Stephan de Wit started his career in South Africa playing acoustic shows in coffee clubs and blues clubs as Stephan van der Merwe. He found solace and inspiration from artists like Leonard Cohen and Cat Stevens. He soon needed a more aggressive output and moved into the grunge scene of the 1990's and performed in bands such as Strange Vanadium. During this time he also wrote music for film and TV and won international awards for films including "The Killing Game" and "Lions of the Kalahari". Being inspired by the art of Audio Engineering he moved to London, UK to study at SAE and this consequently led him to Australia where he lives today. He works on feature films as a score composer, supervising sound Editor, foley Engineer and mixer. He also spends his time producing and mixing artists from around the world with Pro-tools cloud collaboration.

The long musical history of Sqeef began in childhood and started from playing the piano. Following many years as a classical pianist, Sqeef found himself was drawn to the electronic music world - exploring the realms of ambient, experimental and the enticing rhythms and textures of deep, hypnotic techno.
Sqeef’s unique blend of melancholic and spatial sounds is fully
captivated. His music - being a powerful, futuristic ride through interstellar space.
His mixes rouse the exact same feeling - a cinematic-like experience thanks to the cosmic soundscapes and oscillating, organic percussions - each twist and turn-taking you into a new corner of the cosmos.
With more than 14 releases, Sqeef tries to plunge deeper and deeper
into the space of endless metamorphoses of reality with each next track.
As a promoter, with friends from the Kyiv promo group Dots, a community of free-thinking people has been created. Many artists of the hypnotic scene performed at Dots events. In 2021, a joint event with Boiler Room took place in Kyiv.

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