Dispatch Recordings Official Playlist - 3

Clams Casino - All I Need (BAGO Remix)

fromyselformyself

Sulex - ID

Pre-order: http://bit.ly/CRIT061

https://www.facebook.com/sabre.fanpage
https://www.facebook.com/straydnb
https://www.facebook.com/halogenix
www.facebook.com/criticalmusicdnb 
www.criticalmusic.com

Sabre, Stray & Halogenix - St Clair - CRIT061

Kövér ‘MVRK’ Márk és Zentai ‘Dub Personal’ Zoltán párosa elég jól működik együtt bulikban, a két srác szettjei külföldi headlinereket szégyenítenek meg. Éppen ezért nagy öröm, hogy az új 30Hz podcast tőlük érkezik.

Interjú:
https://30hz.eu/30hz-collective-podcast-8-mixed-by-mvrk-and-dub-personal

Tracklist:

exept + mvrk - artificial delight
mvrk + dub personal - error 0101010107
ding - duster
missin - function
screamarts - confined space
mvrk + dub personal - illumination
sustance - searching for you (icicle remix)
dub personal - id
hybris + mvrk - superfood
rizzle - murderous
mvrk + kace - beneath
dub personal + gamma - id
wingz - hurt
sinic - regular expression
ill truth - s.d.s
oat - feel you
mvrk + dub personal - no reply
the outsiders - mysticism
oat - id
dub personal - id
hybris - arbio barbio
skylark - the void
alix perez + skeptical - vault
kasra, enei + jakes - transmitter

MVRK a weben:
https://www.facebook.com/thisismvrk/
https://soundcloud.com/thisismvrk

Dub Personal a weben:

https://www.facebook.com/DubPersonal/
https://soundcloud.com/dub-personal-1
https://dubpersonal.tumblr.com

30Hz a weben:
30hzcollective.com
facebook.com/30HzCollective

Még 30Hz! 🔊

MVRK & Dub Personal: 30Hz Collective Podcast Vol. 8

This special collab is taken from ‘Rebel Alliance Vol.1’ which marks the first VA release on the upcoming label! Out soon.

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Like & Follow!

► https://soundcloud.com/dose-nz // https://www.facebook.com/DoseMusicNZ ◄ 

► https://soundcloud.com/confusious // https://www.facebook.com/ConfusiousDNB ◄

► https://soundcloud.com/rebelmusichq // https://www.facebook.com/RebelMusicHQ ◄  

► https://soundcloud.com/districtbassmusic // www.facebook.com/districtbassmusic // www.youtube.com/districtbass // https://districtbass.bigcartel.com ◄

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All rights belong to the artists and the label.

Rebel Alliance Vol. 1

Lady Of The Night

Beatport

Dose & Confusious - Lady Of The Night

Out now via:
• Dispatch Store - bit.ly/DISLTD074
• Bandcamp - bit.ly/DISLTD074BC
• All other stores - https://fanlink.to/DISLTD074

Taking inspiration from Italian musician Lucio Battisti's album 'la batteria, il contrabasso etcetera' (the drums, the double bass etcetera), SD examines the vital elements of drum and bass with this EP, guiding us through the multi-faceted influences that inform his production.

Be it the dreamy atmosphere and melancholic piano of 'Since I've been searching for', the liquid funk of 'How you like it' or the gritty drum led stomper 'Stompbox', SD ties it all together with the same jazz and blues sensibilities that give the whole project it's unique vibe.

'Acetate funk' delivers the funk element to maximum effect with looping 80s sounds and funk drums tuned to precision.

A varied EP that delivers both musically and technically, SD makes a fine debut for Dispatch LTD with this 5 track beast.

Targets

Available here

SD - Targets (CLIP) - Dispatch Limited 074 - OUT NOW

How You Like it

SD - How you like it (CLIP) - Dispatch Limited 074 - OUT NOW

Since I've Been Searching For

SD - Since I've Been Searching For (CLIP) - Dispatch Limited 074 - OUT NOW

Stompbox Blues

SD - Stompbox Blues (CLIP) - Dispatch Limited 074 - OUT NOW

South London's Taelimb drops his debut EP on Rebel Music.

