The Stoch 4 makes an appearance - improved Stoch 2 rebuild; new box, no fish. Two layers of Lunetta, beats behind from PC virtual instruments, and software generated vocalisations. A dose of phasing thrown in, because why not?

Two Layered Stoch 4 Memes.

Samples of Stoch 4 drone with sparse trills rolled into virtual instruments, and pushed onto chromatic scales. The Stoch 4 'instruments' were merged into a scaffold of software synth tracks in PC sequencer. A great debt owed to WWW.Archive for the lyrics - from a credible physics text and distilled to a pataphysical essence. (Chapter 9 : https://archive.org/details/energyvibration_1107_librivox)

One act of pataphysics

Two live grabs from the Stoch 4, with some gentle but pervasive effects based mixdown. One short section was selected and looped with slow decaying echo forward/backwards to set up the sense of vamp. A floating drum track threaded in after all the swell sounds were balanced out.

Stochs Diversified

Stoch 4 stochastic drone machine placed at various locations from edge of woodland, alongside springs, beside dam and small rapids, and onto ascending bush track. 
Single track recorded mixes balanced against natural sounds by mic positioning in open air.
Post production consisting solely of cross fades to composite the samples into a walk through the terrain.
---->http://www.google.com.au/maps/
@-36.7201632,149.4631586,150m/data=!3m1!1e3
(Try paste into browser all as a single line)




One Stoch 4 at 950m

On the verandah, sounds identifiable:
  -- Light rain on roof, and drops from overhanging trees
  -- Insects and frogs in garden
  -- Birdsounds from estuary
  -- Distant, but dominant, surf hiss & rumble
  -- Slight bleed of distant neighbourhood traffic rumble
  -- Bleed of bass end electric fan noise from inside house, through timber
  -- Door opens and closes 

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Disquiet Junto Project 0160: One Minute Past Midnight
The Assignment: Make a one-minute field recording starting right at midnight (wherever you are).

This week’s project is very simple. It asks that you make a field recording of sound, just one single minute, starting at a specific time: midnight.

From simple things complex things sometimes grow, and this project is a hopeful initial step toward a variety of related projects that may spring up over the course of 2015, perhaps even culminating in some sort of collection, maybe even in a physical space along the lines of the “Sonic Frame” installation at the San Jose Museum of Art (that piece largely drew its sonic material from an earlier Junto project). No one’s work will be repurposed without their permission, and it’s appreciated if you post your track with a Creative Commons license that allows for non-commercial reuse and sharing.

The steps are as follows:

Step 1: Record audio, outdoors or indoors, at midnight wherever you are.

Step 2: You can post the audio as is, or create a slight fade in of volume at the start and fade out at the end.

Step 3: Upload the finished track to the Disquiet Junto group on SoundCloud. Please consider posting photography, even video, associated with your efforts.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: Projects are usually due at 11:59pm wherever you are on Monday, January 26, 2015. This time, if you need to do the recording the final night of the project, it’s OK to upload early on January 27.

Length: The length of your finished work should be one minute.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0160-oneminutepastmidnight” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 160th Disquiet Junto project — “Make a one-minute field recording starting right at midnight (wherever you are)” — at:

http://disquiet.com/2015/01/22/disquiet0160-oneminutepastmidnight/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Photo associated with this project adapted from one by Manuel Delgado Tenorio and used via Creative Commons license:

https://flic.kr/p/heAk6W


On the verandah [Disquiet Junto Project 0160: One Minute Past Midnight]

OK, so far as melody goes we get just 1 note of a Rhodes-ish E-Piano? Hmm, well just make of it what you can.
Some tempo shift, medium length looped samples, trimmed out isolated percussives and a couple of wave mangled 'virtual' instrument voices later, and we have...

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Disquiet Junto Project 161: Netmix Relabel
The Assignment: Create a new track from three tracks from three different netlabels.

These are the steps:

Step 1: Create a new piece of music by using nothing but the following segments of the following songs:

The first 15 seconds of “Dog Kiss” by Chtin Mara off the album Animus Animal Anima (Enough Records), available for free download at: http://goo.gl/iWcJJs

The first 10 seconds of “Qif Kiff” by Ayato & Natalia Kamia off the album Cluster (eg0cide Records), available for free download at: https://eg0cide.bandcamp.com/album/eg0-131-ayato-natalia-kamia-cluster

The first 10 seconds of “Espasmo” by Lingering Last Drops (Bump Foot Records), available for free download at: https://lingeringlastdrops.bandcamp.com/

Step 2: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, January 29, 2015, with a deadline of 11:59pm wherever you are on Monday, February 2, 2015.

Length: The length of your finished work should be between two and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0161-netmixrelabel” in the title of your track, and as a tag for your track.

Download: It is necessary for this specific project that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 161st Disquiet Junto project — “Create a new track from three tracks from three different netlabels” — at:

http://disquiet.com/2015/01/29/disquiet0161-netmixrelabel/

This track includes material from the songs “Dog Kiss” by Chtin Mara off the album Animus Animal Anima (Enough Records), “Qif Kiff” by Ayato & Natalia Kamia off the album Cluster (eg0cide Records), and “Espasmo” by Lingering Last Drops (Bump Foot). More on Enough at enoughrecords.scene.org. More on eg0cide at eg0cide.com. More on Bump Foot at bumpfoot.net. All work used courtesy of a Creative Commons license allowing for derivative use.

