http://lineunder.blogspot.jp/
https://www.youtube.com/user/qx222

"WAMEI"
821 - Sarry, ex-Hibushibire, etc... - solo project.
Sounds likes Experimental, Drone, Ambient, Psychedelic rock, Ethereal, Noise, Trival music, Early Church music...

a.k.a
Sarry(Ba), Jacob's Ladder(Gu),Sub Vert(Noise),Kurauto?(BGu),etc...

<a href="http://www.carnosaurios.com" rel="nofollow" target="_blank"><h1>Carnosaurios</h1></a> recorre musicalmente los estilos reggae, ska, funk y candombe, entre otros, mezclado con una puesta en escena divertida, reflexiva y constructiva.
Se contemplan desde los disfraces utilizados a las presentaciones humorísticas, ya elaboradas o de ocasión, y climas sonoros que ambientan las mismas lo cual se mezcla dinámicamente con la ejecución musical.
El concepto del espectáculo es fiesta y diversión.
Desde las letras y la música de propia autoría se busca la reflexión en temas de común interés.

<a href="http://www.carnosaurios.com" rel="nofollow" target="_blank"><h1>Carnosaurios</h1></a> is a band whose musical styles involves reggae, ska, funk and candomble, among others, mixed with a fun, thoughtful and reflexive staging. They perform humorous presentations in every concert they offer, dressed with funny and strange disguises. The proposal of their concerts is to have a party among all the presents and to have fun. The lyrics and the music of their own authorship, goes looking for reflection on issues of common concern.


Hoor-paar-Kraat is the primary vehicle which Anthony Mangicapra employs to create one sonic limb of his total body of work. 


Kemp’s work is informed by subtle states of trance, dream, and disturbance. Based in Devon and London.

insufferable sanctimonious gentry

(¯`*•.¸,¤°´ ████████ ██ ████████ ███████, ██ ██ ████████ ███`°¤,¸.•*´¯)

After buying “Ghost Town” by The Specials at the age of 9 and being inspired by John Peel, became a rabid adolescent record collector. From Post-Punk and New Wave through to Hardcore Punk, Industrial and experimental, eventually started DJing at random parties and bedrooms in the South of England from 1993, eventually delving into the UK club scene after discovering Drum & Bass and Hardcore in the mid-90s. Disillusioned and unsatisfied, relocated to Kobe, Japan in 1999. Soon after became involved in organising events in the blossoming Japanese underground music scene, both in the established ‘noise’ of Kansai and the burgeoning new digital field of experimentalism, for over ten years. Started the record label APPLIANCE JAPAN with the debut release compilation LP “APPLIANCE 3” in 2004. Occasionally operates under the names LORAN C and THE NATIONAL GRID. Has a tendency to play deep, dark and dirty.

appliance recordings is following