The Silence of You Gone

Producer : MooVan
Cover Art : MooVan

Follow MooVan :
📲 You Tube : www.youtube.com/@moovan7
📲 Spotify : open.spotify.com/artist/4EMCDabyk…qjSDWfndcplQtmDw
📲 Telegram : t.me/MooVan7
📲 SoundCloud : @moovan
📲 Instagram : instagram.com/_moovan_

Keikavoos Yakideh | The Silence of You Gone

KhalilH2OP
'Isoscele'

'Isoscele' is the new EP from KhalilH2OP, their first release following the acclaimed album 'The Water We Drink'. An entirely collaborative work, the four tracks place others in the foreground, whether they be friends or family nearby, or international accomplices that come in and out of orbit from afar.

The trio at the heart of KhalilH2OP remains; Minais B, Yen Towers & vocalist NikkiH2OP on this occasion active in the production work and handing the microphone to others. The opening track, Ferrari, is one of the group's first, and it takes the differing perceptions of death and grieving in Scandinavia and Mexico as its theme. The lyrics were written and recorded with Mexican vocalist Ana Lopez in Copenhagen, and tells the story of how Lopez's uncle was sent to heaven with flowers and music, not into the ground in silence, ruminating on how the cosmic inflects one's perceptions and choices. Shatter and Jericho are a pair of collaborations with Copenhagen artists Panxing and Sa Rah, respectively. Jericho marks the latter artist's debut, and is a bewildering ride through glacial synths and cascading artefacts of percussion, with clutches of voice hovering in between each and every dimension. The EP's final track—and namesake—brings Danish-Italian composer and vocalist Francesca Burattelli, as well as Danish-Russian flautist Andreas B. Trap-Jensen, into the fold. Burattelli's lyrics, sung in Italian, are paired with a warm and dancing woodwind recital that together manage a kind of cyber-pagan shoegaze.


The thrill of 'Isoscele' is in its attitude and unrestraint.
The world of KhalilH2OP is infinite.
We see you.

Posh Isolation 228

KhalilH20P w/ Francesca Burattelli & Andreas B. Trap-Jensen - Isoscele

(((((:  SONIC RESISTANCE :)))))

https://kashevtapes.bandcamp.com/album/ksh03-sonic-resistance-a-compilation-for-rojava

This compilation of 90 tracks was put together to support the feminist movement in the autonomous area of Northern Syria. All proceeds from the digital sales will be sent directly to the ‘Foundation of the Free Woman in Rojava‘ (Weqfa Jina Azad A Rojava) which is one of the last women’s organization in the area.

@kashev-tapes
www.residentadvisor.net/news/71848

That Which Is Not Born Nor Dies * SONIC RESISTANCE * A Compilation For Rojava

Bye now

@asiootus
https://surf.bandcamp.com/album/bones-ep

Cover art: hooiziz www.instagram.com/izizhoo/
Mastering: Cristo Gavras

🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️🏄🏾‍♀️
ⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶⒶ

Bones EP

Asio otus ~ Doremi

Xiao Quan - Bloodshed On The Silk Road MORTAL REMINDER V/A [CD M.A 001]

°w°s - ulla x tony shh x eno - tears (edit)

DEAP - Mønstersprog

TTristana productrice et DJ basée à Marseille est à la tête de cette émission mensuelle visant à ouvrir la parole aux femmes : Claim Our Existence. Pour ce nouvel épisode, Jenys, jeune DJ Russe de 21 ans, nous fait l'honneur de réaliser un set mêlant Footwork, bubble pop et Rn'b : son set très éclectique, lui vaut de se créer un genre personnel qu'elle nomme "The New Sincerity".

@ttristanafkap6r6r6k
@iamjenys
www.olaradio.fr

Claim Our Existence • TTristana invite Jenys

https://www.instagram.com/post_human_dance/

Eva01 - mix for Post Human Dance

SLA07: 'Angels In The Sand' by @avastarr

"Angels in the Sand is the second album from Berlin-based artist ava*. Told through swaths of ambience that reference ava*’s own childhood spent on the shoreline, Angels in the Sand poses the ocean as something metaphysical and elemental, the solid ground of the shore rooted in reality while the waves and endless abyss beneath them represent memories and the allure of nostalgia.

Floating in the depths of memories provides a sense of weightlessness, their currents blanketing and comforting but also overpowering and suffocating. Memories are all we have to cling onto, but they can’t be changed. The longer you spend underwater, the more you uncover, and the more it closes in on you. The ocean’s tides are cyclical, but unpredictable: you know you’ll return to its undulating patterns, but it’s unclear who you’ll be when you emerge. Its a sacrifice to go in, but you innocently fall into a belief that heremust lay the answer.

Angels in the Sand is a project about loss. It’s about spending too much time underwater, too much time in reflection, too much time in your childhood, where benign symbols like the beach or the gardenia tree planted outside of your bedroom window become tainted by trauma, their glow of purity tarnished as the picture becomes clearer and clearer. It’s teary eyes in the water, where childlike melodies still play on repeat, the echoes of your voice as a little girl barely audible through the crash of the water.

Angels in the sand is a deeply personal record written, recorded, and mixed by ava* during intense periods of self-isolation, with little to no influence or reference, the writing process itself a silent, lived-in wave of reflection."

Production, vocals, mixing - ava*
Mastered by Jesse-Osborne Lanthier
Artwork by Amalcrossing
Video by Jenna St George
A&R by Otis Dehaes

DEAP - Mønstersprog

Anyines