Pioneering the « nu-disco » sound, years long before that kind of sound started to invade the worldwide indie charts, Laurent ASH aka LIFELIKE’s early productions (« Black Chess » EP on the legendary “20000ST” record label) soon pricked the ears of the likes of DJ Falcon and Thomas Bangalter (from Daft Punk), and playlisted his record during their "Together 2002 tour", which if you’re a young Producer, is basically the equivalent of getting all six numbers in the lottery, finally introducing him very quickly into the very small but highly talented "French Touch" family. 
A french family of parisian artists that includes Daft Punk, Justice, Alan Braxe & Fred Falke, Air, Cassius, etc..
Almost every records he released since then gained instant support from BBC Radio 1’s Pete Tong and Annie Mac as well as the DJ bibles such as DJ Mag and Future Music Magazine, calling his productions “a sure-fire hit on dance floors” ,“walking that smooth and sexy line between nu-disco,new wave and funk” and "a master of crafting credible dance floor beast."
 Those records includes "Discopolis", released on Alan Braxe's seminal label "Vulture", a massive inernational club hit, selling a total of more than 100000copies, topping the UK Top 40 chart at #18, Belgium Dance Chart #1, Germany/France Dance Chart #5, followed by "So Electric" released on Wall Of Sound, "Sequencer" (vulture), "Love Emulator" released on his own label "ComputerScience", or "Dont Stop featuring A-Trak" that was recently released on Kitsuné.
As a remixer, records companies quickly noticed LIFELIKE’s ability to turn any track into a dance floor hit  and it wanst long until other artists like Chromeo, Sia, Empire Of The Sun, Vitalic, Moby, Classixx, The Presets, Cerrone (more than 40 remixes released) to name a few of them, came to knock on his door trying to secure a remix from him.
On the production side, Laurent has been helping some new acts to succeed, adding his magical touch to the UK indie band "Is Tropical" first album and the french electro-pop band "Jupiter".
As a touring entity, LIFELIKE has touched down all over the globe. From Europe and Australia and Asia to America, and club to festival he’s been DJing alongside everyone from Fred Falke, DJ Falcon, Bloody beetroots, Vitalic, Russ Chimes, Oliver, GrandMaster Flash, Madeon, Alan Braxe, Ritchie Hawtin, Steve Angello, DJ Medhi, and many others. .
When LIFELIKE isn’t on tour, you’re likely to find him tucked away in his studio, running his own record label "ComputerScience", and most recently finalizing his debut full-length album "Electronic Dreams" signed to Capitol Music/Universal, featuring the likes of Chromeo, A-Trak, Oliver, Electric Youth & Audio District.


MANAGEMENT:
Booking / Management - computerscience.label@gmail.com

Press & Booking: skeletonhandswave@gmail.com

Released on: Mau5trap & Always Never Records.
Composer: John Wick 1&2, Firewall Zero Hour, Payday2, ROM Extraction.
I also produce bass music under the alias https://soundcloud.com/twinmoonsx

FREE MUSIC at: https://www.hive.co/l/lcvdownloads
http://www.lecastlevania.com 

SEND DEMOS TO MY RECORD LABEL AT: http://soundcloud.com/alwaysnever

Founded by sonic architect and explorer Robert Raths aka ghostworker in 2007, Erased Tapes is a truly independent record label that has disrupted the industry and rejuvenated the musical landscape. The London-based label has consistently nurtured genre-defying artists from all around the world without losing its avant-garde ethos.

2015 saw BBC 6 Music radio presenter Mary Anne Hobbs stage an Erased Tapes evening featuring Nils Frahm and A Winged Victory For The Sullen at the Royal Albert Hall as part of the prestigious BBC Prom. It was the fastest selling ticket of the entire season. Shortly after Erased Tapes was awarded Best Small Label 2015 at the AIM Awards.

On February 5th 2017 Erased Tapes opened the doors to its new East London home, marking the 10th anniversary by introducing fans and the public to the new Erased Tapes Sound Gallery.

“Ten years of one of the most important record labels of the last few years“ — Gilles Peterson

"Over the last decade, Robert Raths’ label Erased Tapes has developed a sonic profile perfectly in step with the growing taste for quiet, meditative works on the cusp of ambient and chamber music" — The Independent

“The heart-string-tugging London label that floats gently between 20th century composition and ambient music” — Rolling Stone

Ólafur Arnalds is a BAFTA-winning multi-instrumentalist and producer from Mosfellsbær, Iceland. Ólafur Arnalds mixes strings and piano with loops and beats crossing over from ambient/electronic to pop.

For collaborations and remixes, email me; abrupt_production@live.com

Main one: https://soundcloud.com/dark-jedi

French DJ since mid 00's
Based in Brussels, Belgium

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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