Name: On the verandah [Disquiet Junto Project 0160: One Minute Past Midnight] by aPatchofNettles in Side by side along the pitched ridge.
Duration: 1 min

http://disquiet.com/2012/01/27/the-disquiet-junto/

Side by side along the pitched ridge.

3 Tracks grabbed live from the Stoch 4 Lunetta instrument. Drum track was run first against a sparse metronome. Two melodic lines dubbed over; once the loop point had been fixed. Chromaticism was determined by the native trilling of the Stoch. Final mix balanced out in PC software; just light filtering and pan/levels.

The Stoch generously delivered structure without prior deliberation - it was challenging for this purpose to achieve interaction with the triggers to form a plausible tight loop from the percussive bursts. The two instrumental tracks are bound together by switch selected scale distributions. Their triggering was manipulated to hook motifs into the phrasing accents of the base percussion loop.

Axial [disquiet0153-groovelock]

Used my own track - Axial - already randomly generated and waiting to come to terms with. Picked up  Steve Moshier's — No Cause for Alarm (disquiet0153-groovelock) - a solid contrast of speed/density and sat well harmonically. Stacked the loops in PC sequencer, with some re-pitching into bass and scattering into higher registers. Braided a long echoing software synth across to hold it all together and mimic Steve's voicing.

Spoiled for choice with so many great samples ... used a couple more as meat for effects/filters and sprinkled them through. Thanks to:
 Dave Dorgan — 0092 
 VG mrmojo — 0153groovelock 
 Peter Tigges — What does 273.15 K taste like?  

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The Assignment: Create a track from two locked grooves.

This week’s Disquiet Junto project builds on last week’s. Last week, 67 different musicians uploaded as many locked grooves. This week we’ll make new music atop the locked grooves. Here are the steps. Note that there are some options:

Step 1: Choose two locked grooves from the set at http://goo.gl/0s4WmM. You can accomplish this in several ways. You can choose random numbers between 1 and 67 and use those tracks, or you can just select the tracks you most want to work with. Note that most of the tracks should be set to allow, via Creative Commons, for non-commercial re-use. However, if you aren’t sure, please contact the musician to confirm.

Step 2: Make a new track alternating the two locked grooves for between one and two minutes.

Step 3: Use the track that resulted from step 2 as the foundation for a new piece of music. Transform it as you desire, which might include altering the foundational track and adding new material atop it.

Step 4: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 5: Listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Length: Your finished work should be between roughly 1 and 2 minutes long.

 


CoAxial [disquiet0154-grooveunlocked]

After a couple of failed experiments, decided to keep it simple and cadge around sampling of the melodic hints from the originals. Nuts and bolts sequencing, but set up the playback as if being run through 'shutters' at mismatched rates, so the coincidence varies. The Salamander version features as a highly fragmented&delayed background drift.

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Step 1: Download the following two tracks. The first is “Waiting…” by Yellow Salamand’r and the second is a reworking of it, titled “Waiting (A Yellow Salamander Re-hash),” by Colab.

https://soundcloud.com/yellow-salamandr-4-1/yellow-salamandr-4-waiting

https://soundcloud.com/colab/waiting-a-yellow-salamander-re-hash

Step 2: Create a new track that combines the two source tracks. 
Don’t add any new audio, though you can transform the source material as you wish.

Step 3: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 4: Listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Length: Your finished work should be between roughly 3 to 4 minutes long.

Tachistoson [disquiet0155 - Mixmatch]

OK, hope it doesn't stretch the rules too far... A year spent jamming tables in a SQL warehouse; did grow some vegetables, but no decent date ordered catalogue of audio projects. Synopsis? = calendar is represented here by 12 months detailed daily weather data from logging station at the end of the road, downloaded, stitched and mangled per DBA's professional manner. Pushed as series into Arduino controller, and spooled back out algorithmically as MIDI for recording. Approx. 5 sec each month.

As a 'journal' it reflects the spirit and experiences of the year, and summarisies the audio techniques I've mucked about with.

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Thanks to : http://www.bom.gov.au/climate/data/index.shtml
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Disquiet Junto Project 0156: Audio Journal 2014
The Assignment: Create a sonic diary of the past year with a dozen five-second segments.

This week’s project is a sound journal, an audio history of the past year. You will select a different audio element to represent each of the past 12 months of 2014. You will then select one five-second segment from each of these audio elements. Then you will stitch these dozen five-second segments together in chronological order to form one single one-minute track. There should be no overlap or gap between segments; they should simply proceed from one to the next.

These audio elements will most likely be of music that you have yourself composed and recorded, but they might also consist of phone messages, field recordings, or other source material. These items should be somehow personal in nature, suitable to the autobiographical intention of the project; they should be of your own making, and not drawn from third-party sources.

