https://soundcloud.com/recoverflow
ZgZone EP
[MTC003]

01 / HereIam
02 / Mamá te quiero
03 / ZgZone
04 / Japee
05 / Cierzo
06 / Japee (Uf0 remix)

Rec_Overflow presents a pretty atmospheric EP and pulls an abstract, futuristic and technical soundscape.

ZgZone EP can be approached in various ways, but paying attention to its subtleties yields the most amazing results. Rec_Overflow takes us through persistent chords that leave an everlasting aftertaste, synthetic textures that enclose great depth and submerged atmospheres very well achieved.

Uf0 ends the EP with a really amazing remix.
https://soundcloud.com/analog_uf0

AVAILABLE NOW: https://mutoscoperecords.bandcamp.com/album/zgzone-ep

Mutoscope Records
2024 / ©+Ⓟ
--- ---
Written, produced and mixed by Rec_Overflow in Zaragoza, Spain.
Additional track remixed by Uf0.
Mastering by Ruben Montesco at SoundClip Studio, Madrid.
https://soundclipstudio.es/

Desing & Artwork by Black Moon.

Nota de publicación:
℗ Mutoscope Records

ZgZone EP

Bandcamp

Rec_Overflow - ZgZone EP / MTC003 snippets

Copyright © 2024 Axel Gautier a.k.a. pert, Esq Pert or pertwillaby
Adaptations - EP

Adaptation #2 - Enjoindre (Allégorie relative à la venimosité de l'herbe) features samples from:
* (parodie) Raiponce en 3 minutes, by Lilou Gauthier - uploaded by Fâcheux Faucheux on YouTube (private video) [Spoken Words]
* Frans leren #Le verbe # enjoindre, by Frans Leren - uploaded by Frans Leren / Franse Les on YouTube [Spoken Words]
* Les fruits cuits, by Dranem, Roger Guttinguer & Paul Briollet on YouTube [Spoken Words]
* Regret / Marche nuptiale, by Antoine Bouscatel on YouTube [Spoken Words]
* Noël De Requista, by Chorale de la Solidarité Aveyronnaise [Vocals]
* Jibberish Jungle ~ The Darktoon Chase, by Christophe Héral & Billy Martin [Hook]
* Black Bag, by Carl Sherlock Holmes - uploaded by magrosi65 [Noise]
* Kashmere, by Kashmere Stage Band [Drums]
* Lost In The K-Hole, by The Chemical Brothers [Drums]
* Around the Fur, by Deftones [Drums]
* Zone Out (from Break Beats), by Myor [Drums] {Original Sample not found}
* Fresh 7 (from Break Beats), by Myor [Drums] {Original Sample not found}
* B-Boy 162 (from Jungle Warfare Vol. 1), by Zero-G [Drums] {Original Sample from Movement (feat. Sweet Pea), by S.L. Troopers}
* King Tubby Meets Rockers Uptown, by King Tubby [Drums]
* On a Roll (from Jungle Warfare Vol. 1), by Zero-G [Drums] {Original Sample not found}
* Amen, Brother, by The Winstons [Drums]

Adaptation #2 - Enjoindre (Allégorie relative à la venimosité de l'herbe)

Side A - excerpt

arbitrary21 (10" / DL) 
06 September 2024

https://madsemilnielsenchromacolor.bandcamp.com/album/heartbeats

The second in a series of 10” vinyl remix collaboration releases by Danish
musician Mads Emil Nielsen and Chromacolor / Hanno Leichtmann (DE).
10” vinyl: transparent, CYK + Pantone, inside-out. Artwork by Karel Martens.

-

arbitrary presents the second in a series of 10” vinyl remix collaboration releases by Danish musician Mads Emil Nielsen and Chromacolor.

Side A features Heartbeats, a composition Nielsen originally made for a radio soundtrack. The track is derived from loops and granulations of sine waves and pulses from Nielsen’s modular synth, which he later combined with recordings of synthesized bass and layers of organ-like tones.

On side B is a remix by German sound artist and producer Hanno Leichtmann under his Chromacolor moniker. As on the first split 10” (Constellation, 2022), Leichtmann worked with sounds from the original mix, combining it with his Hohner Guitaret, Fender Rhodes and Moog bass. Additional cello tones by Anthea Caddy and vocal contributions from Annie Garlid round out the remix.

@madsemilnielsen

https://arbitraryproject.com/Mads-Emil-Nielsen-Chromacolor

Pre-order

arbitrary21 - Mads Emil Nielsen: Heartbeats - excerpt

five excerpts of pieces made on the buchla music easel, summer 2024

Summer Easel (five excerpts)

IMPEDANCE

https://www.stefanogervasoni.net/index.asp?page=catalogue&id=136&cat=vocal

for: mixed choir
detailed instrumentation: S.A.T.B. (at least 24 singers)
duration: 12'
commission: FIMS Fribourg - Festival International de Musiques Sacrées
first performance: 6.7.2024, Fribourg, Eglise du Collège St-Michel, Nederiands Kamerkoor, Peter Dijkstra (conductor)
publisher: Ricordi
catalogue number: 142824

The World Grown Dark (2024) - NKK, Peter Dijkstra - live, FIMS Fribourg 6.7.24

CHAPTER ONE 

Once, in a forgotten time, a soul wandered through the ethereal mists of a disjointed forest and found herself thrust into the heart of a mysterious world. Lost and disoriented, she sought shelter from a rain of glass. On the edge of this new world, she found a cavern filled with scintillating crystals, their magical glow an invitation to marvel. 
In this sanctuary of beauty, she caught sight of an undine, a creature of bewitching grace. She was bathing in her own tears of darkness. Deeply moved by the sadness of the undine, the soul approached and spoke with her. She learned that her tears, both powerful and melancholic, reflected the eternal nostalgia of her lost kingdom. 
Astonished by the soul&amp#39;s presence, calming and peaceful, the undine released one last painful tear before freeing herself. She transformed into a celestial statue of quartz, turning the water of tears into eternal ice from the heavens. In gratitude for her deliverance, the soul obtained the final crystal drop of the magical tears in the palm of her hand.

