baroque

Random stuff

Carl Philipp Emanuel Bach

Classic

CLASSICAL

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classical

zo7al

"Too Weird To Live, Too Rare To Die!" out now - download on iTunes http://smarturl.it/TooWeird

Upcoming tour dates: http://panicatthedisco.com/tour

Website: http://panicatthedisco.com
Facebook: http://facebook.com/panicatthedisco
Twitter: http://twitter.com/panicatthedisco
YouTube: http://youtube.com/panicatthedisco
Instagram: http://instagram.com/panicatthedisco

LYRICS
Climbing out back the door, didn't leave a mark
No one knows it's you Miss Jackson
Found another victim
But no one's ever gonna find Miss Jackson 

You put a sour little flavor in my mouth now
You move in circles hoping no one's gonna find out
But we're so lucky, 
Kiss the ring and let 'em bow down
Looking for the time of your life

A pretty picture but the scenery is so loud,
A face like heaven catching lighting in your nightgown,
But back away from the water, babe, you might drown- 
The party isn't over tonight

He-eyy
Where will you be waking up tomorrow morning?
He-eyy
Out the back door
Goddamn
But I love her anyway
I love her anyway 
I love her anyway
Out the back door
Goddamn
But I love her anyway

Miss Jackson
Miss Jackson
Miss Jackson
Are you nasty?

Miss Jackson
Miss Jackson
Miss Jackson
Are you nasty?

Miss Jackson
Miss Jackson
Miss Jackson
Are you nasty?
Are you nasty?
I love her anyway 

Ohhhh
Where will you be waking up tomorrow morning?
Ohhhh
Out the back door
Goddamn
But I love her anyway

Way down 'til the fire finally dies out 
You've got 'em wrapped around your finger
Watch 'em fall down 
There's something beautiful and tragic in the fall out-
Let me say it one more time
(tragic in the fall out) 

He-eyy
Where will you be waking up tomorrow morning?
He-eyy
Out the back door, Goddamn
But I love her anyway
I love her anyway 
I love her anyway 
Out the back door but
I love her anyway

Miss Jackson
Miss Jackson
Miss Jackson
Are you nasty?

Miss Jackson
Miss Jackson
Miss Jackson
Are you nasty?

Miss Jackson
Miss Jackson
Miss Jackson
Are you nasty?
Are you nasty?
I love her anyway

Ohhhh
Where will you be waking up tomorrow morning?
Ohhhh
Out the back door
Goddamn
But I love her anyway

Climbing out back the door, didn't leave a mark
No one knows it's you Miss Jackson
Found another victim
But no one's ever gonna find Miss Jackson 

I love her anyway 

Miss Jackson
Miss Jackson
Miss Jackson
Are you nasty?

Miss Jackson
Miss Jackson
Miss Jackson
Are you nasty?

Miss Jackson
Miss Jackson
Miss Jackson
Are you nasty?
Are you nasty
I love her anyway 

Ohhhh
When will you be waking up tomorrow morning?
Ohhhh
Out the back door
Goddamn
But I love her anyway

Miss Jackson

Miss Jackson (feat. LOLO)

Horizon Chamber Choir & Players
Christian Campos, conductor
Recorded live by the house system at St. James' Episcopal Church, Los Angeles

J.S. Bach - Himmelskönnig, sei wilkommen from BWV 182

This is my own synthesized version of one of Bach's famous Partitas. 
I've made quite a few changes, most noticeably the bass line.

J.S. Bach - BWV 826 - Rondeaux

Arion Orchestre Baroque,
 Extrait de l'Album Mozart: claire Guimond et Trio Sonnerie. 

Quartets for flute, violin, viola and cello in A Major, Tema con variazoni, KV 298

CPE Bach Flute Concerto in D minor, movement 2 for flute and piano.
Flute: Simone Maurer. Piano: Mitchell Leigh.
Recorded on April 12, 2014.