Built for the dance-floor and full of solid breaks, deep bass and intricate drum-work, Taelimb takes us on a journey through his sonic landscape. Delivering 5 tracks that range from the hard stepping "Kat Scam" and "Ruff Stuff" to the energy driven "Acid Train" and "Sticky" featuring long time friend Conscience. 

Title track "The Junglist" strips things right back, taking us on a return to those original settings. It's weighty sub and rolling drums fuse with infectious percussion to create a record you simply can't help but skank out to.

PREMIERE: Taelimb - Ruff Stuff (Rebel Music)

Available now via:
• Dispatch store - bit.ly/DISBBSV001
• Bandcamp - bit.ly/DISBBSBC
• All other stores - https://fanlink.to/DISBBSV001

We kickstart 2020 with this two track release from none other than Black Barrel, who in his own words is showing us his ‘wild side’.
 
Two heavyweight tracks made for the dancefloor, in his trademark rough and rugged style.

Lock Stock

Black Barrel - Lock Stock (CLIP) - DISBBSV001 - OUT NOW

Out now via:
• Dispatch Store - bit.ly/DIS145
• Bandcamp - bit.ly/DIS145BC
• All other stores - fanlink.to/DIS145

Returning from 5 years producing techno as Vinicius Honorio, DIS145 sees a return to drum and bass for BTK with four tracks fused with influence from across the board.

A previous version of ‘The Means Justified The Ends’ was supported by Spirit and features a vocal taken from a conversation with a friend in a bar, whilst discussing the old school. With some recent attention to this unfinished track BTK went back to the lab, and gave it a brand new mixdown for this release.

‘The Sinners Are Winners’ had also had support from Ed Rush but was assumed lost following a hard drive failure. After rediscovering the project in a backup, we are now proud to include this monster in BTK’s return to the genre.

Encapsulating percussive raw elements with a b-boy/hip-hop flavour, BTK and Friske’s ‘Legit’ is a collaboration that took many years to complete.

Drum and bass heavily influenced BTK’s sound for techno alias, and the track ‘Stay With Me’ is a reflection of his experience with techno, carried through to his 174bpm productions.

Legit

BTK & Friske - Legit - Dispatch Recordings 145 - OUT NOW

Bios Destruction - New Order - New Order EP [TESREC038] OUT NOW

The third preview from Ingot's - 'Eclipse EP' features none other than Lost Recordings co-bossman, Draize on vocals. 
Signing music from Ingot has been a passion project for James over the past couple of years and having the chance to step into Paul's world of production has resulted in something quite special. 
This one's received quality feedback from the likes of Noisia, Bredren, Roni Size, Riya & more so watch out for the full EP when it drops Monday!

Pre-order: https://fanlink.to/LST043

Ingot - Gunnin' Ft. Draize [LST043]

After a background in traditional piano training and progression onto the electronic organ during childhood, I got my first 16-bit computer aged 13 in the form of the Commodore Amiga 500.
Somebody gave me copies of Soundtracker software and the ST range of sample disks, and along with my best friend, we began making our own tunes. Then along came MED Sound Studio and we started really getting to grips with producing using just the Amiga and simple keyboards.

As our output grew and the next few years unfurled, so we created first Q-P-I Music (Quadrosonix Productions Inc), 'Headlong Recordings', and finally 'Unborn Records', all basically label names for our growing output of experimental, late 80's/early 90's rave-influenced tunes. I became CJ Shadow, making hardcore, techno and jungle style tracks, while CJ Trinity made remixes of more commercial sounding tunes like that of The Prodigy and laid-back house/techno stuff, and developed a more general electronica-like, ambient, trance-style sound.

By the time we left school in 1992, aged 16, we had produced well over twenty C90 cassette albums of material. The next year or so saw investment in our kit as we upgraded to Amiga 1200 computers, better synths, and for the first time the introduction of simple mixers and decent monitor speakers. The quantity of our output certainly reduced, but the quality significantly increased.

Though our paths in life diverged significantly at aged 17, we continued to produce an evolving sound, improving and honing our individual styles and incorporating our personal influences as jobs and money allowed investment in better software and hardware. By the time the internet was a thing and even before ADSL (broadband) I was releasing the best of our music on unsigned music websites like MP3.com. Uploading several hours of music on a dial-up connection, now that was fun :)

By the turn of the millenium we had our own website, unbornrecords.net, and ran it as our label and home online to promote our music. CJ Trinity's material was by now very much in the house/trance and dance remix genres, whilst mine was definitively a breakbeat-driven, jungle and drum&amp;bass sound, reflecting the scene I was busy raving in every weekend, and immersed in fanatically. We sold a few CD albums, got quite a lot of downloads and generally enjoyed what we did, but life got in the way of it ever becoming more than a hobby.

