Acid Reflux is excited to release another recording from the magical pipe yard somewhere in Berlin. This time Mariel Loah (@groovenoland)

Mariel's set morphs slowly between dark atmosphere, bouncy rhythms and psychedelic elements. With time we could feel how the story changes, each track playing with relation to the previous track and with eyes to the upcoming one. Hypnotic sounds opening slowly into high energy trance and ending with surprising funky breaks. All this makes an unforgettable recording that is captured from start to finish.

Mariel Loah @ Secret Location 06.07.24

Avian’s @SHXCXCHCXSH deliver a dynamic, tightly woven selection where fluid rhythms shift seamlessly with steely ambience and noir basslines.

Secret Thirteen Mix

💀 ᴛʀᴀᴄᴋʟɪꜱᴛ

STM 190 - SHXCXCHCXSH

Themed around “Dancing Rituals”, @okouru bring us a progressive journey blending 90’s to 00’s Progressive House, Trance, Progressive Trance, Psy Prog with some tribal elements.

Release date: 30th September 2024

WHOMP006 : Okouru

Simone Bauer's DJ set from Selenite at Subdeck, Bratislava on 13.12.2024

Simone Bauer: Selenite 13.12.2024

soundcloud : @yoggisadj
instagram : www.instagram.com/yoggisadj/

Yogg @ GIMIC - 24 April 2025

Blending Options w/ Lorem Ipsum ft. Sleep Exchange

Yogg @ GIMIC - 22 May 2025

Toxido Mask weaves her sonic alchemy into Enchanted, a slow‑burn journey of warm, velvet pads and ethereal vocal snippets — deep, immersive, and hauntingly beautiful.

Check out the full compilation WARM02 on Bandcamp
https://warningberlin.bandcamp.com/album/warm02

Follow
https://soundcloud.com/toxido-mask

Toxido Mask - Enchanted [WARM02]

12-06-2025 // Vanja Rakić  // Live recording from the Radio Hinter studio at Der Hintergarten, Amsterdam.

mastering: Victor Marbus

Vanja Rakić // SKIN // 12-06-2025

Blacklauren - the techno nom de guerre of Brooklyn’s Lesly Remy Jr. - works far beyond the reach of polite musical resolution. Enormous and pounding, these five tracks revel in what classically-minded listeners would consider dissonance - close intervals and flat fifths are expressed repetitively and hypnotically by whirling, searing synthesizers over undeniably kinetic drum programming. Harmonic ratios that less daring composers or improvisers would only ever use in the approach to resolution - or indeed would historically be considered demonic by early churches - are instead here the entire basis of these works. You are not permitted the safety of a return to a tonic chord, you are not permitted the boneheaded anticipation of a drop on the one, you are instead invited to savor the discomfort, everything progressing at a mechanical, unyielding techno sprint.

The result is a fascinating, disorienting space that ultimately works towards liberating the body. In the throbbing, unfamiliar harmonic churn of these body-rattling tracks something sublime bubbles up. Call it psychedelic, call it mesmerizing, call it mental, call it what you wish - but out amid the chug of the kick, as the unresolved melodies and clusters flutter unflinchingly, this freedom from resolution kicks you out of the airplane: it’s thrilling, it’s terrifying, it’s coming at you fast.

His work on these tracks can be described as devotional - with monastic dedication he makes certain to fire up Ableton and make some kind of sound every single day, hitting the YouTube tutorial dojo often or calling on fellow masters of dissonance Wata Igarashi or Linear System for expert guidance. He has also been a devotional fan of The Bunker New York, regularly attending our parties since 2010, appearing on several lineups and a pair of podcasts since then. Within the infinite universe of the DAW, he’s locked down a very particular set of instruments and presets, making great use of Reaktor’s realistic emulations of classic synthesizers. So his sonic signature is consistent, recognizable from track to track and also lovingly connected to the legacy of techno, plus the recordings are electric and alive. That’s the beautiful thing about going back to the same well again and again - you drink deeper with each dip.

Remy is also the founder of Nyabinghi Electronic Music, a fascinating label that arcwelds together the primal - like the pounding rhythms of Haitian Vodou, familiar to Blacklauren’s ears from his origins in Port-au-Prince - and the future - the various sonic technologies of the last fifty years, deployed precisely. Electrified into artistic ownership by the available time and inspiring swell of summer 2020’s Black Lives Matter actions, Remy makes explicit the label’s efforts to excavate the ceremonial aspects of techno and the futuristic summonings of African diasporic religious and cultural practices. In line with other tremendous futurists like the music and writings of DeForrest Brown, Jr. or the graffiti-as-starship designs of RAMM:ΣLL:ZΣΣ, Blacklauren’s work with the label and on this release sounds like sirens that are ever-approaching, doppler bending as they continually arrive - we’re here in the emergency but still we jubilate.

... full liner notes at thebunkerny.com

Mastered by Tim Xavier at Manmade Mastering
Artwork by Andrew Charles Edman
Liner Notes by Ben Seretan


Buy on Bandcamp

Void

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Radio broadcasting. Storytelling podcasts. Music discovery. Community engagement.

Area 3000 is a multifaceted platform dedicated to exploring underground music and industry conversations in Naarm/Melbourne. Broadcasting 24/7 from Revolver Lane on Wurundjeri land, we amplify emerging voices, share diverse sounds, and foster a connected, creative community.

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Blending Options w/ Lorem Ipsum ft. Sleep Exchange

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