TRACKLIST: 

- BARTOSZ DZIADOSZ & TOMASZ MRENCA – Borderline
- DAMSEL ELYSIUM – Shoreline
- EJNAR KANDING – Zinnoberfeuer
- Field recording crystal cave
- ANTONINA NOWACKA – Time Vapour
- ELLA KAY – As the Earth Preserves
- SUZANNE DOUCET – Drop Out
- MARTYNA BASTA – Glass
- SLOWFOAM – Divine Morpho, Shimmering 
- MANAKA KATAOKA – Ancient Zora Waterworks
- ADELA MEDE & MARTYNA BASTA – Hol A Tavasz
- KӢR – ΕΓΚΩΜΙΑ
- RUHAIL QAISAR – Namgang 
- ASHINOA – Yzmenet 
- S280F – god cries watching lilith split an angel like an atom over the sea
- MONDO RIVIERA – Silver Treats 
- CHRISTIAN MAIRE – Le Fabulo (remix by ASPI)
- TOBIAS BROSTRÖM – En liten blåsa i Guds andes glas

Lind of Ivren : Chapter I w/ Ad Aïra (04/10/24)

From the "Loam" EP

https://fragilex.bandcamp.com/album/loam-gp022

Rhizome

LINE_157

A decade is a long pause… how the world has changed since…

Longtime friends and collaborators, iconic ambient composer William Basinski and sound artist/composer Richard Chartier return to LINE with 'Aurora Terminalis', their first new work together since 2015’s ‘Divertissement’ LP (Important Records, US).

From an unexpected sudden burst of sound jaggedly spiraling outward, the tumult fades and shockwaves slide into lulling haze of a melody. Background nuance—nearly imperceptible—and foreground romanticism ripple near each others’ edges. Then, rhythmic and liquid, an erratic drifting over a clouded void... an 'un-still' life... a slow tracing.

'Aurora Terminalis'… a fading gauzy signal for a finality.

Basinski and Chartier have previously released two collaborative works on LINE; Aurora Liminalis (2013) and Untitled 1-3 (2008, an expanded reissue of 'Untitled' originally on Spekk, Japan, 2004), as well as the archival Bandcamp exclusive 'Something from the Pink House' a live improvisation recorded in 2004.

William Basinski's archival album 'The Clocktower at the Beach (1979)' was released on LINE in 2023.

-

composed & recorded by Basinski & Chartier 2024

William Basinski: Voyetra 8 + loops
Richard Chartier: electronics, field recordings, processing, mixing

Mastered by Lawrence English at Negative Space

cover image: detail of 'Glass Eye', 2024 by James Elaine (acrylic and house paints, razor cuts on canvas, 62 in x 92 in)

© 2025 LINE

William Basinski published by Musex International (BMI)
Richard Chartier published by Touch Music/Fairwood Music UK Ltd

Aurora Terminalis (excerpt 2)

Last year in September I released the album ‘Quiet Rooms’ on the British label Whitelabrecs. The tracks on this album were a kind of self-healing process to refocus on home life after a long absence caused by working far away. At that time I was making a lot of improvised music and recording many ideas and sketches. After selecting the tracks for ‘Quiet Rooms’, some ideas, feelings, blurred images and unfinished tracks remained, which later became a solid base for ‘All Our Yesterdays’. Over the course of 2024, more recordings were made and - voilà - a new album was born.

'All Our Yesterdays' is probably a bit more introspective, exploring the spaces between the notes in a much deeper and broader way. So each track is quite transparent in atmosphere and sound, with piano notes, electronic textures and strange sounds drifting in and out. As always, all was recorded mainly at night in dim lighting to focus on what's important to me and my music. ‘All Our Yesterdays’ could be seen as a metaphor for missed moments on the one hand and great moments with the people you love on the other. Deep contemplation with a sense of serenity and balanced stillness - some things don't change...

The cover picture was taken in autumn at a nearby lake, when everything was already prepared and waiting for winter.

Tracklist:
01. All Our Yesterdays / 02. A Change Before A Choice / 03. The Silence Within Us / 04. Until It's Time / 05. There Are Ghosts Around You / 06. Half As Far Out / 07. Beyond Paradise / 08. Anything At All / 09. Before Night / 10. It Takes Confidence (To Let The Music Speak) / 11. The Inner Sea / 12. Fragments Of Love / 13. Never Gonna Let It Go / 14. I Could Sleep For Hundred Years

Written and produced by Polaroid Notes
Recorded between Nov 2023 and Dec 2024

Limited edition CD and digital download @ https://polaroidnotes.bandcamp.com/album/all-our-yesterdays

Release date: 22nd February 2025
Büro für Erdrotation Spin 042

Polaroid Notes - Snippets of All Our Yesterdays (Album)

from Urban Expiration, the KENOPSIA OST, featured in Clearing, my fifteenth full length album. Coming soon.

dying light

Label / imprint
Denseland – Code & Melody (arb.20, April 2024)
arbitrary21 (10" / DL) 06 Sept. 2024
https://www.arbitraryproject.com

Updated: https://arbitrary.bandcamp.com

info@arbitraryproject.com

arbitrary21 - Mads Emil Nielsen: Heartbeats - excerpt

arbitrary

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