CPE Bach Flute Concerto in D minor - Movement 2

من أجمل الابتهالات التى سمعنها مع البطانة

يا من رضيت لنا دين الهدى

Sonata XII - "La Follia" - Antonio Vivaldi (1678-1741)

live performance with Julie Andrijeski and Danny Mallon - September 25, 2010

La Follia - Vivaldi

Performed with Vienna Symphonic Library - Figured bass to be realized

CPE BACH - Flute concerto WQ 166 - First mouvement - Figured bass not yet realized

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http://Maroon5.com
http://facebook.com/Maroon5
http://twitter.com/Maroon5
http://instagram.com/Maroon5

Buy this Song

Maroon 5 - Feelings

PULCINELLA & Ophélie Gaillard  - CPE BACH

C'est deux mouvements seront joués lors du concert Musique pour un prince, le 28 novembre 2014


09 Flute Sonata In D Major, Wq. 83,

08 Flute Sonata In D Major, Wq. 83,

Carl Philipp Emanuel Bach
Symphonies & concertos
Arion Orchestre Baroque, Gary Cooper (clavecin), Claire Guimond (flûte baroque)
http://www.early-music.com/fr/music/carl-philipp-emanuel-bach-symphonies-et-concertos/

Symphonie No. 3 For Strings In C

Feel Good Inc. is a single featured as the sixth track on the 2005 album Demon Days.

"Feel Good Inc." charted high in most European countries (including an at-the-time career best of #2 in England, accompanied by a chart run to rival Clint Eastwood's 4 years before). In the US, aided by an iPod commercial featuring the song, and presence on the latest successful "Now" compilation, "Feel Good Inc." took Gorillaz to a whole new level - the track peaked just outside the top 10 in the Billboard Top 100, and it was also top of the Modern Rock charts for a 3 week spell. In the UK, due to a loophole in the chart rules, Feel Good Inc was able to enter the charts before its official release because the record company released 300 copies of the 7-inch single format, meaning that legal downloads would count towards a chart placing for the single ( this was because, according to UK chart rules at that time, a single could only chart if a physical format was available, although download sales contributed to chart placings). A total of 4 new and original songs were available across formats, although "Murdoc is God" was only included on the Japanese CD. The feel of the B-sides was more free and experimental than that of those that had appeared on 'Demon Days' - showcasing another side to the Gorillaz sound. Also, "Feel Good Inc." makes an appearance in Dance Dance Revolution Hottest Party 3 on Wii And Grand Theft Auto 5 On Xbox One, Playstaion 4 And PC Versions.

Feel Good Inc.

Suite orchestrale n° 1 en do majeur pour deux hautbois, basson, cordes et basse continue BWV 1066, Ouverture.

Ouverture n° 1 en do majeur BWV 1066

Carlo Alessio Razetti (floruit- début du XVllle siècle), Concerto pour violon en fa mineur, Allegro  ma non Presto
Arion Orchestre Baroque
Stefano Montanari, violon (Italie)

C.A. Razetti, Concerto pour violon en fa mineur, Allegro  ma non Presto

Maroon 5 - Feelings 130 [Edit] Ohmiie

Merry Christmas Mr. Lawrence (a.k.a. Forbidden Colours) by Ryuichi Sakamoto (1983)

Live video: http://www.youtube.com/watch?v=G_v_pbd-O8U

Soundtrack from the movie Merry Christmas Mr. Lawrence (戦場のメリークリスマス), a.k.a. Furyo in Europe, directed by Nagisa Oshima, and starring David Bowie, Tom Conti, Ryuichi Sakamoto and Takeshi Kitano.

The instrument is a Kawai VPC1 controlling a Clavia Nord Stage 2, using a sampled Yamaha C7 grand piano, and... straight from the 80's a sampled preset named "Touch Perco" from the Yamaha DX7 mk2 synth.

