Born in Edinburgh, Scotland. 
House Heads. House Music. House Nation
2025 Resident: Nadia Summer

Bookings: toon@e314.agency & 
tim@outlined-am.com

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Definition of a House Gangster, An Individual who is committed to House music for life, A House Gangster never quits House music, A House Gangster knows that this music is not a trend, it's a culture, This individual eats, breaths, lives HOUSE music Are you a HOUSE GANGSTER?
OSR - Old Skool Ravers "Keeping The Vibe Alive!" = U Know The Score : In the mid to late 1980s a wave of psychedelic and other electronic dance music, most notably acid house and Techno, emerged and caught on in the clubs, warehouses, and free-parties first in Manchester in the mid 80's and then later London . In many ways what would become known as the Rave scene, was influenced by the Northern Soul scene which throughout the late 1960s and through the 1970s and 80's had involved large groups of mainly working class kids dancing all night to rare US soul records while popping amphetamines. When Margaret Thatcher's policies in the late 70's lead to the closure of the UK's textile industry in the northwest, suddenly large mills and warehouses became empty and illegal parties were held in them. The first warehouse parties in Manchester were organised by the group The Stone Roses back in 1985, when to get around the licensing laws they would play a gig and book a line up of DJs under the disused arches of Piccadilly train station. These parties were then advertised as an all night video shoot, and the kids who bought tickets for £5 would have an ip piece sellotaped to the back as their fee for being extras in a video shoot, thus for several months the forces of law and order were kept at bay. Dance music was always prominent with big electro, Jazz Funk and early house tunes being played in a somewhat balearic mix alongside New Order, The Clash and The Smiths.House music caught on very quickly in the north and midlands from 1986 onwards, even being played in mainstream night clubs. In 1988 London sudden;y adopted this scene, and rebranded it, so records which a week earlier had been House Records, were suddenly Acid House and smiley badges and other marketing paraphernalia became involved.These early raves were called Acid House Parties. They were mainstream events that attracted thousands of people (up to 25,000[citation needed] instead of the 4,000 that came to earlier warehouse parties). Acid House parties were first re-branded "rave parties" in the media, during the summer of 1989 by Neil Andrew Megson during a television interview, however, the ambience of the rave was not fully formed until 28 May 1991. In the UK, in 1988–89, raves were similar to football matches in that they provided a setting for working-class unification, in a time with a union movement in decline and few jobs, and many of the attendees of raves were die-hard football fans.

Musician... producer... and other things
You have a question/request or just want to talk about Harry Potter ? Ask me on my page :

Mixing it up purely for the pleasure of the search, collation and blending of trax I find as I stumble across music.


PRICES:

Track with vocals: 160 euros
Track without vocals: 140 euros
REMIX: from 70 to 130 euros it depends on the type of remix 
MASTER + EDITS: 35 to 50 euros it depends on the type of remix
MASTER using the stems: 35 euros
MASTER only the premaster track: 25 euros
ABLETON 10 PROJECT: +30 euros

TRY BEFORE YOU BUY:
tell me your idea or give me a reference track and i will do a free sample of the track before buying

GENRE:

HOUSE
TECH HOUSE
DEEP HOUSE
TECHNO
HARD TECHNO
TRAP
HIP HOP

https://linktr.ee/Talian90

Dekmantel / fabric Records / Fuse London
Bookings: sherif@peoplesagency.nl

Theo Kottis is a London-based DJ and producer who has spent over a decade refining his craft - both behind the decks and in the studio. A fixture on the European festival circuit, Theo has played standout sets everywhere from the Dekmantel main stage to Panorama Bar, Lux Fragil and Robert Johnson, where his high-energy, euphoric sound seamlessly blends with hypnotic, minimalist grooves.

His productions have earned equal acclaim. 2024 saw the release of two stellar EPs on Dekmantel and Palms Trax’s CWPT imprint - with lead track Lighthouse hailed as “song of the summer” by Resident Advisor - drawing support from top-tier selectors including Ben UFO, Francesco Del Garda and Eris Drew.

Now in 2025, Theo continues to ascend, with acclaimed releases on Fabric Records, Fuse London and a second EP lined up for Dekmantel, further cementing his place among the scene’s most exciting artists. Grounded in UK club culture and shaped by years of experience, Theo’s music draws on the past while looking firmly forward.

It was in 2011 that Dutch pair Lars Dales and Maarten Smeets quickly broke through in the electronic music scene. Since then they have become known for their widescreen approach to making and playing club-ready grooves. From deep to disco, tech to soul, they join the dots between the past and the present with their own sense of storytelling and do so in clubs around the world, as well as in their studio. House might be the root of the Dam Swindle sound, but it takes nourishment from a much wider world of music. 

Still now, their breakthrough tunes such as ‘The Wrap Around’ and ‘The Break Up’ receive countless plays on dancefloors all over the world and the duo has made timeless music such as their 2023 disco-house bomb ‘ That’s right’ and 90’s throwback banger ‘Allright – just a tribute’ that became one of the hits of the 2024 festival summer. Dam Swindle has built a trademark sound, while still evolving and maturing their craft in various musical niches. Their landmark 2018 album High Life shows a broad musicality from the duo and this is even more so on their highly anticipated 2025 long player ‘Open’.  ‘Open’ features countless collaborations with high-profile artists such as Dutch pianist Joep Beving and New York-based Ethiopian vocalist Haile Supreme, and sees the duo flex their sound from ambient electronica to synthwave, hiphouse and more. 

Since 2013, the pair has also established their record label Heist Recordings as one of the key independent labels for underground dance music, while also releasing music on other underground mainstays such as Aus Music and Classic Music Company. Heist is more than just a label, though - it is a breeding ground for talents old and new; somewhere talent is nurtured and allowed to develop. Label showcases and special projects such as the yearly Roundup EP; where all artists from the past 12 months remix each other after a random selection process, furthers the family vibe and helps Heist stand out from crowd. Artists such as Cinthie, DJ Sneak, Crackazat, Tesfa Williams, Makèz, Pépé Bradock, Matthew Herbert, Ge-Ology, Byron the Aquarius and many more have all contributed, proving that it is a place for unrestrained creatives to be free with their own sonic visions. The label looks as good as it sounds, too, thanks to visual artist Bas Koopmans's standout artwork designs. 
 
Proof of Dam Swindle's widescreen approach to production is their long and talented list of collaborators, which includes the likes of acclaimed musician Tom Misch, US talent Seven Davis Jr., instrumental collective Jungle by Night, plus Marc de Clive-Lowe, Jitwam and Lorenz Rhode. Next to their own originals, a broad spectrum of artists have asked Dam Swindle for some of their special remix magic: on labels like Strut and Soundway they have reworked the legendary Pat Thomas, aka the ‘Golden voice of Africa,' and gave his single ‘Yamona’ a contemporary electronic edge, as well as The Mauskovic Dance Band’s track ‘Space Drum Machine’ and plenty more artists like Kerri Chandler, Mayer Hawthorne and Tom Misch. As their talent for bridging genres from all over the world continues to attract global attention, high-profile projects keep rolling in from all points on the musical globe. 

Dam Swindle are famously avid collectors of both old and new records, and it shows in their DJ sets, which keep you on your toes as they move freely through the broad world of house music with skillfully blended moods of soulful techno, acid, breaks, disco and more, all to create those special moments that crowds never forget. It is for that reason that their name has become a real stamp of authority and invention in the dance music world. Whatever they do, then, this pair do with irresistible charm.

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