wonderful feel in this, I love Candice May´s Strangeness

love this track! never heard sitar used quite like this. it's an instrument I wish I heard more of.

love the psychedelia. You're creating a wonderful mood here. Sitar sound in there. Soundscape and vocals work so well together.

Top psychedelic song, much feeling too !!

September

Long time ago in the Scottish Highlands. A tribe that lives in a rough and harsh surrounding, strengthened over generations by the unfriendly environment. The borders of the tribes territory are not exactly known. In particular, in the North, the saying goes that vast areas of unoccupied lands will belong to those that first dare to claim it. So a small troup of currageous military men sets foot to the Northern Frontier ...

Composition-wise: The piece explores the change of atmosphere when the same motive is played with different accompaniments. The same theme can be found for instance @ 0:00 ff,  0:23 ff and 1:05 ff. The accompaniment increases in intensity and rhythm for these three instances, ranging from a meditative intro over a – to my ears – tribal dance or chant towards a first  climax of the piece which might make a good soundtrack for a battle in the Scottish Highlands. The track then settles down to the second theme @ 1:33 which again is repeated with much more agitated accompaniment @ 1:55 ff. 

While the track is in general in 4/4, it raises the tension by sometimes breaking the metrum into more unconventional rhythmic structures. This holds in particular for @ 0:46 ff where the metrum changes to a succession of ¾, 4/4, ¾, 6/4, 6/4, 4/4, ¾, 4/4, ¾, ¾, ¾ and then reverts to the original 4/4. Also @ 2:09  there is in insert of a ¾ bar and at the very end @ 2:30, there is a 2/4 break just before the final chord. 

I did some Youtube Shorts in Case with more details on some composition tweaks that I used in this track:
Varying the Accompaniment: https://youtube.com/shorts/7HAWSz2Mg14?feature=share
Breaking the metric structure: https://youtube.com/shorts/tUvaq8D6nUo?feature=share
Ligature Bows: https://youtube.com/shorts/-WBf6Du040g?feature=share
Keeping the attention until the end: https://youtube.com/shorts/qnJl5BQ4yxU?feature=share


The track has been recorded on a Roland FP-90 and mastered in Cubase by adding  reverb, a Stereo enhancer and fiddling a bit with the EQ. 
The picture was created with Stable Diffusion. 

The track can also be found at 
Youtube (including the scores): https://youtu.be/FIQZc7JakvQ
Spotify: spotify:album:5YG7dpoBElKImcbmX7eWTU

The Northern Frontier

The Northern Frontier (Solo Piano)

Une ode aux perdants , à ceux qui n'arriveront jamais les premiers ...
Compositeur - Musique : Philippe SEGUINARD
Auteur mélodiste - Chant : Guillaume DULER
Chant : Sylvie TIRET
An ode to the losers, to those who will never get there first ...
Composer - Music : Philippe SEGUINARD
Songwriter - Vocals : Guillaume DULER
Singer : Sylvie TIRET
Lyrics:
Quand est-ce qu'on boit à nos étoiles
Même si le ciel est déjà mort
C'est vrai qu'elles brillent encore
Mais la plupart ont mis les voiles

Quand est-ce qu'on boit à nos défaites
A la puissance des vaincus
Nous nos blessures ont survécus
Quand leurs victoires sont obsolètes

Quand est-ce qu'on boit à nos amours
A celles qui saôulent de souvenirs
Celles qu'on n'a pas pu retenir
Mais auxquelles on pense toujours

Quand est-ce qu'on boit à nos héros
Aux révoltés aux cœurs ouverts
Ceux qu'ont joué avec l'enfer
La vie tatouée sur la peau

Quand est-ce qu'on boit à nos succés
Ces étranges malentendus
C'est à peine ce qu'on a voulu
Et tout juste ce que l'on pouvait

Quand est-ce qu'on boit à nos enfances
Illusions perdues à jamais
Comme la douleur d'un condamné
Qui sait qu'il va mourir d'avance

Levons nos verres aux regrets
Aux perdants de la gloire
Cicatrices laissées
Dans un coin de mémoire
Aux survivants sans médailles
A nous les moins que rien
Sur nos champs de batailles
Ombres du quotidien