Spotify

Ryuichi Sakamoto 坂本龍一 Merry Christmas Mr. Lawrence [live cover]

Concerto pour flûte, violon, violoncelle, cordes et continuo en La Majeur, G. P. Telemann

Telemann: Tafelmusik (First Production)

3e mouvement - Gratioso

2e mouvement - Allegro

1er mouvement - Largo

Rebelles Baroques, concerto pour 2 flûtes, cordes et basse continue en sol mineur, QV 6:8A (mouvement presto)

18 Arion QV 68a Presto

Beethoven's Sonata n°8 (Pathetic) - Adagio cantabile (2nd Movement)

Recorded and mixed by Cynthia Wong for Sound II in the Winter semester of 2010 at Concordia University. 

DAW used: Pro Tools LE 7

Piece is performed by Grégor Monlun.

Please credit the artist(s) respectively and appropriately.



Serenade Melancolique - Tchaikovsky

Tchaikovsky - Valse sentimentale 
First raw try for my plan of recording all the Tchaikovsky pieces for cello
by playing all the parts myself.

Tchaikovsky - Valse sentimentale

This track can still be downloaded here:
https://deryncullen.bandcamp.com/track/andante-from-symphony-no-5-tchaikovsky

Download

Tchaikovsky - Andante from Symphony no. 5

Kid Cudi - Day 'n' Night

Dmitri Shostakovich wrote his Symphony No. 2 in B major, Op. 14 and subtitled To October, for the 10th anniversary of the October Revolution. It was first performed by the Leningrad Philharmonic Orchestra and the Academy Capella Choir under Nikolai Malko, on 5 November 1927. After the premiere, Shostakovich made some revisions to the score, and this final version was first played in Moscow later in 1927 under the baton of Konstantin Saradzhev. It was also the first time any version of the work had been played in Moscow.

Dmitri Shostakovich - Waltz No. 2

Au cœur de la vie musicale montréalaise depuis plus de quarante ans, Arion Orchestre Baroque fait figure de pionnier au Québec et au Canada dans le monde de la musique ancienne sur instruments d’époque. Placé sous la direction artistique du chef et bassoniste Mathieu Lussier depuis 2019, Arion présente une série de concerts mettant en vedette des chef.fes et solistes invité.es de renommée internationale. 

Fondé à Montréal en 1981 par Claire Guimond, Chantal Rémillard, Betsy MacMillan et Hank Knox, Arion s’est produit sur les scènes du Québec, du Canada, des États-Unis, du Mexique, d’Asie et d’Europe. La clarté et la fraîcheur des interprétations d'œuvres baroques et classiques d’Arion sont soutenues par une discographie de plus d’une trentaine de titres, salués par la critique et ayant remporté de nombreux prix. 

Engagé dans la création et la diffusion de projets jeunesse et éducatifs, partenaire d’institutions réputées comme l’Université de Montréal, l’Université McGill, la Fondation Arte Musica, le Studio de musique ancienne de Montréal, le Centre de musique baroque de Versailles et la SAMS, Arion est un acteur incontournable du paysage musical canadien. 

//

A cornerstone of Montreal's music scene for over forty years, Arion Baroque Orchestra is a pioneer in Quebec and Canada in the world of early music on period instruments. Under the artistic direction of conductor and bassoonist Mathieu Lussier since 2019, Arion presents a series of concerts featuring internationally renowned guest conductors and soloists. 
 
Founded in Montreal in 1981 by Claire Guimond, Chantal Rémillard, Betsy MacMillan and Hank Knox, Arion has performed in Quebec, Canada, the United States, Mexico, Asia and Europe. The clarity and freshness of Arion's interpretations of baroque and classical works are supported by a discography of more than thirty titles, have received numerous awards, and widespread critical acclaim. 
 
Committed to the creation and dissemination of youth and educational projects, and a partner of renowned institutions such as the Université de Montréal, McGill University, the Arte Musica Foundation, the Studio de musique ancienne de Montréal, the Centre de musique baroque de Versailles and the SAMS, Arion is a unique and vital contributor to the Canadian musical scene.