Techno // Industrial // Hardtekk // Hardtechno // Schranz
For Booking Contact   //  freuleinpbooking@gmail.com 
Freulein P aka Miss Mallory since 2014 



Bio: (english follows) 
Freulein P ist in der Berliner Clubszene zu einem festen Bestandteil geworden und wenn es um stabilen, druckvollen aber auch melodischen Techno geht, dann hört und seht ihr ganz Gewiss eine junge Dame hinter den Decks stehen. 
Ihr Name: Freulein P Ihre Mission: Techno für die Welt 
Ihre Leidenschaft zu elektronischer Musik wurde schon im Jahre 1995 entfacht. Ein Kind der 90er Jahre Technoszene. Und somit hat Sie auch alle Höhen und Tiefen dieses Genres miterlebt. Ihr persönlicher, musikalischer Weg hat im Jahre 2007 begonnen. Zuerst hat Sie unter dem Namen Miss Mallory die härtere Gangart gewählt um die Clubs in Deutschland, Holland, Österreich und der Schweiz unsicher zu machen. 
Sie fand  aber später Ihre eigene Note und Passion im treibenden Techno und mischt seit 2015 unter dem Pseudonym Freulein P die Clubszene gehörig auf. 
Sie stand schon neben Acts wie: Tomcraft, Northern Lite, Drumcoplex, Pappenheimer, Vinicius Honorio, Tok Tok, DJ Emerson, Simina Grigoriu, aber auch mit zahlreichen Local Berliner Acts wie DeKai, Thomas Lizzara, Alfred Heinrichs. Ephy Pinkman &  Martin Books an den Decks. 
2018 hat die Gründerin der sehr erfolgreichen Facebook Seite „Techno all about Techno“, das Projekt „Berlin Techno“ ins Leben gerufen und veranstaltet hierzu regelmäßig Events wo Sie Berliner Dj´s bucht und somit die Local Heros unterstützt. 
Man merkt Ihr Ihre Leidenschaft beim auflegen regelrecht an. So viel Energie und Herzblut fließen in Ihre Sets. Macht euch selbst ein Bild und besucht Freulein P bei einem Ihrer Gigs. 

Freulein P has become an established part of the Berlin club scene and when it comes to stable, powerful but also melodic techno, you will definitely hear and see a young lady standing behind the decks. 
Her Name: Freulein P Her Mission: Techno for the World 
Her passion for electronic music was already awakened in 1995. A child of the 90s techno scene. And so she experienced all the ups and downs of this genre. Her personal musical path began in 2007. First she chose the harder style under another name to make the clubs in Germany, Holland, Austria and Switzerland unsafe. 
But she later found her own note and passion in the driving techno and since 2015 has been mixing up the club scene under the pseudonym Freulein P. 
She already had played alongside acts like : Tomcraft, Northern Lite, Drumcoplex, Pappenheimer, Vinicius Honorio, Tok Tok, DJ Emerson, Simina Grigoriu, but also with many local Berlin acts like DeKai, Thomas Lizzara, Alfred Heinrichs or Martin Books on the decks. 
In 2018 the founder of the very successful Facebook page "Techno all about Techno" started the project "Berlin Techno" and regularly organizes events where she books Berliner Dj´s and supports the Local Heros. 
One can see her passion when she plays. So much energy and lifeblood flows into her sets. Get in touch yourself and visit Freulein P at one of her gigs.

Clubbing was in its infancy when Berlin-born Monika Kruse began her first residency at the Babalu bar in Munich, where she grew up. Classically trained in piano from the age of four, Monika has always had a love of music and her early sets spanned hip hop, funk, soul and early deep and vocal house. This new breed of electronic music seized Monika’s soul and imagination. Dance music was in its infancy and since there were few clubs where you could play techno she threw her own parties in illegal venues ranging from World War II bunkers to trams to empty houses. Fortunately the police were a little behind the musical curve… “I had some funny experiences,” she recalls, “But nice ones! They stopped us once in a tram because they thought the smoke machine was a fire!” On another occasion, they came and asked her to turn down the bass so the house they were playing in wouldn’t crumble. “Luckily, they didn’t have a clue about techno!” 
	
