Name: BM-21 Grad by ARCHAEOGRAM
Duration: 4 min 34 s
Description: From Gaza, we ought to listen to what Grad rocket has to say.

شو صار بالإنسان صاحب هذا التراك، هل أنت على قيد الحياة ؟ إلى أين أوصلك الحنين ؟

From Gaza, we ought to listen to what Grad rocket has to say.

Gaza Grad

BM-21 Grad

ASLAN TLEBZU SI UARAD [Official Music Video] HD

Hiya Hiya

هيا هيا - انا بعدا مقابلة البحر لا يرحل

магъыри сипщыны щ1уц1эри магъы
сагъыри сипщыны щ1уц1эми сыдэгъы

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 گلشیفته فراهانی و ابراهیم معلوف - عشق در پورتوفینو
دانلود: https://t.me/MusicKhaane/633

owrsi

Golshifte & Ibrahim Maalouf | Love In Portofino | گلشیفته فراهانی و ابراهیم معلوف

ASLAN TLEBZU SI UARAD

Burada seninleyim
Sokaklarda seninleyim
Rüyalarda uykumda seninleyim

Telefon çalsa bile
Konuşurum sen diye
Kapım açık bak yine seninleyim

Başkası kollarımda
Sen varsın yanımda
Öptüğüm dudaklarda seni özlerim

Söylenen sözler senin
Aşk şarkımsın benim
Gözlerim kapalı seni dinlerim beklerim

Bakarlar deli diye
Sevişirim seninle
Göremezler ben içimden gülerim

Sen sağımda solumda
Sigaramda odamda
Yaşıyorsun bak yanımda

Söz : Fikret şeneş & Müzik : Lucio Battisti (E Penso A Te)

Ajda Pekkan - Seninleyim (1974)

Ya Allah | Oh God

Composed in Atlanta, Georgia, in 2012, Ya Allah for piano and orchestra is based on two chants employed by the Syrian people in their peaceful quest for dignity and freedom. Jandali recorded the work in Moscow on February 5, 2013, with the Russian Philharmonic Orchestra, led by Sergey Kondrashev. He then produced a shorter version with chorus joining in on the phrase “Oh God, we have only you, oh God” in Arabic. He recorded this version with members of the Arabic Choir of the Cairo Opera House and
employed a portion of it in a music video that he released in May of 2013. The present album features the complete work in its original version for piano and orchestra.

The piece begins in an atmosphere of deep foreboding, out of which emerges the powerful main theme, which Jandali based on a popular chant that the Syrian people adapted to sing at soccer games in support of their favorite team. (See also the second theme in the Piano Concerto’s finale.) They changed the lyrics to “Oh God, we have only you, oh God” when they realized that the international community had abandoned them. In 2014 the United Nations stopped counting Syrian casualties. Using a well- known tune was immensely helpful to mobilize and engage all people. Says Jandali, “While marching in the streets in peaceful protest, demonstrators used to chant together and clap their hands as proof that they were not armed to avoid being shot at by the regime snipers and soldiers on top of buildings.”

After the mood quiets, a fleeting reference steals in, unconscious but lovely, evoking Wagner’s “Fate motive,” in turn inspired by Beethoven’s famous motive “Muss es sein?” (Must it be?). This luminously prepares the way for the solo piano’s presentation of the main theme, which becomes gradually enlivened by orchestral interjections and leads directly into the energetic second theme. Derived from the chant “The People Want Freedom,” this theme receives all manner of variations and combinations with the main theme, rising to an almost brutally martial treatment before turning quasi-fugal. The composer writes, “I integrate polyphonic techniques in the juxtaposition of both chant themes to emphasize the unity and harmony of the people and their noble quest for human rights, dignity, and freedom.” The piece concludes with a broadened peroration of the main motive.

Piano Concerto

02/20/2021

Ya Allah

Archaeologist & senior graphic designer
my scientific interest focus on the #archaeology making visual #graphic #designs support the archaeological studies.

BM-21 Grad

ARCHAEOGRAM

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