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/


Lingering Kief Dog [Disquiet Junto Project 161: Netmix Relabel]

One almost constructed Stoch 5 sprawled over workbench, running live through 12" PA speaker into echoing void under the bench, from whence it was miked up. Volume level then set to give a nice mix with the free soloing on grinder coming from next door. Maybe a couple of bird calls also? Sweetly balanced, I think. No post production. 

One Urbane Stoch 5

A lighthearted and fun Project.

Fed the girl in the box a few different things. Tried playing "same game" but the colours wouldn't disappear when I lined them up. Soon realised that sequencing looked pretty tedious with the copy-and-drag-mouse-life. Was pushing uphill loading in stuff with loose beats and eccentric instrumentation.

So, found a track with a solid beat and big, slabbed sounds - an old one I'd had fun mocking up but never considered 'finished'. Suddenly the squares came to life!

Ran mix and match sections in reverse with slightly shortened period, and got a noisy but much improved tune for my trouble. Smudged some reverb onto recording in Audacity to loosen the forwards/backwards click and jolt it had picked up. Done.

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Disquiet Junto Project 0162: Junto in a Box
The Assignment: Use Paul Lamere’s “Girl Talk in a Box” to gain a new perspective on your own music.

These are the steps:

Step 1: Choose a piece of music of your own that you would like to get a new perspective on.

Step 2: Go to the following URL to access the web app Girl Talk in a Box, which Paul Lamere designed. As he explains, “While a song is playing, you can take control, speeding it up, slowing it down, skipping beats and so on.”

http://static.echonest.com/girltalkinabox/

Step 3: Upload your song to Girl Talk in a Box and play with it. After gaining some measure of facility with the web app, record your own edit of your song.

Step 4: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 5: Be sure to include a link to the original track, so listeners can compare and contrast.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the evening, California time, on Thursday, February 5, 2015, with a deadline of 11:59pm wherever you are on Monday, February 9, 2015.

Length: The length of your finished work should be between two and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0162-juntoinabox” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 162nd Disquiet Junto project — “Use Paul Lamere’s ‘Girl Talk in a Box’ to gain a new perspective on your own music” — at:

http://disquiet.com/2015/02/05/disquiet0162-juntoinabox/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/


Boxed [Disquiet Junto Project 0162: Junto in a Box]

Inspired by the Admirable B. Button, and memories of another windmill which harnessed the energy of the planet to generate insomnia. Rusty squeak and clatter.

See --> https://soundcloud.com/admiralbellybutton/windmill


One More Windmill

A straight test run of the steadily progressing Stoch 5. No user interaction for the duration of the track. Rain on roof, as is becoming a signature, and likely will be 'till the weather shifts.
A touch of post EQ & balance, but no effects.


One Stoch 5 with a chance of showers

Who wants to hear traffic and TV's, doors, clatter and neighbours? So, of course, I went for subdued natural sounds, and found the end result a little foreboding. 
Is there a message in it? Will the sunrise ever come? Look to the east, and be thankful.

Approx. 5 sec grabs taken from "One Minute Alice Springs" and "Third night of rain" were manipulated to fill the 60sec frame: time stretch, filtered reverb resonance, delay lines and the usual kit... This was sat alongside longer takes from "Spin Cycle" (for rich bottom end noise drones and white noise extracted as breathing) and "One Minute Alice Springs" (to restore the natural landscape somewhat).

Thanks to:
https://soundcloud.com/hightunnels
https://soundcloud.com/benn-demole
https://soundcloud.com/tuonela-1

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Disquiet Junto Project 0163: Layering Silence After Midnight
The Assignment: Create a new late-night ambience with sounds from a handful of pre-existing field recordings.

This project is the second in what will be an ongoing occasional series that focus on late-night ambience. Collectively these nocturnal endeavors are being called “One Minute Past Midnight.” No one’s work will be repurposed without their permission, and it’s appreciated if you post your track with a Creative Commons license that allows for non-commercial reuse and sharing.

The steps for this project are as follows:

Step 1: Revisit project #0160 from January 22, 2015, in which field recordings were made of the sound one minute past midnight:

http://disquiet.com/0160/

Step 2: Locate segments that are especially quiet and meditative — and confirm that they are available for creative reuse. Many should have a Creative Commons license stating such, and if you’re not sure just check with the responsible Junto participant.

Step 3: Using segments from three different tracks from the January 22 project, create a new work of sound that layers the pre-existing material into something new, something nocturnal. Keep the length of your final piece to one minute

Step 4: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 5: Be sure to include link/mentions regarding the source tracks.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: This assignment was made in the early evening, California time, on Thursday, February 12, 2015, with a deadline of 11:59pm wherever you are on Monday, February 16, 2015.

Length: The length of your finished work should be one minute.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0163-layeringminutes” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 163rd Disquiet Junto project — “Create a new late-night ambience with sounds from a handful of pre-existing field recordings” — at:

http://disquiet.com/2015/02/12/disquiet0163-layeringminutes/

More on the Disquiet Junto at:

http://disquiet.com/junto

Ēostre's Cradle [Disquiet Junto Project 0163: Layering Silence After Midnight]

An old track dusted off, but finished. No drummer can now be found under nettles. Fun while it lasted.

One Drum Departure

" Nettles (Urtica species) are shrubby weeds covered in fine stinging hairs. The opposite leaves have toothed margins, and the sprays of tiny flowers are greenish and unattractive. " - Tim Low, Wild herbs of Australia and New Zealand.
It remains to be seen exactly what relation this bears to the composition and interpretation of music.

aPatchofNettles

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