Quand est-ce qu'on boit à nos fantômes
Toutes ces peurs qui nous soutiennent
Main dans la main elles nous souviennent
Vers la dernière demeure des hommes

Quand est-ce qu'on boit à nos futurs
Retournons nous voir s'ils nous suivent
Mais y'a personne pas âme qui vive
Y'a même pas de rats sur les ordures

When do we drink to our stars
Even if the sky is already dead
It's true they still shine
But most of them are gone

When do we drink to our defeats
To the power of the defeated
Our wounds have survived
When their victories are obsolete

When do we drink to our loves
To those soaked in memories
The ones we couldn't hold back
But still think of

When we drink to our heroes
To the rebels with open hearts
Those who played with hell
Life tattooed on their skin

When we drink to our successes
These strange misunderstandings
It's hardly what we wanted
And only what we could

When we drink to our childhoods
Illusions lost forever
Like the pain of a condemned man
Who knows he's going to die in advance

Let's raise a glass to regrets
To the losers of glory
Scars left
In a corner of memory
To survivors without medals
To us less than nothing
On our battlefields
Shadows of everyday life

When we drink to our ghosts
All these fears that sustain us
Hand in hand they remind us
To the last resting place of men

When we drink to our futures
Let's go back and see if they follow us
But there's no one, no soul
Not even rats in the garbage

© Philippe SEGUINARD/Guillaume DULER  Novembre 2023

Ivre"S" (feat Sylvie Tiret) Version intégrale TRANSLATED

Chants Métallurgiques (metallurgical songs)

Cast of characters:
The Mysterious Decibel -- @themysteriousdecibel – MD – First vocals and lyrics 
Tea R. Sea @tea_are_sea  -- Terry – Synthesizers, beats, composition, production, and mix
Llanpsych– @llanpsych  –Tez–Electric guitar
TexMex Shaman– @texmex-shaman  –Stephen– Electric guitar, mix, and production 
K2 and the Three [and the Four]-- @k2andthe3,  @k2-kara –Ken–drums, lyrics, and vocals at the end
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –five-string fretless bass

This song began with Terry sharing an intriguing Eastern sounding synth and minimal beat with Ken, who added a really solid beat to bring out the strong rhythm of the song. Once they had a solid foundation and skeleton, they shared it with the rest of the Eclectic Collective. Josh added his four string fretless bass in a dubby line that was inspired by Tez's hot skank part.  Stephen came up with the floating ambient guitar throughout and the shocking dynamic lift towards the end, and Tez piled on to light it up. Then MD got a hold of it and wrote and sang some of his trademark, fun lyrics and vocals in the first part of the song. Ken, not to be left out of the melodic experience, added the vocals at the end. 
  After we all had everything in the can, the Texas Tea combo of Stephen and Terry produced and mixed the whole thing down. This wasn't their first rodeo mixing a project together, and it really shows in the end quality. They also have several duo projects up on both of their pages that are worth checking out.  
  We think the end result is reminiscent of Massive Attack and Thievery Corporation, two big influences on a few of us. We all hope you enjoy listening to this song as much as we enjoyed creating it.

Lyrics by MD:
Time again and on, and on, and on, we fall in slumber
Dreams never wait
Ashes to ashes we all fall down 
Ooooo Circles break
Ashes to ashes we all fall down
When we wake
When we wake
Is this a new Simulation?
When I wake
When I wake

Lyrics by Ken:
Feed the fire or the fire flames out

Coherent Fire  - (Eclectic Collective) w/ Tea R. Sea

the captain, mad captain
he told the men his plans
and then they went out stealing things
so they could rule these lands

they stole four antique cannons from the castle
hijacked a truckload of metal from the factory
they stole a jet engine from the old air force base
the mad captain nodded satisfactorily

they welded the metal into a battering ram
and the big jet engine was for extra speed
cannons armed in every direction
the mad captain had returned to the sea (x2)

they were a terror in the open waters
they’d sink any ship that they saw
and with their jet engine, they were able to avoid apprehension
and stay a step ahead of the law

vengeance in the form of a storm
came rolling across the sea
the mad captain pulled his eyes from the sky
he’d seen more than he wanted to see
"all hands below deck", the captain roared
"tie yourself down so you don’t go overboard"
------
bass, piano, beatbox, guitar and vocals by andrew salvner (aka lil' spaceman, pretzels malone)
drums from my cheap old digitech bp90 bass pedal
thunderstorm field recording by Arnaud Coutancier www.freesound.org/people/arnaud%20coutancier/
additional sound effects supplied by @pliable-tones
drums/bass/bass/piano recorded on 4-track cassette / vocals and beatbox added using Audacity.

