Sin - Traumas Lost & Found Chapter 3 - Architecture Recordings - ARX081

The number one label for underground drum and bass continues to bring you the heat with the third chapter of this critically acclaimed project. ‘Sin” returns to the ARX controls to take you on an original and adventurous journey into the mind of an Architecture Recordings artist. Melodic, hard and gritty all at once this project is set to take ARX further into pole position within the realms of underground drum and bass!

Note: To access ARX VIP content send your proof of purchase of the complete Traumas Lost & Found Chapter 3 EP to Coloursaudio1@gmail.com and a special link will be generated for you to download ARX VIP content!!

Sin - 96 Busto Flow - Traumas, Lost and Found Chapter 3 - ARX081 - Out 29/3/24

https://twitter.com/Bantez
https://mewe.com/estaban.46  
https://www.instagram.com/banphocalist
https://www.mixcloud.com/Bantez

Releases on:
@samsarab
@offlicenserecords
@oblque
@dionysian-mysteries

Founder of:
https://soundcloud.com/oblque


Contact: 
inuza.music@gmail.com

For bookings contact - coloursaudio1@gmail.com  / North American:
Stu@cybergrooveprod.com 

INK : The story so far......

An architect first visualizes then realises, making something out of nothing, making sure that not only the object itself shines but also the space around it. The sound is moulding, shaping and morphing at the hands of Dj Ink... 

The year is 1990 and a young Dj Ink has solidified his love for the culture known as hip hop- as the years move on so does UK street music, there are new genres forming and Ink begins to hear what is familiar to him, but there is a new twist-It is the UK passing by the USA, with a huge dose of African and Jamaican influence, This is music to a budding Dj Ink's ears, he naturally becomes involved and it doesn’t take too long before he begins to make his mark. 

First begins the Pirate radio circuit. Working hard at his craft and allowing the followers to get familiar with the roll, steadily bookings began to build up and soon it would be time for Ink to become associated with three names that changed the landscape of British electronic music-Basement Records, and slightly later Metalheadz and Renegade Hardware. Ink would go onto form his own imprint- Architecture Recordings, releasing anthems from himself and various crew members, bringing through new talent and the cream of the heavy hitters within drum n bass. If you're familiar with drum n bass/jungle you’ll know instantly the weight these labels carry, and if you're not by just scratching the surface you’ll become aware of the impact they have had. Renegade Hardware & Metalheadz are two commitments Dj Ink has upheld to this day, through thick and thin, engraved in the wall of time.

Essential work includes 'The 50th (Blueprint)' (1st Drum and Bass/Jungle tune selected live by a dj (LTJ Bukem) on BBC Radio 1 essential DnB show ever!) and "Altitude" on Basement Records, ‘Feel da heat’ taken from the LP ‘Can u draw sound?’ on Architecture Recordings, ‘Kaos Theory EP’ on Renegade Hardware, ‘Shine’ on Metalheadz, and the now infamous posse cut ‘Instinct’ also on Architecture, this is just a small fraction by Ink that has made waves. 

The now famous "Horsemen" project was a concept headed up by Ink, Loxy, Dylan & Keaton. Originally formed due to the affinities amongst the original four, the crew went onto bring together producers from all over the globe under the "Horsemen" banner- beat makers who have been inspired by the foundations laid down by The Four Horsemen went on to receive acclaim from critics and music buyers alike.

Ink has a number of long players under his belt, to select a few In chronological order these are - Incision and Can You Draw Sound for Architecture Recordings, Hard Soul w/ Perpetuum for Colours Audio and: The Last Scroll for Renegade Hardware. In more recent events we have "The Tree & The Wind" by INK & SIN also on Architecture Recordings.  With these credits to his name it is fair to say INK continues to make his mark on DnB.

♪ Architecture Recordings
♪ Four Corners Music
♪ Deconstructed Recordings
♪ Transfrequency  Recordings

Mella Man is a gifted musician from the United Kingdom who specializes in the intriguing genres of drum and bass and electronic music. Mella Man has cemented his status as a true artist in the music industry with his distinctive sound, which combines elements of electronic music with the intense beats of drum and bass.

His sound is a dazzling combination of complex drum rhythms, pulsing basslines, and melodic synths. Mella Man creates music that transports listeners through aural landscapes, capturing their interest and eliciting a variety of feelings. He stands out from his contemporaries due to his ability to slickly combine various drum and bass and electronic music components.

Even the most restrained listener may want to get up and dance to Mella Man's music because of its contagious intensity and groove. His inventive sample manipulation and fluid transitions produce a dynamic and engrossing listening experience. His commitment to his craft and his ability to push the frontiers of drum and bass and electronic music are evident in every track.

Mella Man's songs demonstrate his talent and passion in the dynamic realm of music. He never fails to enthrall listeners with his distinct fusion of drum & bass and electronic sounds, leaving a lasting impression on the music industry.
Mella Man is an artist to keep an eye on because of his unique ability to push boundaries and try out various sounds. Keep an eye out for more fascinating releases from this gifted artist.

fv <k
(frequency voltage <1,000)

Laszlo Juhasz
DJ, Producer, Percussionist

aliases: 

Umbra (Nous Art Records),
             
Deep Cut (US)

datkatkojak:
https://on.soundcloud.com/B6DoB


background: 
started drumming and singing in the chorus from the 4th grade, the following year hiphop exploded on the scene and sparked a desire as a child with a pen and pad to write rhymes daily for over a decade. studied classical music from Zsigmond, a protege of Kodály Zoltán. shortly after acid house, techno and breakbeat music ensued to the ears and salivated the pallette. after high school the first  purchase was a pair of used 1210's in a coffin with a shoddy 2 channel realistic mixer, it also came with a few milkcrates of freestyle, electro and early hiphop vinyl, at the same time drum and bass and jungle tracks were emerging, early metalheadz, suburban base and moving shadow were these new labels that were utterly captivating my attention and wallet, then breakbeatscience in nyc opened and started mail order in the internet's earlier days. 

a few years later the sp 202 came out and was the next logical step, as I had upgraded to a mixer with basic sampling capabilities and the sp202 just brought it to a portable exponential level. < a year later, the DR-202 was added while I had been learning Cubase and Reason and the wonders of MIDI exploration began. Soon after an SU-700, a DX-10, an EA-1 and an ER-1 as well. Later transitioned to FL for a DAW as it was much quicker in workflow.  

Later apprenticed at Razormaid Records under Joseph Watts; where I learned regioning, eq'ing and mastering, from a pioneer of dance music itself.

Performed for crowds > 2,000 as an emcee, and as a DJ opened for Thurston Moore of Sonic Youth and the Swans. 

The past 20 years have been mostly introspecting, learning and understanding self, traveling, connecting with the earth and her guardians. Listening and mirroring, the sky the earth, the fire and aire. The music was in my heartbeat I would mirror with a handdrum or the layers of pressures colliding within. To strum strings or bow them. They can encompass us, impact our moods and project them.

I also would like to play music for you and with you!

AEye
message for booking

Sin - 96 Busto Flow - Traumas, Lost and Found Chapter 3 - ARX081 - Out 29/3/24

Ink ][ Architecture