Buy link: https://payhip.com/b/gCY5
Buy After The Journey Samplepack [Samples+Massive Presets] here: 
payhip.com/b/p5LBk
Buy After The Journey [Massive Presets] + The 80s [Massive Presets] here: https://payhip.com/b/zulij

Five months ago I started making my own patches in Massive, by Native Instruments. After experimenting a lot and having the need to create more aesthetic analog sounds for my own tracks, I made more than 100 presets. From those presets I chose 80.
This pack has a lot of different sounds and gives you different variations of the same sounds (The best and most usable in my opinion).
This way, not only you can explore different aspects of a sound, you can compare those variations and see what I changed in Massive to understand how Massive works on your own. I'm not a Massive expert but this really helped me curate (or create?) my own style.
The purpose of this pack is not to give you the most clean, and "perfect" presets that most people or companies give. In fact most of those presets are very simple, but if you add your own mixing and filters you can create something really unique.

You can watch a video of me messing around with every preset here:
https://www.youtube.com/watch?v=IBsQBoNwEYE


***This is a mixtrack with tracks where i used mostly my patches. (Not every sound) 
Thank you!
<3

cover by @zodivk
photo by me

Buy "The 80s"

"The 80s" Presets for Massive (info in description)

JOURNEY on Bandcamp:
https://aprovoli.bandcamp.com/album/journey

"Prediction is difficult, especially the future."

 — Niels Bohr

jedfumarket@gmail.com

@ice-tundra-sounds

Sample packs : https://payhip.com/Jedfu

🦋 rave philosopher 🍄 author of a forthcoming psychedelic political philosophy book 🦉 host/curator of Utopian Cartography, a podcast & music blog 🔮 Scope the website for hundreds of epic conscious Hip-Hop albums, ever-updating video playlists organized by topic, & much more evolutionary media.

In the next month or so I'll be relaunching the Utopian Cartography podcast with an interview with Benji Hannus aka Secret Recipe, the genius producer & DJ & co-curator of Wormhole Entertainment & Wormhole Music Group. Then we've got an awesome slate of guests after that, including the futuristic 4D visual artist & VJ Matthew Childers aka Digital Introspect, the surrealist provocateur go-go clown Kris Kaufeldt aka White Tiger, & the woke psy-rap poet Cosmo from the group Hippy Trap. Subscribe on YouTube or your favorite podcast platform; links are all on UtopianCartography.com ▲

🔮

A podcast for a positive future! To host fun conversations to illuminate the path out of this oppressive leviathan, towards an ideal society.

Terence McKenna once said, "If we continue going where we're headed, we'll end up living in a toxic waste dump ruled over by Nazis." 30 years later, we are still driving down that same road. How do we escape this fate? Is there another path? 

If we are going to escape our default dystopian trajectory, we need a map. Reactionary forces in our society are afraid of the unknowable future, so they vociferously grasp towards an unrecoverable romanticized past, for lack of an alternative vision. The status quo has become untenable, so something has to give. We forward-thinkers must get better at articulating the future we want to see, otherwise we will slide back into the worst aspects of historical injustice, and things will get very ugly indeed.

To create a world worth living in, we need help. No one can create the future alone. Whatever the fate of our species will be, it will be a manifestation of our collective will. The people own the future. It does not belong to any elite. But most people don't even bother confronting the future, because they are kept treading water by an economic system that treats them as mere instruments of production. The working class is deliberately distracted from thinking about big picture questions like Does it really have to be this way? What is the good life? How should society be organized? What would we do with our time if money was no object? What does utopia look like from here? and How the fuck do we really accelerate the evolutionary path towards it?

Utopian Cartography will feature artists, activists, intellectuals, & event producers from whom I have gained great insights about the potential of a positive future. When I woke up to the ways of the world years ago, I became overwhelmingly depressed by the apocalypse. I was convinced we were headed straight for the Nazi toxic waste dump Terence warned us about. Then I discovered utopia. My eyes were opened yet further, and I learned that the revelations of our as yet unrealized liberation had a purpose. I came to appreciate the fact that "change only occurs when the pain of staying the same outweighs the pain of changing." Apocalypse is a necessary precursor to utopia. We can only see the garden beyond the veil by first confronting the ills of the status quo. Utopia is out there, if only we know how and where to look.

So if you want to shed some of that existential despair and pessimism about the possibility of a good future for humanity and our planet, give this show a listen. We will do our best to illustrate the rational case for optimism about the future, with a philosophically & historically informed evolutionary perspective, streetwise cynicism, and a healthy dose of psychedelic trickster irreverence. 

To be hopeless is to disregard history. The future can be better than any of us imagine, so let's figure out how to get there.

With Love, 

Neonn Felicity 💜

kief420#5856

@outsiders-paris
@infams-beats merci pour les travaux sur les visus

influences : nobuo uematsu / skrillex / flume / grynpyret / myles jaeger / lindsay lowend / mr. carmack / laxcity / ivy sly / kas / hajé / grape milk / jestic / karan! / autechre / boards of canada / bibio / hecq / layo & bushwacka! / terminalhead / dark globe / dan f / nubreed / hybrid / lamb / björk / orbital / the prodigy / underworld / the chemical brothers

Hello! My name is Pavlos and was born in 1997! I am not playing the guitar professionally,but i also playing the piano. I just make some guitar covers of songs I really like or sometimes, more rarely, I tend to create my own productions of guitar,piano and other instruments' riffs and musical structures. My recording equipment is a Digitech RP-250 multi-effect. I also use as an electric guitar an Ibanez GIO series and an old synthesizer(keyboard).

So enjoy, follow and comment! :)