Sinuous Records Official Podcast Series Age Of Aquarius Vol 39

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Sinuous Records Official Podcast Series Age Of Aquarius Vol 39

Loomis goes back to his roots with Evolution E.P., blending dark textures with emotional depth. Cinematic layers, tight breaks, and a mix of dark and light give this release his unmistakable sound. Architecture Recordings setting the standard!



Loomis & Ink - Closure - Architecture Recordings - ARX098

Loomis - Reflection - Architecture Recordings - ARX098

Loomis - Evolution - Architecture Recordings - ARX098

Next event: Flexout Bristol (https://ra.co/events/2195478)

Recorded live from the Flexout room at The Cause on July 12th. Bassi & Umbra went back to back with MC Fokus on hosting tunes.

Bassi b2b Umbra Ft. MC Fokus - Flexout London @ The Cause (12.07.2025)

Section – Far From Home EP [DSCI4]
Release Date: July 4, 2025

UK drum & bass producer Section returns to the legendary DSCI4 imprint with the forthcoming Far From Home EP, set for release on July 4, 2025. The four-track release blends deep atmospheres, tight production, and forward-thinking sound design — solidifying Section’s place among the scene’s most consistent and creative voices.

The EP features a heavyweight collaboration with Wreckless (Metalheadz / Dispatch) on “Seraph,” alongside three solo cuts that span the darker, more cerebral edges of drum & bass.

Tracklist:

Far From Home

Seraph (feat. Wreckless)

Wake Up

Disappearing

Available digitally via DSCI4.
dsci4.bandcamp.com/album/far-from-home-ep

Section - Wake Up [DSCI4]

Section x Wreckless - Seraph [DSCI4]

ARX FAMILY we made it!!! Architecture Recordings sees its 100th release next month and to celebrate this we have created some very special releases for the summer 0f 2025.

ARX proudly announces the release of ARX099, a powerful remix of Kemal - Animation by the multi talented producer Silent Extent. This reimagined version breathes new life into the classic track, blending deep, atmospheric textures with intricate rhythmic elements, showcasing Silent Extent's signature sound design.
Originally crafted by Kemal (aka Konflict), Animation is a revered piece of drum & bass history, known for its relentless energy and futuristic soundscapes. Silent Extent's remix pays homage to the original while introducing fresh, hypnotic layers, making it a must-listen for fans of ARX experimental and innovative drum & bass. With support from Kemal and Rob Data and others, this track has become a highpoint of ARX season 2 2025!!
credits
releases August 8, 2025


Kemal - Animation - Silent Extent Remix - Architecture Recordings - ARX099 - OUT NOW

Kapitel: Wie man verschwindet – ohne zu gehen.
Ich bin jetzt hier. Bauwagen. Ruhe. Heide. Aber keiner weiß, wie ich hierher bin. Alle sehen nur das Chillige. Dieses Draußensitzen mit Katze und Wind im Gesicht. Aber keiner sieht den Weg davor. Keiner sieht, dass ich schon Monate davor davon geträumt hab, obwohl ich nix wusste. Nicht woher. Nicht wohin. Nur: raus. Irgendwohin, wo nix mehr brennt außer der Himmel.
Vor ’nem Jahr ist was passiert. Hit. Richtig einer. 7 Millionen Klicks. Mehr, als ich selber je angeklickt hätte. Ich saß da, hab geguckt, hab gedacht: "Scheiße, das bin ich." Aber war ich das?
Das Finanzamt meint ja. Auf einmal Post. Ich, der seit zehn Jahren nix gemacht hat außer kaputtgehen, soll jetzt wieder was sein? Ein Produkt? Ein Steuerfall? Mir egal. Rechte sagen mehr als echte Nächte. Und ich hatte viele. Nächte, meine ich. Rechte nie.
Wo ich herkomm? Hamburg. Am Anfang war’s warm. Ehrlich. Wir waren leer, aber das war okay. Dann wurd’s Bahnhofsklo. Rotz, Tränen, Dreck unter den Nägeln. Leute, die gehen, ohne sich zu verabschieden. Straßen, die mehr wissen als deine Familie. Das war kein Leben. Das war ein Ende in Slowmotion.
Und ich? Ich bin raus. Nicht wie’n Held. Nicht wie’n Flüchtiger. Eher wie ein Flaschengeist, der zu lange da war, bis die Flasche platzt. Und jetzt? Jetzt bin ich hier. Nicht clean. Nicht dreckig. Einfach da.
Ich war da. Nicht hier im Bauwagen, sondern da, wo die Lichter brannten, bevor das Stromnetz gekappt wurde. Vor 6000 Leuten. Skapunks. 80er-Hit-Band. Keine Pappkulisse. Keine Selfie-Kultur. Das war echt. Und es war laut. Ich war mittendrin. Nicht als Zuschauer. Als Teil davon.
Und heute? Denken alle, ich wär vom Dorf. Weil kein YouTube die Zeit aufgezeichnet hat. . Nie Story. Nie Filter. Ich war einfach da – und keiner hat’s gespeichert.
Die Welt damals war keine Welt. War ein Zustand. Wie ein Stummfilm, den die Tonspur überrollt. Ich war drin. Ich war Stimme. Und dann kam Indiepop. Der Scheiß ging viral – und ich ging unter.
Aber ich erinnere mich. Blauer Augenblick vorm Horizon. Der Millionär, der keiner war. Applaus aus Stars. Echtes Licht. Echtes Schwitzen. Adlon. Limo. Hyatt. Der Raub kam später – nicht von außen. Sondern vom System, das vergessen hat, was ein Moment wert ist.
Ich war da, verdammt. Ich hab den Preis und hab ihn gesehen. Nicht den auf ’ner Urkunde – sondern den, den man zahlt, wenn man einmal zu nah am Echo war. Ich hab Limosinade geschlürft, Bruder. Und ich weiß noch, wie das schmeckt.
Jetzt? Jetzt chill ich im Bauwagen. Und weiß: Das war nicht „weg“. Das war nur ungespeichert. Aber in mir läuft das Tape weiter.
Tschüss. Absolut Tschüss. Aber nicht still...)

