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#ambient #drone #granular #spacemusic #sleepmusic #darkambient #soundscape

Aetherra

528 Hz - Transformation Through Sound

freqs250

"Means of Knowing" is an exchange with the world, an effort to know it and ourselves more deeply. Like a long walk on a favorite path and the introspection and observation that such a journey inspires, it is an album full of constantly evolving interplay between natural and imagined sound sources. Tactile sounds from the physical world combine with textured, processed synthesis to evoke the depth of experience available to us every day.

https://archivesdubmusic.bandcamp.com/album/means-of-knowing
https://hotelneon.bandcamp.com/album/means-of-knowing

All music written and recorded by Hotel Neon 
Additional mixing by Matt Kidd 
Mastering by Rafael Anton Irisarri 
Vocals in 'Referent' & 'Unseen Landscapes' by Lacey Tasselmyer 
Artwork by Steven Kemner 
CD Photography by Alexander Kopatz

HN-ARCH01 - 2018 
ARCHIVES

Buy Vinyl/Dig

Hotel Neon - Means Of Knowing (Album Snippets)

We celebrate the summer solstice with this compilation, that includes music from r beny, Steve Pacheco, Pechblende, Mikael Lind, Hotel Neon, Robert Farrugia, Hirotaka Shirotsubaki and Warmth. 

Mastering by Rafael Anton Irisarri at Black Noll Studio (NY) 
Photography Alexander Kopatz 
www.go70north.com 
Archives46 // ArchivesCD27 
Archives / 2018

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Steve Pacheco - Emanate

Second track off the new Billow Observatory album, entitled "III: Chroma/Contour", out on Azure Vista Records on February 8th! Preorder from: azurevistarecords.bandcamp.com

Album info:

III: Chroma/Contour is the third album from Billow Observatory, the collaborative project of Danish producer Jonas Munk (Manual, Ulrich Schnauss collaborator and more) and Michigan native Jason Kolb (Auburn Lull). The album's nine tracks eschew the pulse and rhythm that defined the duo's previous effort (II: Plains/Patterns) in favor of sparse melodic possibilities and a more abstract palette of sounds. Chroma/Contour suggests looking both 20 years forward and twenty years back, while forgetting the present altogether. Much of the album plays out as a study in minimalism: the texture and colour of each sound is being explored in miniscule detail, with enough space in the soundfield to allow each sonic constituent to breathe fully. There's a conceptual dimension to several tracks on the album, with guitars, analog synths and voices being mangled by samplers, computer software and a broken dictaphone into pure abstraction. But simultaneously there's a melodic undercurrent, revealing a deeply emotional aspect of the music. Tracks such as Color In The Six, Iris and Soft Logic convey a melancholic sense of awe, a profoundly calming glimpse of the sublime. 

As with the best ambient music, the power of these nine pieces lies in their open-endedness and suggestive potential. Rather than imposing on the listener and presenting a flawless, fullyformed aural landscape, the music creates an evocative space for the listener to explore and expand in.

Billow Observatory: "Bright Lands Rising"

All played live on Hydrasynth, no overdubs or external FX used.  These are demos for the Hydrasynth factory patches I contributed (patch names ending with PS).

Hydrasynth Patch Demos

"Adnasjur" - large wave or waves, coming off a succession of lesser ones

Music by Hammock
Artwork by Gregory Euclide

Place Language is an international non-profit compilation album project inspired by the themes found in Robert Macfarlane’s widely-acclaimed book ‘Landmarks’. In particular it focuses on the book’s extensive topographic glossaries, the “word-hoard” of depictive landscape terms gathered from 30 different languages, dialects and sub-dialects around Britain & Ireland and divided into sections by type of terrain (Flatlands, Uplands, Waterlands, Coastlands, Underlands, Northlands, Edgelands, Earthlands and Woodlands). Relying on these topograms, or “tiny place poems”, as creative prompts, Place Language seeks to both inspire a renewed interest in our surroundings and reinvigorate our appreciation for the audible textures & patterns that characterize a place in keeping with the book’s stated desire to “re-wild” our vocabulary.

The collection features the work of 28 different sound-artists, field recordists, and musicians from around the globe each of whom selected a Landmarks topogram and recorded an impression of it thus adding rich new aspects of dimensionality through the act of sonification. These selections cover all nine of the book’s glossaries along with place-words of new coinage as prompted by the blank one which Macfarlane leaves at the end of the book for readers to fill in from their own experience. The end result is a truly global and collaborative survey of place, language, and sound.

More info: stationarytravels.wordpress.com/place-language/

Hammock - Adnasjur

From the Album "This Place has People In It" available here : https://cialyn.bandcamp.com/album/this-place-has-people-in-it

Clouds Ocean

Muted Post Horn

Magma

Thru The Border

Pre-order and buy Vinyl/CD releases 
https://archivesdubmusic.bandcamp.com/merch