Kim R Martins a.ka. Lucas Riecken Martins Teixeira é artista, compositor produtor e pesquisador de linguagens sonoras Brasileiro-Suíço. Investiga processos de expansão na linguagem em composições sonoras e sua corporificação por meio da materialidade nas tecnologias de áudio  em conjunto à articulações visuais. Ambientes fluidos que dissolvem a perspectiva linear e condensam-se no presente, no sentir e no compartilhamento do espaço sensível, suas composições exploram repetições e texturas de timbres complexos na fronteira entre o etéreo, atmosférico e o rítmico.

@kimrmartins

dsrptv_files_015 - Kim Martins on Veneno

Random Loops #1

Random Loops #2

Random Loops #3

Random Loops #5

Youth and Gaudi return with their long-awaited second album, ‘Stratosphere’
The album is a cosmic psychedelic journey through the hyperspace and back by two wall-breaking out there artists/producers coming back together.
Grammy Award winning producer Youth: highly respected music writer/producer, sonic pioneer, and founder and bassist of Killing Joke; and Gaudi: international dub master and maverick producer of note. Two bass leviathans duelling their way through sci-fi, psychedelic dub space and the resulting album is truly a testament to the duo’s synergy.

‘Stratosphere’ is an alchemical showcase of spacious dimensions, a masterclass in weaving it up right and keeping it tight, with signatures and sounds from both pioneering producers, transmuted by each other into something unique and full of absolute joy and grooviness!

Ear crunching, brain popping, bass dropping, feet bopping, heart pounding, life enriching, mind exploding, pulse racing, earth quaking - this album is of the future, but definitely not a stranger to past influences from this iconic pair.

‘Stratosphere’ dispenses an extremely high-grade dose of...
Psychedelic Future Dub.


Written and produced by Youth & Gaudi
All tracks written by Martin “Youth” Glover and Gaudi, except:
Magma written by Martin Glover, Gaudi, Gavin Tate-Lovery, Marcello Baccheschi aka M-Theory
Savage Beauty written by Martin Glover, Gaudi, Laurence Harvey aka Kuba
Mixed and mastered by Michael Rendall at Meridian Studios.
Recording engineer – Elliot Verreaux
Assistant engineers – Jake Glover, Lore Young
Published by Big Life / Painted Word Music 2022.
℗ & © by Liquid Sound Design 2022.

Ozora 3am

NEPHEL'S DREAM

DRUMS SOLO

A sonic journey crafted with my heart, hope, inspiration, and purpose. This demo includes original beat production from me, along with the beats' storytelling. Music for magic, memories, love, and surprising moments. Dedicated to the different people who inspire me and the places I want to create in. Strictly for Disney listening and business purposes. 

Thank you for listening.

#Disneydemo #Disneymusic #xhuliora #onexhule #ProducerDisney

All produced by onexhule

onexhule(xhuliora) - Disney Demo | Music Producer Reel Audio

A2RBEATZ - OFTEN UK RAP BEAT

Our fourth podcast comes from one of the newest Oleeva family members, @Didacte.  He has provided us with 91 minutes of exceptional music and was kind enough to answer some of our questions. Enjoy!

- Tell us about yourself please Adrien, who are you, what you do and why you do it? 

"Adrien, french guy living in Spain, Madrid. 3 things constantly in my life for many years now: Spirituality, Mathematics and Music. 

Spirituality as I love to experience life in various ways, to expose myself to my fears, to loneliness, to silence, to the unknown. Not waiting for the storm to pass, but learn how to dance under the rain. I try to meditate constantly, to be somehow in contact with the true nature of things, sensations and relationships.

Mathematics as this is what I studied, many years, and what I do everyday, building predictive models for a spanish company. My rational and analytic self, at the same time really far from the intuitive insight of spirituality, and really close to it, as mathematics teach the brain to open itself to the perception of bigger spaces, to more dimensions, and to create solutions from a huge list of possible ingredients. 

Music, well I have been playing the piano and the guitar for more than 10 years, and also drums in some rock bands. I . Totally. Deeply. Love. Classical music. Working for months on a piano score written hundred years ago by a special man, and progressively understand the journey and the emotions he tries to communicate, is an incredible feeling. A connection to something immortal, beyond words. I love how surprising can be classical music. How in one move you can go from euphoria to melancholy. With one finger move. And now I am stuck in the infinite liberty of electronic music. It feels like painting the atmosphere. I used to use organic sounds as obviously it is way easier for our body to absorb organic waves and vibrations. It reaches the soul more easily, naturally.

In all the different steps of my life, music was with me, in France, in India, in New zealand, in Spain, with my family, alone. And not necessarily melodies. Not necessarily instrumental. Any evocative sound. As Victor Hugo said, Music is a noise that think."

- Tell us more about the mix, how you put it together, and what music is in there? 

"I was reading Alan Watts on that day, so I decided to start with his words, and Nuage, a track I made 8 years ago from a merger of a piano improvisation and notes of a Pad I used to meditate. Then it all started to accelerate, to become more intuitive, from the urgent need of a stable minimal groove, to the call of mystical atmospheres. Predictability to give strength to the unpredictable. Dirty kicks to summon cleaner ones. And piano drops as fresh air injections. The vocals I used basically came from Alan Watts and Mirra Alfassa, the mystical french woman who built this unique place called Auroville, in India. I used their word to refocus when my mind was traveling too far, and also to give some perspective to the sounds, and to the inner adventure that music can be."

- Please tell us what the future holds for you, or at least, what you hope that the future holds.

"For my future, I want variety. To feel life as a continuous music, and dance while it's playing. Musically, in the short-term I want keep learning technical aspects of production, to gain more freedom, to have more ingredients available. In the mid term I want to work more on improvisation, instrumental improvisation (mainly piano) and hardware improvisation. All together, to be able to capture the essence of some short and concrete moments, in one shot. Raw, pure, organic, imperfect and sincere music. And more globally, I want to try to live differently at one point. To stop stifling what I have inside. Create real and honest bonds with some people, take the time to feel the time, to get back to a natural rhythm, and from here, unleash creativity and hopefully absorb wisdom.
Oleeva is the key"

Oleeva Podcast Four: Didacte - Autour, le silence

Audio by Kaspar Kudelski (Album Version)
Artwork by Ines Emertasol

Random Loops #3

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