Monika Kruse's star is shining brighter than ever with a global fan-base hungry for her irresistible beats. In 2014 her club appearances included Space Ibiza with Carl Cox, Amnesia Ibiza with Marco Carola, We Love... at Space Ibiza, Sankeys Ibiza, Egg London and regular sets for her residency at Berghain Berlin.

She dazzled the festivals, too, playing events such as Time Warp, Melt Festival, 18 Hour Festival, Eastern Electrics UK, Ultra Music Festival in Miami and South America, Sonus Croatia, Awakenings ADE, and SEMF Stuttgart. She also hosted a stage at Amsterdam's Edit Festival, showcasing some of her favourite artists such as Pig & Dan, Nick Curly and Miss Kittin.
Classically trained in piano, Monika's love of music is broad and deep. She grew up buying records, accumulating a music collection that grew to span funk, soul, hip hop, and house music. When the revolutionary rhythms coming out of Chicago and Detroit captured her imagination it led her to throw parties in illegal venues including World War II bunkers, trams and empty houses.

Electronic music culture has evolved rapidly since those early days but Monika's talent and passion is constant. “My ethos is ‘sweat with a smile,’” she says. “I give love to my audience and they give it back. LOVE – it’s the best thing in the world. My aim is to help people forget whatever is going on in their life and have a little holiday – just get lost in my music.”
Monika is also an active producer. Her Terminal M label celebrates its 15th anniversary in 2015 and she chalked up hits this year with Pig & Dan collaboration 'Soulstice', a Beatport Top 10 techno anthem. The fantastic remix package of 'Summer Drops' was also a Beatport chart favourite, featuring Monika's track reworked by Nicole Moudaber, Uner, and Mendo. With just two releases Monika was one of Beatport's Top 100 techno artists for 2014. Look out for the special re-release of the album Monika Kruse @ Voodooamt 'Passengers' in celebration of Terminal M's 15th birthday.

Monika’s passion for spreading the love extends beyond the dancefloor, too. In 2000 she founded a charity called No Historical Backspin to fight racism and homophobia. “It’s sad and ridiculous that people still get beat up, or in some countries even killed, for being gay. Or get treated badly because of their skin colour, or gender, or because they’re a refugee” she says. “But it happens. Sharing and caring is the only way to make the world a safe place for everyone. It is important for DJs to show they respect everyone.” She is currently organising a No Historical Backspin party at Berghain. Funds raised will go to Amadeu Antonio Stiftung, which supports victims of hate-crimes and campaigns against right-wing extremism.
Her charity work, like her DJing and production, is an expression of Monika’s faith in the transforming power of music. “It was my first love,” she says. “Music was my best friend. It never let me down. In good times music was there and in bad times music was there.”

Bookings : ian@safehousemanagement.com

Gramatik Discography:
Re:Coil Part II (2019)
Re:Coil Part I (2017)
Epigram (2016)
Coffee Shop Selection (2015)
The Age Of Reason (2014)
SB4 (2013)
#digitalfreedom (2012)
Beatz & Pieces Vol. 1 (2011)
No Shortcuts (2010)
Street Bangerz Vol. 3 (2010)
Water 4 The Soul EP (2009)
Street Bangerz Vol. 2 (2009)
Street Bangerz Vol. 1 (2008)
Expedition 44 (2008)
Dreams About Her EP (2008)

THE ACID QUEEN
Saskia Slegers, better known as Miss Djax, or as many say 'The Acid Queen', is living proof that age doesn't necessarily always brings peace. For more then 35 years now, she has stomped on the face of techno and acid with hard punishing beats and radioactive sounds. The ferocious releases on her Djax-Up-Beats label helped Chicago and Detroit sounds gain foothold in Europe, as Djax Records was one of the first European labels to put out techno in the early nineties.

