Name: Etuede In Granit by luís antunes pena in Csound
Duration: 13 min 10 s
Description: During the studies at the ICEM Folkwang University I programmed an instrument in csound to understand the additive synthesis. This is an improvisation with this instrument made around 2006. The instrument works live with 32 sine waves. Each one of them is individually controlled in amplitude and frequency deviation.

Got Gott? I gotta get Gott...this noise makes the difference

Csound

Raw phone recording of "holsa" with LCollective at a very hot and stormy day in Maastricht, Netherlands in 2019. at Intro in Situ concert series. Thanks to Evelyn Emile.

Germaine Sijstermans (clarinet), Douglas Farrand (trumpet), Teodora Stepančić, (casio), Assaf Gidron (electronics), Gabriela Areal (cello)

"holsa" (2017) with thunder - Maastricht - LCollective 2019

From Prism of Dust, coming late April on LP

Ross Gentry - Nobody Wants To Be Here

Made using the Chowning FM instrument in Csound.

Cgeil (2001)

Il Mirto e la Rosa

Invisible Ocean

Fm Test

Performed by Elisabeth Smalt. 
Released on the CD Subvoice - unsounds.com/shop/physical/subvoice

Music For Viola

During the studies at the ICEM Folkwang University I programmed an instrument in csound to understand the additive synthesis. This is an improvisation with this instrument made around 2006. The instrument works live with 32 sine waves. Each one of them is individually controlled in amplitude and frequency deviation.

Etuede In Granit

I composed this piece algorithmically using a recurrent iterated function system operating on notes, times, instrument assignments, and chords.

I rendered the piece entirely in Csound using a variety of instruments by me, and by other people and adapted by me. The instruments are all direct synthesis, there is no sampling or processing of recorded sound.

The entire piece, including the Csound orchestra, is a C++ program.

Blue Leaves 4e

EnCOUTnTErs - The Avian Speculative at Cafe Oto, July 25, 2018.
Also performing: Lee Patterson and Sharon Gal. 
Pic by Sonia Levy/SoundFjord
Recording: Hear and Now, BBC Radio 3.
July 25, 2018.

Set - EnCOUnTErs - Cafe Oto, July 25, 2018 - recording thanks to BBC Hear and Now Radio 3

YouTube version here 
https://youtu.be/KNkjA08G7PI

Patch I made the other day in the style of Penderecki

Nothing is Written

A version of the soundscape produced by three balloon-assisted kite tail sound systems for the Air Matters exhibition, Waterman's Gallery, London 2019.

Ascending Composition 1 (For Planes) representative soundscape - Kate Carr

Water Mirror

In The Pool

from my solo guitar LP 'Higher Order'.
released on Carbon Records, summer 2021
available to order:
from Europe   https://ericarn.bandcamp.com/album/higher-order
from the USA https://carbon-records.bandcamp.com/album/higher-order

the glass scarab, from 'higher order', carbon records 2021

Sleep Cycle I

Under Bright Light

composer based in cologne, germany.
here you'll find mainly solo improvisations or together with other musicians, as well as excerpts of electronic and instrumental compositions.

In my spare time I have fun creating some electronic music …

Etuede In Granit

luís antunes pena

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