'sex - sex' is the first full-length digital release on the Appendix.files. ambigaze dedicated to love demons, the heartbroken and you

sex.co.gg
credits
released February 2, 2024

music by amos, ben & lukas
mastered by shy

APPX:SEX

lead

Tracklist
laura cannell - for the mythos of birds
rhodri davies - hanner dyrned o’r wermod lwyd
yuan meiyun - the most beautiful boy
semilanceata - til dystra stygia siø
cherrystones x demdike stare - where evil grows 
lukas de clerk - singing phragmites of Pont Etzu
glen velez - bendir
phurpa - fundamental mantra of bon
abiy seyoum - the last judgement
sabla - spirits
illuminations - preacher dub
simon haydo - l. l. oddity
vex’d - crusher dub
shamos - h2
model home - unbroken spirits
kukangendai x krikor - jr west woman only
ekoclef - sonic salvation
i-mo-jah / phillip fullwood - jah say love
bullwackies all stars - tribal dub
jogmode - trackTHREE jm

Trip Lick - ojoo - NTS July 2025

glinted 01 out now: https://glinted-records.bandcamp.com/album/glinted-01

glinted's first release pairs Copenhagen based producer gab_i with Amsterdam newcomer
GATELESS. Across 43 minutes of shimmering sound, glinted 01 puts into dialogue the rawness
of illbient low-ends & electroacoustic experiments, with the precision of contemporary
ambient electronics. 

Let it wash over you. 

Mixed & Mastered by Michael James Thomas at Studio Moonchord
Vinyl distribution by One Eye Witness
Artwork by James Crossley

glinted 01 (snippets)

Living Room n°88 ~ @user-195275547

q. pls introduce yourself…
Hello, we are forest.exe (Sven and Silvan). We run a label that focuses on ambient, avant-garde and experimental music. It is called Jurassic Ambient Records. The name is inspired by the Jura forests in Switzerland, where we live and grew up. We create our own mixes and also release guest mixes as well as music from friends and anyone interested. We started about four years ago. Over time, we gradually moved away from technoid sounds and club culture, and began experimenting and mixing together within the genres of ambient, experimental and drone, where we felt more at home. For us, it is essential to connect music with the wellbeing in nature, which is also the origin of everything.

q. is there a story behind the mix?
This time we created the mix with Ableton in Sven’s home studio, nestled near the Jurassic forest — not, as we usually do, in a rehearsal room with a Pioneer setup. It was a warm and luminous day at the very beginning of summer. Surrounded by nature, we let the atmosphere guide us, working spontaneously and intuitively. Instead of CDJs, we wanted to explore a new approach, giving ourselves more time and space to shape the flow. This allowed us to engage more deeply with each track and to sculpt the transitions with greater precision.
The result is a mix that feels reduced and calming, almost dreamlike, yet still carries a quiet strength. It mirrors the uncertainties and concerns we feel about the world, and the question of how we might navigate through them. We dedicated an entire day to the process, with pauses, a few beers, and long conversations about the value of music and the character we wanted this mix to embody.

q. what’s the best way to enjoy your mix?
Step into the forest, put on your headphones, leave the world behind and sink into natural, calming sounds. You might wander along the paths and lose yourself in the embrace of nature, or sit quietly on a tree stump, listening to the mix while observing the subtle life unfolding around you. This is, in essence, what our name forest.exe is meant to evoke.

q. describe a favourite object in your living room...
Silvan: My favourite object in my living room is a handmade ceramic piece with an organic, natural design. I discovered it in Krakow last year during my visit to the Unsound Festival.
Sven: Hehe… epic indeed. My favorite object in my living room is a triptych of three Japanese woodblock prints. In the first, several farmers brandishing katanas burst forth with fierce cries. In the second, a lone farmer leaps dramatically over a waterfall, sword in hand. And in the third, a bear flees from the oncoming attackers. The imagery is raw and powerful, yet strangely inspiring. I don’t know the artist or when the pieces were created — but stumbling upon them in an antique shop felt like a stroke of fortune, as if they had been waiting there for me.

q. are you working on any projects right now (music or not music)?
We are both working on new music, though it often takes a lot of time — which can be challenging, since we both work more or less full-time as social workers, and Sven also has children. Still, we meet regularly to create ambient mixes, discuss musical developments, and continue shaping our vision for the label. Through it, we keep releasing new mixes as well as music (EPs) from ourselves and from other artists.
What we love is that this project has been with us for quite some time, and we can move at our own pace — deciding how much energy to put in, or when to slow things down. That way, it never becomes stressful, because we are not chasing success, but rather sharing our musical principles and offering others a fresh listening experience. We are also searching for a spot in the forest where we can record outdoor mixes, letting nature inspire our music even more directly.

Living Room n°88 ~ forest.exe

There’s a quiet gravity in voices often left unheard — a shimmer that stretches across hidden constellations of sound. This mix moves through those spaces, gathering textures like fragments of dreams, drawing a line between fragility and force. It is music as a shelter, a tide, a whispered uprising.

Recorded by slyn, co-founder of the FLINTA-focused label and platform Gravity Pleasure (alongside Slowfoam), this selection is composed entirely of works by FLINTA artists. Each piece resonates with its own distinct weight, yet together they form a continuum that honors presence, resilience, and care within experimental and ambient music.

@gravitypleasure
@s_l_y_n

Amulet 063: Gravity Pleasure

Summer CO25

@lydias_house @piii3 @lp_sters @dj_candle

art by Carolyn Jungsuh Rhee https://jungsuh.space/

https://candle-object.com

Lydia's House + pi - Summer's End

The first single from jp's forthcoming album, 'we're here all the time', out October 24th on Theory Therapy. 

https://theorytherapy.bandcamp.com/album/were-here-all-the-time

The vinyl is shipping later this year. It's available on One Eye Witness: https://www.one-eye-witness.com/release/1757422963/jp-we're-here-all-the-time

@whatdotjp
@oneyewitness

jp - lite blue light (feat neal m)

A radio show turned into a movie club, where monthly guests share their favorite film sounds, personal movie memories and more — on Kiosk and Critikat Magazine. This show marks the very first episode of their Outsiders residency.

More info - https://www.critikat.com/panorama/podcast/the-scores-ep-1-liyo-gong/

🌐 "Outsiders" is our daily show hosted by labels, collectives, venues, clubs, ... worldwide 
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET 
🔗 kioskradio.com

Outsiders: The Scores w/ Liyo @ Kiosk Radio 17.09.2025

pi/live: Mike Midnight @ Ballet in NYC 05-18-2025

@stone_xo, producer and DJ from South London, has been turning heads with a style that slips between dreamy downtempo and sharp-edged club energy. A mainstay on Berlin’s @triplexlarge, his recent release hit hard and showed why his sound keeps sparking attention in the community, alongside work on Goddezz, Theory Therapy and Kontext. For us, he delivers a mix diving deep into darkside downtempo and illbient - raw, textured and with his distinct touch

Kontext mix w/ Stone

recorded live at clyde built radio, glasgow, 26th september 2025
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