Though our music continued to increase in quality and get some serious attention from a few people in the right places, sadly by 2005 we both had so much going on in our separate lives and so little time for music production that the website fizzled out, and along with the demise of several of the unsigned artist sites we had our material on, our music basically fell off the edge of a cliff. CJ Trinity's unfinished but astonishingly good final album, 'Atmospheric Hi Trip', really showed how far and complete his particular dance sound had come. My last CJ Shadow album, entitled 'Kitchen For No Reason', was completed that year and actually reflects how complete and professional my DnB-based sound was becoming. Even today, everyone who hears it seems to agree that it truly is a crying shame that I never continued making music.

Since 2005 I remain infatuated with the Drum & Bass scene, keeping up with the massive online output and trends, going out whenever possible to the dances and just loving everything I'm hearing and seeing. Recent months have seen me going through the old hard drives, listening to our old music, and a dawning realisation that I cannot allow this part of my life to die. And having now stumbled on a folder of projects and work from 2005 that basically constitutes what would have been my next album, I have decided to plug myself back into production.

2025 sees the 20th anniversary of the release of Kitchen For No Reason. I can confirm that a new LP is on its way, produced under my new Ignomius Darka moniker.

https://ignomius.com

Ant TC1 along with Hidden Agenda founded Dispatch Recordings back in 2001, Ant originally helped out with the management side of the label before finding his feet within the realms of production; which was a natural progression for him having DJ’d on pirate radio and in clubs from the age of 14 (since 1992).  His first release alongside frequent production partner Stress Level appeared on Dispatch after almost 3 years of hard work getting their collective sound where they felt it needed to be before even thinking about turning on a DAT recorder.  After their first release hit the stores they quickly picked up a wealth of DJ support across their early material and went on to release for a who’s who list of established Drum & Bass record labels including the likes of Renegade, CIA, Advanced, Critical Records Integral, Liquid V, Commercial Suicide, Good Looking Records, Bingo Beats and Samurai Music.

By demand remix work started to feature heavily within their output and the duo went on to remix for the likes of Hidden Agenda, Chris SU, Artificial Intelligence, Kabuki, Total Science, Optical & Ryme Time (Jagged Edge), Atlantic Connection, Tactile & DJ Marky.  Branching out and working with other producers such as Survival, DLR & Philth has only furthered experience Ant’s skills at the controls over the years, Ant has also released his own solo material more recently on top of remixing for the likes of Lomax on Integral Records.  In 2014 Ant realised a lifetime ambition, securing his first ever release for the legendary Metalheadz label “Hungry For Atmosphere” alongside Mako, DLR & Villem with further releases for the label and counting going into 2024.

Ant’s production output has featured on a mass of compilations and mix CD’s compiled by the likes of Shy FX, LTJ Bukem, Total Science, AI, Spectrasoul, Klute and Brian G.  Additionally his work has featured very heavily within the radio shows of Friction, Grooverider, Fabio, Goldie, Bailey & Rene LaVice on their respective BBC Radio 1 slots over the years as well as BBC 1Xtra where Ant once hosted his own one-off 4 hour show, he has since additionally made 2 guest DJ appearances for DJ Friction on his Radio 1 show.  His DJ’ing work has seen him play all over the globe from Adelaide to Los Angeles, from Hong Kong to Sarajevo, Vancouver to Bangkok and last but by no means least regularly UK and EU wide. Additionally for the most part of the decade beyond 2010 Ant also worked as the Artist Manager for both Outlook and Dimensions Festival in Croatia, leading up the booking process, budgets and travel aspects for the festival.

Fast forward through to 2024; Ant is now responsible for the lead label management roles of both Metalheadz & Dispatch Recordings and is based in Thailand, with a purpose built studio room recently finished the plan (alongside managing a mass of planned record label releases) is to get back to focusing on writing music more consistently than he ever has previously.

BTK & Friske - Legit - Dispatch Recordings 145 - OUT NOW

Dispatch Recs | Ant TC1

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