Name: STORMTRACK by Archival Feedback
Duration: 18 min 58 s
Description: Considering a long legacy of storm trackers anticipating coming weather, "STORMTRACK" peers into moments before and during Hurricane Irma (September 2017). From "Selections & Versions," an hour-long program created for Untitled, Radio 2017. #archivalfeedback

Papiro (@marcopapiro)
Automare
12" LP (Muscut 7)
Release date: TBA 2017
muscut.org/Papiro-Automare

A 
Rhenus Rebus

B
Automare 
Polmonella* 
Incom 
Latana Supurea

Performed by Marco Papiro with* 
Anthony Glass: Casio vibes 
Markus Stähli: Q-Chord 
Mastered by Alex Buess

From the city that brought you LSD comes a new album by Marco Papiro, a Swiss-Italian musician and graphic designer who has gained some notoriety with his album covers for the likes of Panda Bear and Sun Araw. "Automare" is Papiro's seventh solo album, recorded on 4-track cassette, on hard-disk, in public and in private, entirely self-produced and now released on Nikolaienko's Muscut label.

The five hauntingly evocative tracks offer a variety of atmospheres from surreal to arcane, from celestial to subaqueous. Synthetic sounds (some mature EMS, Moog and Roland) are combined with other assorted instruments (organ, shehnai, electric guitar and bass,) and emulsified through various time-and-space-bending devices. There are no percussions, with one surprisingly groovy exception, in which a drum machine is being generously treated with phaser and envelope filters – think of early Cabaret Voltaire with a North Saharan touch.

Papiro's handcrafted artificial vocals are anything but human, but all the more compelling: out of the fluorescent Plankton of the side-long opening track "Rhenus Rebus" rises a siren's voice, reminiscent of Alide Maria Salvetta in Battiato's "Campane", joined in a final mantra by an oboe borrowed from an inebriated Third Ear Band. Entering a chimeric karaoke bar, the title track "Automare" makes the album even more bizarre by introducing a distinctive pop feel. Back to the abstract world, the following "Polmonella" – a live recording with additional musicians Anthony Glass (aka Antenna Tony Monorail) and Markus Stähli (of Roy & the Devil's Motorcycle) – is a fevery exploration of cosmic territories in the manner of Harmonia, while the alien articulation of "Incom" sounds unlike anything else ever recorded.

Papiro - Automare (12", 2017) Excerpts

»winter, or a time which represents that season, in a metropole that appears to be moscow. the visitor is taking metro no. 6 at leninsky prospect as he is on his way to the ballroom close to gorky park. the air is icy, the sky is grey. a cat, previously hidden among the dirty snow, is crossing his way. the closer he gets to his destination, the clearer he can hear music, music that reminds him of future days.

the dimly lit room is only sparsely filled. on stage a graceful singer, capturing the room with her presence. captive voices merge with chords played on yet unknown instruments – machine rhythms cycle in 3/4 time. the vigorous peasant dancers, following an instinctive knowledge of the weight of fall, utilize their surplus energy to press all their strength into the proper beat of the measure, thus intensifying their personal enjoyment in dancing. here, in the transhuman ballroom, time stands still and values are being dissolved by numeric progressions. spiritually allied, the visitor, the singer and the peasant dancers short-circuit the present moment while the last falling snow slowly turns into rain.«

with »walzerzyklus«, atom™ returns to raster to complete his series that has once begun with »liedgut« and continued with »winterreise«. the 7 tracks, created in collaboration with russian singer lisokot, are subdivided into 3 pieces of 2 minutes each and 4 pieces of 3 minutes each, intentionally reflecting the 3/4 time of a classic waltz.

throughout the release, lisokot’s delicate vocals are put into different relations to atom™’s rather cool machine music, either complementing or contrasting each other. in the same line, the 3 shorter “leitmotifs” provide the main theme that is taken up repeatedly in the course of the release.

»walzerzyklus« will be released on CD and as special, laser-engraved vinyl edition limited to 300 copies.

