Entièrement d'accord : aller simple vers mon plaisir de t'écouter !

Désert de sel

oh fearful symmetry 
sorry you no longer frighten me
strike the hammer
yank your chain
I know which one of us
has half a brain 

you made me 
now you’re just the venue
while I’m alive
I will contain you...

and it’s freeing, plenty freeing
now let me sing this into being:

everything’s a bucket
in the 5th dimension
ain’t you glad we’re seeing only four?

babe, when the going gets tough and
you feel miffed again shun
anyone who dishes out a cure

that’s just a bucket in the 5th dimension
(forget it, forget it, forget it!)
no-one’s ever needed more than four

red wheelbarrow
red wheelbarrow
so much of us depends upon 
rode on your angular indifference
until our riding days were done

some of us have you 
glazed in purpose 
some catch a sleigh to memory 
the fields don’t lie 
they won’t lie fallow
not after you 
not after me

now let me sing how everything
is just a bucket in the 5th dimension
ain’t you glad we’re seeing only four?

babe when the going gets rough 
and you’ve been stiffed again shun
anyone who offers you a cure, there’s no cure!

just a bucket in the 5th dimension
(forget it, might as well forget it!)
it’s better to have lived in only four
we’ll make do with four

Support Gom

The 5th Dimension

"Big Marimba" spans 1:58 minutes, showcasing a marimba melody that masterfully transitions from solemn and introspective to joyful and lively. Beginning with an inquisitive verse, the melody is subtly underscored by a background that weaves in a touch of mystery. As it progresses to the chorus, the marimba adopts an upbeat, almost jingle-like quality, beautifully complemented by fast violins, crafting a sophisticated yet vibrant atmosphere. Set at a tempo of 95 BPM, "Big Marimba" is perfectly suited for a wide array of projects, offering a dynamic element of sophistication and mood contrast that enhances voice-overs and sync applications without overwhelming the narrative. Whether for advertising, educational content, or storytelling, this track provides a unique auditory journey from contemplation to celebration.

For commercial and derivative licences, please visit our Pond5 profile, where you can buy this track for a number of additional uses. http://www.pond5.com/artist/covertacoustics

Big Marimba

Killer Queen [Queen Cover]

instrumental: multitracked guitars with reverb

eventide 'verb

No Reason

No Time for Romance

Pour affronter le morne mois de novembre, nous vous proposons une chanson légère et sautillante qui parlera à votre âme d'enfant!
To face the gloomy month of November, we offer you a light and lively song that will speak to your inner child!
(PS In France , fairground carousels offer children the chance to grab a pompom. Whoever catches it wins a free ride!)

MICKEY 'S TAIL
In the cinema of childhood
one can get bored hard
But sometimes, a lucky moment—
A day at the fairground.
Raising and lowering the plane,
With an easy lever,
The precious rag in our hands,
And our eyes light up.

All our victories are trivial,
But what joy in that sensation,
taking oneself for the hero,
feeling like Santos-Dumont.
I grabbed the Mickey’s tail,
This time , I did it,
Snagged the Grail, the prize,
No more spinning in circles.

At the age of love’s parades,
Turning and dancing in discos,
All the dancers spinning round,
Looking to make a conquest.
beating around the bush
Awkward and clumsy,
when smiles finally meet,
 The ship can sail.

All our stories are temporary,
But what joy in that sensation,
feeling handsome in the mirror,
feeling like Alain Delon.
I grabbed the Mickey’s tail,
This time , I did it,
Snagged the Grail, the prize,
No more spinning in circles.

Life, it’s a true lottery,
The wheel turns and leaves us dizzy
Losers or superheroes,
We swing from laughter to tears.
But when I’m with you,
I’m five years old, I feel that joy
Of a child who’s struck it rich,
Who’s just grabbed the moon 

All our memories are illusions,
But what joy in that sensation,
Skipping alone down the sidewalks,
Feeling like Patrick Dupont.
I grabbed the Mickey’s tail,
This time , I did it,
Snagged the Grail, the prize,
No more spinning in circles.

Passages

La queue du Mickey (translated)

Mixage et mastering : Lionel Delannoy (L'Estudio)

J'ai toujours aimé rouler de nuit en rentrant chez moi, repensant à ma journée pleine d'émotions.

Aller Simple

If I jump now, how long 
Will it take me to drown ?
The water’s not so cold
But the boat seems to sail fast

I could disappear quietly
I could disappear quietly

The balcony’s always tempting
When I look down
Building is high, so high
Will I explode when I touch the ground ?

I could disappear quietly
I could disappear quietly

Jump

Création pour l'événement "Le jour de la nuit" avec l'association Pic et Perches.
Composé par Vincent Retg.

Le jour de la nuit

Musiques et chansons françaises, écrites, composées, interprétées, arrangées et mixées par Ariane Murcia.

     Ariane Murcia est professeure agrégée de musique, compositrice, clarinettiste, saxophoniste, chanteuse et pianiste.
​Ses compositions sont ancrées dans la tradition classique fusionnant avec des éléments puisés dans le répertoire populaire actuel.
Son univers est à la fois personnel et accessible, riche et émouvant, nourri par un parcours éclectique.  
​
French music and songs, written, composed, performed, arranged and mixed by Ariane Murcia.

     Ariane Murcia is an associate professor of music, composer, clarinetist, saxophonist, singer and pianist.
Her compositions are rooted in the classical tradition, fused with elements drawn from today's popular repertoire.
Her universe is both personal and accessible, rich and moving, nourished by an eclectic background.

Aller Simple

Ariane Murcia

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