When done, upload the finished track to the Disquiet Junto group on SoundCloud. Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: 11:59pm wherever you are on Monday, December 29, 2014.

Length: Your finished work should be 60 seconds long.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto.

Information: Please, when posting your track on SoundCloud, list the source of each of the 12 elements.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0156-audiojournal2014” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 156th Disquiet Junto project — “Create a sonic diary of the past year with a dozen five-second segments” — at:

http://disquiet.com/2014/12/25/disquiet0156-audiojournal2014/

Meteorologic [disquiet0156 - Audiojournal2014]

A very pretty glass with curves made many harmonics as the ice went in. Took around 15 samples. A couple were reserved for waveform synthesis - the rest went straight onto a 'drum' track. From there it came together quickly.
Nothing but ice, glass and water.

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Disquiet Junto Project 0157: A Little Ice Music
The Assignment: Record the sound of ice in a glass and make something of it.

Happy new year! This week’s project is as follows:

Step 1: Please record the sound of an ice cube rattling in a glass, and make something of it.

Step 2: Upload the finished track to the Disquiet Junto group on SoundCloud.

Step 3: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Background: Longtime participants in, and observers of, the Disquiet Junto series will recognize this single-sentence assignment as the very first Disquiet Junto project, the same one that launched the series on the first Thursday of 2012. Revisiting it a year and two years later, on the first Thursdays of 2013 and 2014, provided a fitting way to begin the new year. Now, at the start of the fourth year of the Disquiet Junto, it is a tradition. A weekly project series can come to overemphasize novelty, and it’s helpful to revisit old projects as much as it is to engage with new ones. Also, by its very nature, the Disquiet Junto suggests itself as a fast pace: a four-day production window, a weekly habit. It’s beneficial to step back and see things from a longer perspective.

Deadline: 11:59pm wherever you are on Monday, January 5, 2015.

Length: The length of your finished work should be between one minute and four minutes.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0157-icemusic2015” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 157th Disquiet Junto project — “Record the sound of ice in a glass and make something of it.” — at:

http://disquiet.com/2015/01/01/disquiet0157-icemusic2015/

More on the Disquiet Junto at:

http://disquiet.com/junto


Hydra [Disquiet Junto Project 0157: A Little Ice Music]

On the verandah, sounds identifiable:
  -- Light rain on roof, and drops from overhanging trees
  -- Insects and frogs in garden
  -- Birdsounds from estuary
  -- Distant, but dominant, surf hiss & rumble
  -- Slight bleed of distant neighbourhood traffic rumble
  -- Bleed of bass end electric fan noise from inside house, through timber
  -- Door opens and closes 

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Disquiet Junto Project 0160: One Minute Past Midnight
The Assignment: Make a one-minute field recording starting right at midnight (wherever you are).

This week’s project is very simple. It asks that you make a field recording of sound, just one single minute, starting at a specific time: midnight.

From simple things complex things sometimes grow, and this project is a hopeful initial step toward a variety of related projects that may spring up over the course of 2015, perhaps even culminating in some sort of collection, maybe even in a physical space along the lines of the “Sonic Frame” installation at the San Jose Museum of Art (that piece largely drew its sonic material from an earlier Junto project). No one’s work will be repurposed without their permission, and it’s appreciated if you post your track with a Creative Commons license that allows for non-commercial reuse and sharing.

The steps are as follows:

Step 1: Record audio, outdoors or indoors, at midnight wherever you are.

Step 2: You can post the audio as is, or create a slight fade in of volume at the start and fade out at the end.

Step 3: Upload the finished track to the Disquiet Junto group on SoundCloud. Please consider posting photography, even video, associated with your efforts.

Step 4: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

Deadline: Projects are usually due at 11:59pm wherever you are on Monday, January 26, 2015. This time, if you need to do the recording the final night of the project, it’s OK to upload early on January 27.

Length: The length of your finished work should be one minute.

Upload: Please when posting your track on SoundCloud, only upload one track for this assignment, and include a description of your process in planning, composing, and recording it. This description is an essential element of the communicative process inherent in the Disquiet Junto. Photos, video, and lists of equipment are always appreciated.

Title/Tag: When adding your track to the Disquiet Junto group on Soundcloud.com, please include the term “disquiet0160-oneminutepastmidnight” in the title of your track, and as a tag for your track.

Download: It is preferable that your track is set as downloadable, and that it allows for attributed remixing (i.e., a Creative Commons license permitting non-commercial sharing with attribution).