Die Fortsetzung folgt am nächsten Sonntag um 10:00h



kolkhorst 2025
all tracks performed, composed and recorded, mixed and produced
by kolkhorst, summer 2025, out there in the east.
inspired by schimanski, winnetou and miami vice

danke murschel.

wie_man_verschwindet

(About Song) - "Journey to Serenity" -A lo-fi chill instrumental track with elements of smooth jazz, ambient timbres, calming violin's, a dreamy synth, and tribal like chants. In It's core is relaxing, and flows like cool mountain stream!

(Song interpretation) - In essence : "Journey to Serenity" is a melodic tapestry where classic instrumentation meets modern, atmospheric production, inviting the listener to unwind, and find peace within it's harmonically, rich, rhythmically precise soundscape.

Best Always!,
Joella 

(Sound features) -Classic piano, acoustic guitar, synth & synth lead, violins, bass, drums, vocal chops, vocal Vox, vocal Fx, tonal Fx. 

Journey to Serenity

Vargtimmen

For bookings contact - coloursaudio1@gmail.com   

INK : The story so far......

An architect first visualizes then realises, making something out of nothing, making sure that not only the object itself shines but also the space around it. The sound is moulding, shaping and morphing at the hands of Dj Ink... 

The year is 1990 and a young Dj Ink has solidified his love for the culture known as hip hop- as the years move on so does UK street music, there are new genres forming and Ink begins to hear what is familiar to him, but there is a new twist-It is the UK passing by the USA, with a huge dose of African and Jamaican influence, This is music to a budding Dj Ink's ears, he naturally becomes involved and it doesn’t take too long before he begins to make his mark. 

First begins the Pirate radio circuit. Working hard at his craft and allowing the followers to get familiar with the roll, steadily bookings began to build up and soon it would be time for Ink to become associated with three names that changed the landscape of British electronic music-Basement Records, and slightly later Metalheadz and Renegade Hardware. Ink would go onto form his own imprint- Architecture Recordings, releasing anthems from himself and various crew members, bringing through new talent and the cream of the heavy hitters within drum n bass. If you're familiar with drum n bass/jungle you’ll know instantly the weight these labels carry, and if you're not by just scratching the surface you’ll become aware of the impact they have had. Renegade Hardware & Metalheadz are two commitments Dj Ink has upheld to this day, through thick and thin, engraved in the wall of time.

Essential work includes 'The 50th (Blueprint)' (1st Drum and Bass/Jungle tune selected live by a dj (LTJ Bukem) on BBC Radio 1 essential DnB show ever!) and "Altitude" on Basement Records, ‘Feel da heat’ taken from the LP ‘Can u draw sound?’ on Architecture Recordings, ‘Kaos Theory EP’ on Renegade Hardware, ‘Shine’ on Metalheadz, and the now infamous posse cut ‘Instinct’ also on Architecture, this is just a small fraction by Ink that has made waves. 

The now famous "Horsemen" project was a concept headed up by Ink, Loxy, Dylan & Keaton. Originally formed due to the affinities amongst the original four, the crew went onto bring together producers from all over the globe under the "Horsemen" banner- beat makers who have been inspired by the foundations laid down by The Four Horsemen went on to receive acclaim from critics and music buyers alike.

Ink has a number of long players under his belt, to select a few In chronological order these are - Incision and Can You Draw Sound for Architecture Recordings, Hard Soul w/ Perpetuum for Colours Audio and: The Last Scroll for Renegade Hardware. In more recent events we have "The Tree & The Wind" by INK & SIN also on Architecture Recordings.  With these credits to his name it is fair to say INK continues to make his mark on DnB.

Loomis - Reflection - Architecture Recordings - ARX098

Ink ][ Architecture