the mad captain (on speed)

A sentimental country-ish ballad with a big sad finish.
Dedicated to anyone suffering from memory loss. Thanks for listening.
Lyrics:
I can still remember
Felicia in December
Outside in the cold
Smoking Swisher Sweet Cigarettes
But she would always forget
If you're gonna inhale that shit
You know she always got sick
She'd chewed down the tip

It's like I told you on the phone
My mind is not all my own
All my memories are dissolving
Our nights in Arroyo Park
Out feeling that spark
That Datsun that would never start
My bad Cure haircut (disaster!)
My heart was beating faster
A sketch of a love scene
Painted behind
A gothic old master

I was selfish with my time
And now I seem to lead my life
Conducting orchestras in my mind
Oh, I don't know how this sounds
But sometimes I listen to the ground
To hear and feel the rumblings
I think that you're coming around

All my memories are dissolving
Soon, I'll have no memories of this world
I'll have no memories of this world
So let's go out tonight
And shoot out the lights!
Let's break our hearts tonight
I'll have no memories of this world

I wanted to drop you this line
To thank you for the time
And thank you for being in my life
Thank you for being my life

Let's Break Our Hearts Tonight

an unexpected leap to Sapporo, at 140 bpm

more images here:
 https://www.instagram.com/p/CpU80y7r-gG/?img_index=3

and a video here:
https://www.instagram.com/p/C3Altd5NlzN/
https://www.tiktok.com/@rollocarpenter/video/7332497680737799457
https://youtu.be/2sEpdzhEB4o

Sapporo

This is a song for my Mary, but it is applicable to all Mary's. 

This is my first attempt at recording new material since last summer, I've been writing and playing a lot, but I just haven't had the time lately to get my ideas on tape. So it's nice to get this one out, and hopefully, it'll not be as long a wait for my next. 

Thanks for all the listens and support, it's greatly appreciated as always. cheers!

lyrics

don't let the world dictate to you
be your own girl
in a world that's you

don't always swim against the tide
time won't always be on your side
so don't go wasting all your time 

don't let the world
loose from your grasp
come up for air
whenever you get the chance 

don't always swim against the tide
time won't always be on your side
so don't go wasting all your 
wasting all your
wasting all your
wasting all your
wasting all your
wasting all your time

you always think there's somebody 
better off than you
don't listen to the boys 
they all screaming that it's true

you always think there's somebody 
better off than you
but there's nobody out there
can do you as good as you

so don't let the world
edit out your past
look back with pride 
and don't
catapult so fast

don't always swim against the tide
time won't always be on your side
so don't go wasting all your
wasting all your
wasting all your 
wasting all your 
wasting all your time

Time, For Mary

PJ Project - Brainwash (TaZDK Edit)

Link to Video: https://vimeo.com/765406511?share=copy

I went down to the meadows
To the cool summer stream
Skinny-dipping in the swimming hole
Where the Naiads make you dream.

I went down to the river
To look for Candice May
I saw her in the still of the heat
Shimmering in the haze.

Candice dresses in Green
She’s moving all the time
She takes you by the hand
And colours you in lemon and lime.

She asks you whose side you’re on
And why the hell you’ve come
But I don’t know what to say,
So I just say I’m dumb.

Candice talks to the trees,
But I’ve never seen her do that.
She has a silver mirror,
But I could only see straight through it.

I was sure she kissed me,
Like sweet berry wine.
But I don’t recall it well,
It’s been a long time.

I breathe life in, I breathe life out again
I breathe life in, I breathe life out again.

The Strangeness of Candice May

We love that we can share our music, which we write, play and record, and we value any feedback we get. We also love to listen to the music you all make. There’s so much talent out there, it’s great that SoundCloud gives it a voice.

The Strangeness of Candice May

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