Nice groove. Kind of has a 60's British Pop-Psychedelic feel.

Great result. Adding reverb is a good idea.

A lighthearted and fun Project.

Fed the girl in the box a few different things. Tried playing "same game" but the colours wouldn't disappear when I lined them up. Soon realised that sequencing looked pretty tedious with the copy-and-drag-mouse-life. Was pushing uphill loading in stuff with loose beats and eccentric instrumentation.

So, found a track with a solid beat and big, slabbed sounds - an old one I'd had fun mocking up but never considered 'finished'. Suddenly the squares came to life!

Ran mix and match sections in reverse with slightly shortened period, and got a noisy but much improved tune for my trouble. Smudged some reverb onto recording in Audacity to loosen the forwards/backwards click and jolt it had picked up. Done.

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Disquiet Junto Project 0162: Junto in a Box
The Assignment: Use Paul Lamere’s “Girl Talk in a Box” to gain a new perspective on your own music.

These are the steps:

Step 1: Choose a piece of music of your own that you would like to get a new perspective on.

Step 2: Go to the following URL to access the web app Girl Talk in a Box, which Paul Lamere designed. As he explains, “While a song is playing, you can take control, speeding it up, slowing it down, skipping beats and so on.”

http://static.echonest.com/girltalkinabox/

Step 3: Upload your song to Girl Talk in a Box and play with it. After gaining some measure of facility with the web app, record your own edit of your song.

Step 4: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 5: Be sure to include a link to the original track, so listeners can compare and contrast.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, February 5, 2015, with a deadline of 11:59pm wherever you are on Monday, February 9, 2015.

Length: The length of your finished work should be between two and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0162-juntoinabox” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 162nd Disquiet Junto project — “Use Paul Lamere’s ‘Girl Talk in a Box’ to gain a new perspective on your own music” — at:

http://disquiet.com/2015/02/05/disquiet0162-juntoinabox/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/


Boxed [Disquiet Junto Project 0162: Junto in a Box]

Steampunk Ladies

PROCESS

Single notes in the key of C, staggered and stacked to move through different chords. "Attack" was eliminated using a combination of my trusted E-bow fed through an EHX POG2 with its attack setting jacked all the way up for max swell. Tape Delay, Phaser, Reverb added for space travel (or ocean travel as the case may be here).

RIG

Fabien (Peekamoose Custom Guitars M2), EHX POG2, Small Sound / Big Sound Sparkle Motion, tc electronic flashback delay, EQD Grand Orbiter, EQD Afterneath, Strymon blueSky, Line6 POD-XT (Vox AC-30 emulation), RECORDING DAW: Sony Acid 7.0 (Win 8.1), MASTERING DAW: Harrison Mixbus 2.5 (Mac OS 10.7.5)


PROJECT

Create a dense stack of attack-free tonal material from one audio source.

Step 1: Choose an instrument that can create extended tones.

Step 2: Record a short loop of a single held tone on that instrument. Use a volume pedal or other tool to eliminate the attack at the start of the tone.

Step 3: Create many more such loops, all with the same instrument, and layer them atop the original loop.

Step 4: Record a document of these layered loops lasting approximately 1 minute.

Step 5: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

------------------------------------------------
More on this 189th Disquiet Junto project (“Create a dense stack of attack-free tonal material from one audio source”) at:
http://disquiet.com/2015/08/13/disquiet0189-tonelayer/

More on the Disquiet Junto at:
http://disquiet.com/junto/

Join the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:
http://disquiet.com/forums/

c swells [disquiet0189-tonelayer]

A MicroBrute synth connected in feedback-loop through a loop pedal set to 3-seconds with a slight fade out.

Three layers were recorded.  Each one is a single note sustained throughout the loop.  One of them (lower) is a triangle wave with the LFO modulating its frequency, and the other two are square waves with the LFO modulating the pulse width.  

Each layer is a loop that is permanently recording the output of the synth and feeding it back into it 3 seconds later, where it mixes with the sustained note creating textures and patterns by cancelling some parts of the wave and clipping others.  The result of this mix gets out of the synth and back into the loop pedal where it gets recorded and fed back into the synth once again, starting the process all over and creating the evolving sound.

Disquiet0189 - Tonelayer

DEATH ROARS is a four tracks album made of totally improvised, heart rended music.

Jack D'Amico [fender rhodes, fx]

Walter Forestiere [drums, objects]

recorded, mixed, mastered at CW studios [Rutigliano, Italy] by Roberto Gallo

artwork, graphics by Valentina Sansò



01 Anything is Everything

03 I Thought on you were an Animal

French tips on the dentist's manicure

The Isle of a Daughter

contains plundered ink spots with modular.  video at https://www.youtube.com/watch?v=wKZMIOq-K38
please leave a comment.

pytchblend - fIre

music . aPatchofNettles @apatchofnettles @tosowgreennettles
with RW, drummer (found most times in the Ginger Mist)
instrumental here https://soundcloud.com/apatchofnettles/one-turn-in-the-maze
quick mastering courtesy Dariusz Jackowski @dariusz-jackowski-1
vocals / lyrics / artwork . Mariam Zohra D : Myrh
The lyrics to this song are connected to couple of songs in the past:
(original) There's a Misery https://hearthis.at/tarka-lw/theres-a-misery-mlouw-myrh/
Sad Sad Song https://soundcloud.com/russandrade/marvelous-russ-myrh-2018-02-16-1156-pm?in=russandrade/sets/open-gates-collabs-w-myhr

A WONDEROUS SOUL
There's a misery. How do you? How do you dare?
How do you rule the world? Its a wondrous song, a wondrous soul.

A Wondrous Soul - aPatchofNettles | Myrh

" Nettles (Urtica species) are shrubby weeds covered in fine stinging hairs. The opposite leaves have toothed margins, and the sprays of tiny flowers are greenish and unattractive. " - Tim Low, Wild herbs of Australia and New Zealand.
It remains to be seen exactly what relation this bears to the composition and interpretation of music.

Boxed [Disquiet Junto Project 0162: Junto in a Box]

aPatchofNettles

Recent comments

M. Ackerman

Bassling

numbers in the dream

Dave Dorgan

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