Miss Djax started her DJ career at the age of sixteen. Her musical roots can be traced back to disco, funk and new wave. At the age of eighteen she formed the band 'B-System', a new wave band in which she played the bass guitar. 
Having worked in record shops for many years, Saskia met a large number of promising artists whose music never got released because, according to the Dutch record-companies, it was "not commercial" enough. That triggered her to start her own label and in 1989 Djax Records was founded. 

Miss Djax had her international breakthrough when she played at the notorious MayDay rave in Berlin 1992. One year later Germany's leading dance magazine Frontpage declared her 'DJ of the year'. In the following years her name was always in the international top 10 rankings. 
In that same year (1992) Saskia went on a 2 week trip to Chicago and Detroit to meet her favourite producers in person and to see with her own eyes were it all had started. 

Four years in a row, from 1995 to 1998 she took part in one of the major techno happenings: The Love Parade in Berlin. In 1998 Djax even had the privilege to start at pole position! Many people will remember the 20-metres long red/silver Djax-Up-Beats rocket with 20.000 watt of acidtechno terror on board! Miss Djax also played two times, in 1996 and 1998, at the Love Parade end manifestation at the Victory Tower in front of millions of people. 

Besides the worldwide respected releases on Djax-Up-Beats, Djax Records is also known for being the first company to release Dutch spoken rap-music, later called Nederhop. In 1991 Saskia discovered The Osdorp Posse that soon became the most popular rap-band of the Netherlands! In 1995 they won the Dutch Popprijs for being the most innovative Dutch band! Also ABN and Spookrijders were two of Djax’s successful nederhop bands. 

Not only the music but also the looks of Djax Records have always been important to Saskia. Since 1991 she is working with Alan Oldham, the famous illustrator from Detroit. Till today Alan made hundreds of beautiful illustrations and five Miss Djax comics for Djax-Up-Beats. Saskia also worked with  Zender and the famous American illustrator Ed Repka, who is well known for his Megadeth album covers.

AWARDS:

1992 – Position 1 best record label (Frontpage Magazine Germany)
1992 – Position 4 best new talent (Frontpage Magazine Germany)
1992 – DJ of the year (Frontpage Magazine Germany)
1993 – Position 3 best international DJ (Frontpage Magazine Germany)
1993 – Position 3 best record label (Frontpage Magazine Germany)
1994 – Position 1 best international record label (Frontpage Magazine Germany)
1994 – Top 10 position best international DJ (Frontpage Magazine Germany)
1995 – Position 13 best DJ (Raveline Magazine Germany)
1995 – Top 10 position best record label (Raveline Magazine Germany)
1997 – Position 6 best international DJ (Tendance Magazine Germany)
1997 – Best record label (Silver Star Award Holland)
1998 – Best record label (Silver Star Award Holland)
1998 – De Veer Award (Holland)
2009 – Gold record for 1.3 million records sold by Djax Records
2009 – Gold record for 40.000 albums sold of Afslag Osdorp

BOOKING REQUESTS
World: heike@familyaffairs.de

https://linktr.ee/torstenkanzler

Torsten Kanzler stands for impulsive and powerful techno. Like a chief engineer he operates his set and takes the crowd into a universe of mind-blowing drum-arrangements, creaking synths and warm growling basslines, using „Maschine“ of Native Instrument, two Allen & Heath Xone K2, and an iPad. His direct interaction combined with a spontaneous set with up to four decks spinning make his sets a true happening.
His gigs in all the high places around the globe stand for powerful and profound techno as well as his numerous productions, which make their way into well-known international acts' record bags. Numerous releases on in-demand labels or his own with passion run imprint TKR stand on their own and reflect his obsession and love for techno. Whether as a DJ, producer, or remixer Torsten Kanzler lives techno.

M is following