/ˌdʒerəˈmaɪə/
all art aspires to the condition of music.
@twoeightysix

I try to combine sound and rhythm to express emotions and moods. I have always loved electronic music since I was 15 and I hope it connects with others.

Spätzer is a new project by emerging multidisciplinary artist Aiken Bömers-Muller. As generative-inspired compositions, Spätzer’s sound designs balance the formalist traditions of ambient music with an insouciant kismet, creating compelling soundscapes that gently invigorate the senses. Bömers-Muller conceptually draws on both Debord’s Situationalist texts as conceptual inspiration, and his direct experience as a matriculated stage actor which includes performance, sound design, and original compositions for both dance and stage such as “How Sweet the Sound”, “Orlando”, “A Doll’s House”, “An American Daughter”, and “HIR” to mention a few. After several trips to Berlin’s MaerzMusik festival to participate in workshops and field recording, Bömers-Muller work has evolved radically from his Bellingham-based folk indie band laughingstock (sic) and their 2017 full-length release “Thank You, Laughingstock.” One can literally hear this new awareness of the tensions between randomness versus structure, and intentionality versus emergence in these algorithmically-driven soundscapes. Some have described these creations as post-ambient. More precisely, they are soundscapes for the future.

The Rice Music Collective is dedicated to providing a space and community for collaborative music creation, sharing musical knowledge, and widespread music distribution. 

RMUC STARTER PACK PLAYLIST OUT NOW!

Followers of arab song