Extracts from The Ballad of the Harp-Weaver by Edna St Vincent Millay 1892-1950
Recital from LibriVox.org read by Linda Leu

“Son,” said my mother,
   When I was knee-high,
“You’ve need of clothes to cover you,
   And not a rag have I”.
 
“There’s nothing in the house
   To make a boy breeches,
Nor shears to cut a cloth with
   Nor thread to take stitches.”
 
“There’s nothing in the house
   But a loaf-end of rye,
And a harp with a woman’s head
   Nobody will buy,”  
   And she began to cry.
 
…

Men say the winter
   Was bad that year;
Fuel was scarce,
   And food was dear.
 
A wind with a wolf’s head
   Howled about our door,
And we burned up the chairs
   And sat on the floor.
 
All that was left us
   Was a chair we couldn’t break,
And the harp with a woman’s head
   Nobody would take,
   For song or pity’s sake.
 
…

Looking nineteen,
   And not a day older,
And the harp with a woman’s head
   Leaned against her shoulder.
 
Her thin fingers, moving
   In the thin, tall strings,
Were weav-weav-weaving
   Wonderful things.
 
Many bright threads,
   From where I couldn’t see,
Were running through the harp-strings
  Rapidly,
 
…

There sat my mother
   With the harp against her shoulder
Looking nineteen
   And not a day older,
 
A smile about her lips,
   And a light about her head,
And her hands in the harp-strings
   Frozen dead.
 
And piled up beside her
   And toppling to the skies,
Were the clothes of a king’s son,
   Just my size.

The Ballad Of The Harp-Weaver

Bigfoot is a friend of mine. We like to make music and share it with our friends. See our YouTube channel and A Journal of Nonsense for more fun.

Love many kinds of music, try myself to bring out some spiritual and soulful tunes to reflect or simply to have fun in producing. Doing nightshifts so sometimes if I can focus and "enjoy" and when its a silent night I can listen halfway carefully or in the morning I repeat and hear via headphones without interrupt and in a very relaxed mood, often till my handy fell on my face 

Sjonkel Rolfsen is a vinyl enthusiast and music collector from Trondheim in Norway. He has been welding records at local venues and events for two decades. Nowadays, he mostly enjoys to fiddle around with experimental and ambient in the comfort of his humble abode, but still get the odd epiphany to wonder out into the enchanting world of house and techno. When he is not fumbling about on the decks, he likes to travel. He tries to play with the possibility of combining electronica and leftfield soundscapes, in a mixcast friendly way, catering to your everyday soundtrack needs.

As much as I love making music, I'm also a fan of so many of you here on Soundcloud. This page is a mix-tape dedicated to all your amazing work. I'll be listening closely with cat's ears.

Please take a moment to listen, comment on, and if you like, repost - let's keep the soundcloud community vital. 

Any folks looking to follow/ then immediately unfollow just to get me to repost: think twice and think sustainably please by doing the real work of growing your fans in an honest and organic way.

Independent electronic ambient artist, crafting immersive soundscapes that blend atmosphere with deep exploration of texture and tone. My compositions are shaped by the active imagination described by C. G. Jung and the vivid landscapes of my dreams, translating emotions into evolving auditory experiences.
Influenced by ambient minimalism and deep bass tweaking with VCF filters, my music layers rich harmonics, resonant frequencies, and fluid transitions to create enveloping and transportive journeys.

© All rights reserved. 
Record Label: Shadow Glass Recordings 
No promoters I handle all my own production.

Thanks for visiting. This is a retro eclectic music mix with looming influences from among others Iggy Pop, David Bowie, Lou Reed & Jon Lord. Mostly I write about the human condition.

I am always looking for a guitar player that wants to collaborate. Would be fun to find a real drummer also.

A Gat is a cat in Catalan - it all makes sense if you’re me. The (s) stands for many collaborators.

I encourage everybody on SC to listen more and be less transactional.

The aim is simply to combine diverse interests, influences and see where the ideas and the music lead. 

Apparition is the 5th album in this ongoing experiment and all pieces are available freely on Bandcamp (https://chimeramonde.bandcamp.com/album/apparition).Many are available here on SoundCloud.  I hope you like the sound.

Le but est simplement de combiner divers intérêts, influences et de voir où mènent les idées et la musique. 

Apparition est le 5ème album de cette expérience en cours et tous les morceaux sont disponibles gratuitement sur Bandcamp (https://chimeramonde.bandcamp.com/album/apparition). Beaucoup sont disponibles ici sur SoundCloud. J'espère que le son vous plaira.

There is so much talent and variety here, and most of the people are pretty cool too. I love being part of this community. Listening to your music and being heard in return is enough.

Still reading? OK I'm gonna muse a bit. It's hard to fully convey how much this forum has meant to me. There are people I've never met that feel very much like old friends -- and in a very real way they are.
If I follow someone I make every effort to listen to and support their efforts. It's certainly not a transactional relationship but I do tend to limit my follows to people who engage in mutual listening and engagement. If you listen and leave a comment I always try to listen to *your* music when responding! If you follow at random without any feedback I hope you get something out of that too... ; )

We love that we can share our music, which we write, play and record, and we value any feedback we get. We also love to listen to the music you all make. There’s so much talent out there, it’s great that SoundCloud gives it a voice.

The Ballad Of The Harp-Weaver

Aquacade