Linking: When posting the track, please be sure to include this information:

More on this 160th Disquiet Junto project — “Make a one-minute field recording starting right at midnight (wherever you are)” — at:

http://disquiet.com/2015/01/22/disquiet0160-oneminutepastmidnight/

More on the Disquiet Junto at:

http://disquiet.com/junto

Join the Disquiet Junto at:

http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:

http://disquiet.com/forums/

Photo associated with this project adapted from one by Manuel Delgado Tenorio and used via Creative Commons license:

https://flic.kr/p/heAk6W


On the verandah [Disquiet Junto Project 0160: One Minute Past Midnight]

Steampunk Ladies

PROCESS

Single notes in the key of C, staggered and stacked to move through different chords. "Attack" was eliminated using a combination of my trusted E-bow fed through an EHX POG2 with its attack setting jacked all the way up for max swell. Tape Delay, Phaser, Reverb added for space travel (or ocean travel as the case may be here).

RIG

Fabien (Peekamoose Custom Guitars M2), EHX POG2, Small Sound / Big Sound Sparkle Motion, tc electronic flashback delay, EQD Grand Orbiter, EQD Afterneath, Strymon blueSky, Line6 POD-XT (Vox AC-30 emulation), RECORDING DAW: Sony Acid 7.0 (Win 8.1), MASTERING DAW: Harrison Mixbus 2.5 (Mac OS 10.7.5)


PROJECT

Create a dense stack of attack-free tonal material from one audio source.

Step 1: Choose an instrument that can create extended tones.

Step 2: Record a short loop of a single held tone on that instrument. Use a volume pedal or other tool to eliminate the attack at the start of the tone.

Step 3: Create many more such loops, all with the same instrument, and layer them atop the original loop.

Step 4: Record a document of these layered loops lasting approximately 1 minute.

Step 5: Upload your completed track to the Disquiet Junto group on SoundCloud.

Step 6: Then listen to and comment on tracks uploaded by your fellow Disquiet Junto participants.

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More on this 189th Disquiet Junto project (“Create a dense stack of attack-free tonal material from one audio source”) at:
http://disquiet.com/2015/08/13/disquiet0189-tonelayer/

More on the Disquiet Junto at:
http://disquiet.com/junto/

Join the Disquiet Junto at:
http://soundcloud.com/groups/disquiet-junto/

Disquiet Junto general discussion takes place at:
http://disquiet.com/forums/

c swells [disquiet0189-tonelayer]

A MicroBrute synth connected in feedback-loop through a loop pedal set to 3-seconds with a slight fade out.

Three layers were recorded.  Each one is a single note sustained throughout the loop.  One of them (lower) is a triangle wave with the LFO modulating its frequency, and the other two are square waves with the LFO modulating the pulse width.  

Each layer is a loop that is permanently recording the output of the synth and feeding it back into it 3 seconds later, where it mixes with the sustained note creating textures and patterns by cancelling some parts of the wave and clipping others.  The result of this mix gets out of the synth and back into the loop pedal where it gets recorded and fed back into the synth once again, starting the process all over and creating the evolving sound.

Disquiet0189 - Tonelayer

DEATH ROARS is a four tracks album made of totally improvised, heart rended music.

Jack D'Amico [fender rhodes, fx]

Walter Forestiere [drums, objects]

recorded, mixed, mastered at CW studios [Rutigliano, Italy] by Roberto Gallo

artwork, graphics by Valentina Sansò



01 Anything is Everything

03 I Thought on you were an Animal

French tips on the dentist's manicure

The Isle of a Daughter

contains plundered ink spots with modular.  video at https://www.youtube.com/watch?v=wKZMIOq-K38
please leave a comment.

pytchblend - fIre

music . aPatchofNettles @apatchofnettles @tosowgreennettles
with RW, drummer (found most times in the Ginger Mist)
instrumental here https://soundcloud.com/apatchofnettles/one-turn-in-the-maze
quick mastering courtesy Dariusz Jackowski @dariusz-jackowski-1
vocals / lyrics / artwork . Mariam Zohra D : Myrh
The lyrics to this song are connected to couple of songs in the past:
(original) There's a Misery https://hearthis.at/tarka-lw/theres-a-misery-mlouw-myrh/
Sad Sad Song https://soundcloud.com/russandrade/marvelous-russ-myrh-2018-02-16-1156-pm?in=russandrade/sets/open-gates-collabs-w-myhr

A WONDEROUS SOUL
There's a misery. How do you? How do you dare?
How do you rule the world? Its a wondrous song, a wondrous soul.

A Wondrous Soul - aPatchofNettles | Myrh

" Nettles (Urtica species) are shrubby weeds covered in fine stinging hairs. The opposite leaves have toothed margins, and the sprays of tiny flowers are greenish and unattractive. " - Tim Low, Wild herbs of Australia and New Zealand.
It remains to be seen exactly what relation this bears to the composition and interpretation of music.

On the verandah [Disquiet Junto Project 0160: One Minute Past Midnight]

aPatchofNettles

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pytchblend

Bassling

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