No holds barred blackened death metal from variouse corners of this world. Nierty is a gatherring of lost souls with the unwavering intent to explore the farthest edges of twisted sanity. Started in Wales UK 2007 

Free Downloads at https://nierty.bandcamp.com/

Homeless in San Antonio using SoundCloud to promote my podcast called "A Rovers Wandering No Man's Vagabond Podcast" to document my experiences. My YouTube channel is AnApacheNorsemanFromHell, where you can find all my episodes. I will post the most recent episodes here. I'm also on Audible, Amazon, Google podcasts and Spotify. Like what I do? Please tip me at CashApp,
Chime, PayPal, and even Venmo at rockinrobsa210.

There are too many artists over the years to list who my influences are. Some are my own friends in the biz, or were. I create what I feel, which will be born in different ways. So, just stay tuned to experience it, as I myself am.

Side projects: 
Charnel House at https://soundcloud.com/charnelhouse1
Sleeping House at https://soundcloud.com/mesmo1

I am a composer and producer of instrumental music in several genres, including ambient soundscapes, electronica, orchestral and chamber music.  

Musical influences include John Coltrane, Igor Stravinsky, Gustav Holst, Claude Debussy, Maurice Ravel, Tangerine Dream, Robert Prince, Frank Zappa, Brian Eno, Heinrich Ignaz, Franz von Biber.

My Method of Composing and Producing
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I'm sharing my method of composing and producing music recordings in case other composer-producers like me might find ideas worth exploring in their own work. I use this method for Classical, Avant-Pop or Neo-Folk Instrumental genres, not for Ambient and Soundscape pieces. Non-composers might find this explanation interesting, but having a bit of music theory background will definitely help. I consider myself a humble learner when it comes to music theory. 

I owe a debt of gratitude to British musician and educator Gareth Green, whose Music Matters online courses and free YouTube lessons have taught me so much over the past few years. Thanks to his instruction, I’ve moved from struggling to compose music by trial and error to something more enjoyable and productive. The knowledge I've gained has taken my work in new and expanding directions. As the saying goes, “Theory is not a cage — it’s a map. It doesn’t make the journey for you, but it keeps you from getting lost.” 

When I start a new piece, I begin by choosing a key, and picking a scale drawn from one of these sources:
 
1) Western Tonal / Functional Harmony - major or minor chords I II III IV V VI VII
2) Modal Harmony - Dorian, Phrygian, Lydian, etc.
3) Slonimsky's "Thesaurus of Scales and Melodic Patterns" 
4) Messiaen’s "Seven Modes of Limited Transposition" 

For many pieces, I also decide on a progression, one as a simple as I IV V, or something more elaborate.  

Next I create a "scales and progressions" piano track in my DAW (digital audio workstation software) and enter the chords I to VII in my chosen key. These harmonized scales serve as a basis for writing multipart harmonies and finding pivot chords for key modulations. 

At the start, I know what instruments I want to use, making adjustments along the way. I tend to write chord parts first, then melodies created through a mix of improvisation and direct input in the DAW. Sometimes I start with a melody.

I develop melodies and variations of a phrase by some combination of: a) passing it from one instrument to another, transposing it by an interval that sounds pleasing, b) reversing it, c) inverting it around the tonic (first) note of the scale. These are well-known methods. 

After completing a section, I choose another scale and maybe a new key and repeat the process until I have a draft of the entire piece. Then I export a recording and listen to it “offline”, take notes of errors and new ideas, and incorporate them back into the piece. Often this “compose / listen / compose” cycle is repeated many times. These iterative cycles include adding new ideas, polishing transitions between sections, changing the arrangement, and incorporating expressive details like accents, and articulations (staccato, sustain, portato etc.). I’m often working several different pieces at once. 

Last is mixing and mastering: balancing the loudness between instruments and adjusting elements like reverb, compression, and equalization. I tend to mix as I compose, even though many producers frown on that approach. I find mixing as I go helps me envision the completed piece and make adjustments to the choice of instruments; it self-inspires me when the piece is starting to sound good.  At the end I do a final mix, but as the saying goes, “A mix is never finished — it’s surrendered.”

In the end, this method gives me a basis for exploration and creativity and helps me stay focused. The goal is always to make a piece of music that feels expressive, cohesive, and emotionally resonant.

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Gothic, Darkwave, Mittelalter und Neue Deutsche Todeskunst von Explizit Einsam. Gegründet wurde Explizit Einsam im Jahr 1992 von dem Musiker, Komponisten und Sänger Andreas Ohle mit dem Ziel, romantisch verträumte und traurig nachdenkliche Lieder zu schreiben um sich selbst zu finden. Explizit Einsam kombiniert Gothic und Darkwave mit mittelalterlichen und elektronischen Klängen. Die Songtexte sind eine Reise durch die Tiefe des inneren Ichs und handeln von Themen wie Tod, Einsamkeit, unerfüllter Liebe, Sinnlosigkeit des Lebens und Grausamkeit der eigenen Existenz. 

DISCOGRAPHIE
1992 Das Trauma MC
1995 Im Paradies der verlorenen Tränen MC
1997 Erben des Vergessens ALBUM
1999 Das Elixier ALBUM
2000 Kelch der Trauer ALBUM
2004 Auf Ewig CD
2008 Reflexion Unendlich CD
2012 Totentanz ALBUM
2013 Geisterwelt ALBUM
2017 Immanenz ALBUM
2019 Requiem ALBUM
2021 Exodus ALBUM
2022 Wirklich Sein EP
2022 Am Grab EP
2022 Traum vom Leben EP
2022 Wunsch EP
2023 Unschein EP
2023 Alle Sterben EP
2025 Was ich bin EP
2025 Sei ein Vogel EP
2025 Der letzte Gang EP

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Experimental Industrial Band
New "EP" albums are out...stay tuned in.. more to come..

Peace and Enjoy The Tunes!

Followers of Archaic Shadows