Track Lists : 

1. Laurel Halo - Marbles

2. FKA Twigs - Cellophane

3. Jacaszek - Elegia

4. Shida Shahabi - Futō

5. Nils Frahm - Them

6. Deru - I Would Like

7. Herbert, Matthew Herbert - It's Only Reprise

8. Tennyson - Valse

9. Moderat - The Mark(Interlude)

10. Erik Truffaz, Murcof - Origin of the World

11. Nils Frahm - Ross's Harmonium

12. Jóhann Jóhannsson - Bað

13. Howling- Litmus

14. Amon Tobin - Surge (Emika Version)

15. Sevdaliza - Human

16. The Gentleman Losers - Honey Bunch

17. Dictaphone - The Frame (1-94-1)

18. James Blake - Radio Silence

19. Nicolas Jaar - Muse

20. Thom Yorke - Has Ended

Listeners Mix 003 By oumood

Pale Blue

Remix I did for Machinone's track, "Siksy" which also features Danny Norbury. More info about the album here:
http://www.flau.jp/releases/r17.html
https://flau.bandcamp.com/album/tokyo-remixes

Siksy (Origamibiro Remix)

Dancing Alone 2024

Murcof  Rostro Rmx

A short track revisited and rewritten for Piano day! 

Pin & Needle

www.unperceivedrecords.bandcamp.com/album/syzygys

9T Antiope main focus is on experimental music, using layers of acoustic instruments and electronics, combined with mesmerizing vocals and lyrics.
From tiny bits to huge landscapes - the narrations of a alien world and its inhabitants which 9T Antiope have envisioned put their listeners in a shivering trance.
„Syzygys" conveys elegant modernity with a cold tribal touch.

releases December 11, 2015

Sara Bigdeli Shamloo: Vocals, lyrics
Nima Aghiani: Composer, producer

Cover artwork by Melanie Kurhan
Mixed & mastered by Nima Aghiani in Paris 

Download

9T Antiope - Succumb

Qhapaq Ñan

Alma

Remixed by Marconi Union forthe  EP, Delicate Power (In The Hands Of Others). Released digitally on 31st May 2016, the EP also features remixes by Markus Mehr, Lvmark and Antonymes.

Delicate Power is the second single to be taken from Antonymes’ new album (For Now We See) Through A Glass Dimly. Marconi Union tease the original into a beautifully orchestrated anti-gravity ballad.

EP: antonymes.bandcamp.com/album/delicat…nds-of-others
Album: antonymes.bandcamp.com/album/for-now…a-glass-dimly
Video: https://youtu.be/vvyShG2YizQ

Delicate Power (Dissolved By Marconi Union)

From a new collaborative album by Bigo And Twigetti in conjunction with Moderna Records. ‘The Exquisite Corpse’ is based on the surrealist game of the same name. Taking Leah Kardos 'Little Phase' from Bigo and Twigetti's Summer compilation as it's starting point, the piece will be reworked by a series of composers and producers to create an album of tracks which continually evolve as each new version is passed from one artist to another, adding to and transforming material from the original piece.

Purchase the full album here: https://bigoandtwigetti.bandcamp.com/album/the-exquisite-corpse

Antonymes - Half Life

Listen on Spotify!
https://open.spotify.com/album/1TeZVCipUw2FNEZ0lfGyyq?si=Yw3h8MT6RM-H-JuWOxW19g

This EP is the journey I had to take when I transitioned into making music instead of performing music composed by others. Because of an injury I had to find my voice through sounds rather than my instrument. 
This was more than two years ago and this music has been on my computer since. This was prior to making Amsterdam Sessions with Sjors Mans. 
I've been going back and forth on whether this would stay on my computer forever or not. 
But in the end I had to share it one way or the other. I'm extremely thankful that piano and coffee records believed in the material and pushed me to release it at times where I had doubts.

My hope with this EP, Amsterdam Session and the material I'm working on right now will paint a picture of how I've evolved as an artist. If you'd listen to the three compilations of music you would hear me learn how to play the piano, take my first baby steps as producer/audio engineer and finally slowly find my way back to the trumpet.
I'm super nervous to share this (as always). I really hope you will find it pleasurable. Or at least not horrible 😉 I'm quite proud that it finally off my hard drive and is flying free!

Skogsrå

Antonymes : In Formation

Antonymes music emerges from the adjustments and erasures of ambient, the pace and persistence of minimalism, where music expresses nothing but itself, from the serenity and austerity of Morton Feldman and the profound prettiness of Harold Budd, from the relationship between continuity and repetition rather than of contract and interplay, from secrecy, from quietness, from pause, from thought, from emptiness, from time, from far off, from itself, from where it is set and where it is setting off to.   
 
“My chief aim is to make a piece of music. You make it for yourself firstly, and then if other people want to join in, then there we are.”
 
Antonymes makes music at the edge of, and deep inside, and from above North Wales, which you can think of as a very real place, available to be visited at any time in the solid present, and also as a very strange, fantastic, ultimately unreal place, which is all it has ever been, legend, spirit, mist and fluctuating stillness stretching back to a time and place where it was seemed like the beginning of a dream, one that would always become another dream, and another, and so on. It’s worth mentioning that Antonymes is of North Wales: to take an approach to the music understanding the location where it was made up and produced, to approach the music as if it is the beginning, or the end, of some kind of map, that will take you up mountains, across streams, to the sea, where the tide comes in, and the tide goes out, under the waves, through the woods and into the obscure wilderness that stretches between one patch of land and another, between one village and the next. So: Antonymes, of North Wales, recalling the lines of the great North Welsh poet RS Thomas, “to live in Wales is to be conscious at dusk of the spilled blood that went into the making of the wild sky, dyeing the wild rivers in all their courses.’
 
Formed at some point during 2008 by designer, photographer, conceptualist and musician Ian M Hazeldine, as a group that could contain just himself, and others when it seemed appropriate, Antonymes first album was titled ‘Beauty Becomes The Enemy of the Future’. Released initially on David Newlyn’s Cathedral Transmissions label in December 2009, and as a self-published book in spring 2010. A second 2010 release, ‘31: Before The Light Fails’, was released as a digital download and as a special box, an edition of one, containing music and photography, representing Antonymes fear and suspicion of the herd mentality. The piece consisted of two tracks to be played simultaneously in separate rooms. One review described the work as “a daring and inspired exercise in creating a timeless work of art.” Various pieces by Antonymes have appeared on compilations produced by Soundcolours, Dezordr, Cathedral Transmissions and Audio Gourmet.
 
Antonymes music is made up, something coming from nowhere, with no clear sense of what might happen next, and yet a vague sense of what might happen after that. It begins at the piano, where notes, space and intention, and something of the soul, and the mind catching itself combine over time, until a shape appears, which suggest other shapes, and lines, and something else, an anatomy, the lateral spread of a single surface, and a shadow or two. A composition, the result of a mystical sequence of events involving improvisation, imagination, presentation, communication, intuition and manipulation, has been completed. It is the improvisation, certainly, more of Pauline Oliveros, Terry Riley, Alvin Curran and La Monte Young than jazz, the patient, probing occasionally accidental forming of structure, tension and atmosphere around spontaneity and a form of focussed daydreaming, which is a near relation of a form of praying.

Paul Morley, January 2011.

Antonymes - Half Life

Antonymes

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