Featured on SoundCloudBook! http://soundcloudbook.com/neurofunk/koan-sound-the-edge-ahk-remix

this is soooooooooooooooooooooo good!!!!!!

Xen Xeno : HeX VoX & Sonic Sorcery / Melissa McKnight : HeX VoX / Rachel Fuhrer : Big Bangs

The Jesus Whip

Lyrics:

Heart full of scars,
but the Xans make it numb.
Pretty bitch, dick down,
straight face when I cum.
Then I’m done,
grab the guns,
let it bang
like a drum.
Gold on my neck,
looking like colostrum.
And I’m deadly,
.45 Glock in the Chevy.
Say you rep squad,
but yo crew fruit medley.
Say you want smoke,
boy yo lungs ain’t ready.
I lay you fuckin’ out,
swear to God—
don’t test me,
bitch don’t test me.
‘For it get Messi,
not talkin’ FC
or Miami—
damn, he kill it,
like a mothafuckin’ jammy.
Fuckin’ on yo bitch,
break her hip like a granny.
Aye—bitch, you get bodied.
I bomb you fuckin’ faggots,
call that nigga Nagasaki. (x2)

Apocalypse,
we all gotta die—
so pop a brick, yeah.
Apocalypse,
we all gotta die—
so blaze a spliff, yeah.
Apocalypse,
we all gotta die—
cocaine I’ll sniff, yeah.
Apocalypse,
Apocalypse,
Apocalypse.

Bitch,
my wordplay’s immaculate,
like the shaved pussy
of a bitch that’s not average.
Masochist, bitch,
I’m an act of sacrilege.
Homicidal,
ceasing opposition—bio catalyst.
I mastered this,
rappers fatuous and passionless.
I’ll smoke ’em like they cannabis,
my Swisher sweet like Cavendish.
Antagonist,
I’m the rap game antagonist.
I’ll pussy-fuck yo bitch
till her body is exanimate,
Inanimate—an analyst,
it’s gonna take an analyst
to figure out my mind
and how the fuck I even manage it.
No management,
I’m the realest and it’s evident.
Underground prophet from the depths,
I’m not heaven sent.
A pestilence—
what you are, a pestilence.
My AK-47
causing mass soul exodus.
My excellence—
and it’s not just pride.
It’s a fact that a nigga
murda beats till he die.
Yeah.

Apocalypse,
we all gotta die—
so pop a brick, yeah.
Apocalypse,
we all gotta die—
so blaze a spliff, yeah.
Apocalypse,
we all gotta die—
cocaine I’ll sniff, yeah.
Apocalypse,
Apocalypse,
Apocalypse.

APOCALYPSE (Prod. Akkari // Ayumi)

An intimate radio show by Sunday Café Records. Hosted by @kebivibes✌️
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Crossing the boundaries of culture, generation, and genre, Sunday Café is a community that highlights love and connection through an ever-expanding range of timeless music and healthy vibrations .

We see you, we love you, and we appreciate you. Join us on Sunday Café Radio and be a part of our community of positive change. For more information, please email us at sundaycaferecords@gmail.com.

Rooted in Nature 🌱 Curated with Love ❤️

Sophisticated & Sexy Afro-Latin House (4 Hour Mix)

I decided to use instruments from diffrent genres for this track. A lot of drums and percussion are useful to make the night right for dancing

You&The Night

Serkan Temizer_Cognitive Motivation Set

Presenting my Summer Fest Mixdown 2025 — a journey through my latest tracks, exclusive unreleased cuts, and plenty of gems I’ve been dropping in my sets across the States this year.

This mix is all about high-energy festival vibes, driving tech-house grooves, and big-room drops built to keep the dancefloor moving.

👉 Hit play, share the energy, and let me know your favorite moment in the comments!

Guy Scheiman - Summer Fest 2025

Mirror

A deep Afro melodic cut from David Ramano, We Who Know blends soulful vocals with hypnotic grooves, driving percussion, and soaring melodies. Built for peak-time sets and immersive dance floors, the track bridges raw emotional intensity with the pulse of Afro House, delivering a sound that feels both timeless and modern.

Equally suited for clubs, festival stages, and intimate late-night sessions, We Who Know is a powerful addition to n’s growing catalog.

Stream / Download: songshare.com/track/7qfmeakv

CU PREMIERE David Ramano - We Who Know (Original Mix) [Omkara]

Fredo-Frankenstein

"Ghosts of My Past” is a gritty, confessional song about trying to outrun the mistakes and voices that won’t let go. It’s messy, loud, and honest—capturing the blurry nights, the regrets, and the fight to quiet it all down. With a big, chant-like chorus, it’s the kind of track that sticks in your head while hitting straight at the heart.

Ghosts of My Past

KOAN Sound - The Edge (D&B Remix) FREE DL at 2000: fans (FB) / followers (SC)

GRAB YOUR COPY! http://btprt.dj/19YrFTH

ENGLISH BIO: TBA

AHK son las siglas de Apolitical Hate Krew, un proyecto musical de caracter autodidacta basado en la pasión por la musica y la tecnologia de un grupo de amigos de la ciudad de Barcelona. 

Sus inicios se remontan a finales de 2007, momento en que empiezan a experimentar con programas destinados a la producción musical, centrándose sobretodo en Ableton Live, pero también probando con otro Software, como por ejemplo: Logic, Reason, Renoise... 

Después de un par de años dedicados únicamente a la producción musical, AHK decide que es momento de llevar la musica que les influencia para crear sus temas al público en general. Es a finales de 2009 cuando actuan por primera vez en la sala Razzmatazz de Barcelona. Allí realizan una sesión mezcla entre Mix/Live usando Ableton Live y diversos controladores MIDI. 

Tras un inicio demoledor, realizan varias fiestas más en Razzmatazz, que compaginan con otras actuaciones en salas y pubs más pequeños, como Xpressing Underground Club o The New Gluh. Es al cabo de un tiempo, cuando se trasladan a otro lugar de renombre de la ciudad, Mondo Club, en el puerto de Barcelona. 

Actualmente, siguen totalmente comprometidos con la producción musical, ofreciendo temas de calidad en estilos que abarcan desde el Dubstep más experimental hasta el Techno más roto, sin olvidar el Drum and Bass, el género que más les identifica. 

Bastante elitísticas en el ámbito, en sus sesiones apuestan por los subestilos del Drum and Bass más oscuros, sintéticos y contundentes, y por temas rotos de Techno y Hard Electro que mantienen la fuerza en los ritmos y bajos, aspectos elementales en cualquier set de AHK. 

Su show se realiza sin necesidad de platos, vinilos o cds, se valen de diversos controladores con los que manejan Ableton Live.

Con la ayuda de una infinidad de máquinas y otros gadjets se lanzan los clips y se controlan los efectos deseados o creados. 

Gracias a todo este material, en las actuaciones se pueden encontrar combinaciones excelentes entre diversos tracks y un dinamismo musical dificil de proporcionar solamente con el equipo de un DJ convencional. 

ENGLISH BIO: (TBA) 

KOAN Sound - The Edge (D&B Remix) FREE DL at 2000: fans (FB) / followers (SC)

Apolitical Hate Krew

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