Walzerzyklus

atom™ & lisokot »alliiertenwalzer« taken from »walzerzyklus«

Release date is January 1st

Lullabies for Insomniacs brings you the debut release from the intoxicating duo Garland. The project of Phillip Jondo and Simon Weins emerged years ago and has subsequently developed and transformed through overseas collaborative exchanges. Influenced by popular media and musical practices the duo channels a resonating wonderland that echoes, calling for magic to ignite.

Artwork by Fenna Fiction
Mastered by Wouter Brandenburg

Garland - Preludes #1 - LFI011 - preview

Considering a long legacy of storm trackers anticipating coming weather, "STORMTRACK" peers into moments before and during Hurricane Irma (September 2017). From "Selections & Versions," an hour-long program created for Untitled, Radio 2017. #archivalfeedback

STORMTRACK

DJ Nobu & NHK yx Koyxen are MTv

MTv – Hollywood #1 EP

TTT056

Hollywood #1 EP

TTT SHOP

MTv – Look Back Motion

DBA040: BRASSFOOT - INDENTURED SERVITUDE EP
OCTOBER 2018
BUY: https://dontbeafraidrecordings.co.uk/shop

A1 BRASSFOOT - FOLLOWERS FATE

Batush

info + tracklist: https://radio.syg.ma/episodes/erotika-28-stanislav-deev
https://soundcloud.com/stanislavdeev

Stanislav Deev

EROTIKA 28 – Stanislav Deev

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For this 41th Premiere of 2020, we have a track by the artist from Utrecht (Netherlands) "Sololust" from the upcoming Mini Album "Non Ferro" [SOTA025] on the Spanish label : Soil Records.

“The soil is the great connector of lives, the source and destination of all. It is the healer and restorer and resurrector,......"

The track we chose to premiere is the A1 and is entitled ‘Too Much Days a Row’ and it will be available from March 18, 2020 on Limited Edition Cassette & Digital on Bandcamp : https://dearsoil.bandcamp.com/album/sololust-non-ferro

Release Info :

Sololust - Non Ferro (SOTA025)

The artist from Utrecht, called Solotust, makes his debut on the Soil records label with a 6 song mini Lp. All of them are loaded with dark melodies that move between minimal synth, dark krautrock and synth pop. Harmonic voices linked with synth lines that will make you transport yourself to the space directly.

Tracklist : 
A1. Too Much Days a Row
A2. Many More
A3. Too Late
B1. Fresh Projection
B2. Something Ain`t Right
B3. To Trip Inside The Big Hall (One Tile was Missing)

Previews : https://soundcloud.com/dearsoil/sota025-sololust-non-ferro

Follow Sololust :
Discogs : www.discogs.com/artist/1781684-Sololust
Instagram : www.instagram.com/solo_lust
SoundCloud : www.soundcloud.com/sololust

Follow Soil Records :
Bandcamp : www.dearsoil.bandcamp.com
Discogs : www.discogs.com/label/1480651-Soil-Records
RA : www.residentadvisor.net/record-label.aspx?id=17351
Facebook : www.facebook.com/DearSoil
SoundCloud : www.soundcloud.com/dearsoil

Non Ferro

Too Much Days On A Row

TL Premiere : Sololust - Too Much Days On A Row [Soil Records]

INFO: https://www.clubbingspain.com/mp3/2020/luxus-varta-fade-away.html

Born Sad

Fade Away

PREMIERE: Luxus Varta - Fade Away [In Abstracto]

海 Hăi W/ Dissent Odds

Archival Feedback’s working experimental practice integrates wide-ranging field studies with art and the study of the landscape, charting the environment, and exploring place through a holistic framework.  AF contextualizes the fieldwork through sound media and mediums, using these to create experiences that encounter and immerse into the acoustic landscape, relating the human spaces to non-human spaces and relationships in ecosystems in an anthropogenic era. We work imperatively towards using sound art to facilitate a more-heightened listening.

Archival Feedback (Emile Milgrim, T. Wheeler Castillo) are artists based in Miami, FL. The duo expands their range through collaboration with artists, musicians, and scientists, working with print-making, video, and installation.

STORMTRACK

Archival Feedback

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