New York in 2006/2007, with half of Buttrich’s studio set up in a rickety hideaway in Brooklyn that looked out over Manhattan’s vistas. Between late night production sessions and snowstorms, their Desolat label came to life.

Having his debut solo album Crash Test released on Desolat in early 2010, Martin Buttrich is taking his vision to the road, fusing wild imagination with solid musical architecture, cherry-picked inspiration with true perfection of his musical craft. 

Since then constantly on tour, in 2011 Martin Buttrich still has dropped a remarkable collection of music - productions like “Fire Files” EP on Desolat or remixes for Marco Carola and Lee Curtis amongst others.

Currently based in LA, Martin Buttrich is working on his second artist album and a jazz project called The Stoned Autopilot.

Stay tuned.

Sam Divine 

Bookings (excl. North & South America: andy.raeside@entityma.com
North & South America Bookings: chad.cohen@unitedtalent.com 
Management: tom.shea@act.management

facebook.com/djsamdivine
twitter.com/djsamdivine
Instagram - samdivinedj

*All mixes are for promotional use only*

With her years in the game, a multitude of awards, accolades and achievements, global tours and widespread influence, Sam Divine is a powerhouse artist. Renowned selector, producer, label owner and all round inspiration to countless women worldwide, she has established herself as a formidable presence. With 25 years under her belt, Sam’s vision and determination remain as staunch as ever. Driven by the finite nature of life, she is instigating a pivotal shift in her lifestyle. What we might call ‘Sam 2.0’ is the next phase of her evolutionary path, utilising her knowledge and experience to reveal more of her truest self.
 
Working on her personal growth, focusing on her wellbeing and exploring sobriety, while also pushing the boundaries of her creativity are key pillars of this internal, and external, development. As she reflects on the past couple of decades, Sam Divine is poised to push forward with the same energy and vibrancy that launched her onto the global circuit. This time with a fresh outlook and healthy.

Oliver Lang is a celebrated British DJ and producer known for shaping the house music scene over two decades. With historic residencies at iconic venues like Bora Bora Ibiza, Sankeys, and Ministry of Sound, he has left an indelible mark on the global dance music community.
His standout track "Dying to Live," released on Toolroom Records, was widely championed by Sasha and Digweed. Along with releases like "Bomb The Terrace" on Azuli and various other tracks on Spinnin' and Deeperfect Records, to name a few, he has solidified his reputation as a top producer. In 2025, Oliver is set to release fresh music, continuing his influential legacy in the industry.

Bookings & Info

Doorly@reptiledysfunction.club

Australia / New Zealand:
Mike@thickasthieves.com.au
dom@paxxgroup.com

House, tech house and techno DJ from the UK

currently has residency at TRAIN-SF in Dubai. Previously had a monthly residency at ministry of sound London.

responsible for creating and running a popular house / tech house event called Semi naked. 

just started running a new night called Komodo.

Has supported top dis including Danny howard, Daruis syrossian, leftwing and cody, bondax, chris lake, Tim mason,Ant brooks, marco bailey, vitalic and much more.

also played at some of the best venues in the uk and across the world including halo, junk, lightbox, egg (all UK) viva, sunset boat parties, kanya, ibiza rocks, eden, bora bora beach (all Ibiza)

prefers house / tech house and techno but can DJ all genres including drum and bass, hip hop, r'n'b, chart, commercial house, old school the list goes on....has been playing club sets for over 4 years
 
for bookings contact the weblinks provided:

Callum RJ official

email- r_jennins@outlook.com



Right place, right time. It's an old cliché, but it's one that's been the definition of Dennis Ferrer's musical career. Just as the dance music world was heading into the world of afro-centric house, Ferrer was there. And then, when it began to embrace the mix of tech and soul, Ferrer was there again, leading the way with his impeccable productions. As Ferrer goes, it seems, so does electronic music. And, as someone who's never content to do the same thing twice, it's clear that he'll be staying on top for years to come.

Ferrer burst back into the consciousness of most dance music heads with the release of "Sandcastles," (Ibadan) his collaboration with Jerome Sydenham in 2003. But, to his credit, Ferrer didn't simply repeat the formula afterwards. He has continued to push a variety of genres all at once. It's clear that Ferrer isn't content to rest on his laurels: he's too busy dreaming up new ways to shock and delight audiences.

In the mid-90’s, Ferrer was crafting techno records as Morph and then had success in the Afro and gospel house scenes with releases via his Sfere label, an imprint he began alongside Kerri Chandler. But it's this past work that gives his new productions such resonance: unlike many of this house peers, Ferrer's techno experience has given him an edge that you can hear in his recent work.

"Son of Raw," (Ibadan) "Church Lady," (Defected) "Underground Is My Home," (King Street Sounds), "Touched the Sky" (King Street Sounds), “Transitions” (King Street Sounds), “P 2 Da J” (Defected),  “Sinfonia Della Notte” (Strictly Rhythm), “Hey Hey” (Objektivity), “Red Room” (Objektivity), “Underground” Nick Curly – Dennis Ferrer Remix (Defected), to name a few, have all been huge dance floor anthems and all show a different side of the Ferrer personality as well as his impressive range as producer and remixer.

Ferrer has brought his ‘anything goes’ approach to his label, Objektivity.  Celebrating its 8th anniversary in 2014, the imprint has thus far focused itself on vocals, featuring often unlikely turns from indie heroes like Ane Brun and Télépopmusik. Low slung and deep, Objektivity is a cutting-edge label in touch with its time, putting a uniquely American spin on the deep house revival that is currently making waves in Europe. Objektivity is a living, breathing thing - one that's set to drop bombs on the dance floor for years to come.

While Ferrer closes out 2013 with “Mind Ur Step” (Defected), “Mind Ur Dub” (Objektivity) and a remix of Coyu - “Salvation” (Noir Music), the best is yet to come. With a deep knowledge of the past and a constant push for the future, Ferrer remains one of the true greats of house music - a leader and innovator whose enjoying the buzz around him but keeping on pushing the limits. Stay tuned.

Antony Chapman is following