Name: Penelope Hymns: I. Morning by Aristea in Compositions
Duration: 6 min 31 s
Description: Madeline Caine (soprano) & the Eastman Composers' Sinfonietta Kilbourn Hall, The Eastman School, April 11, 2015

Compositions

An Elemental Music (2022) for orchestra

Commissioned by the La Jolla Symphony & Chorus
Performed by the La Jolla Symphony, cond. Michael Gerdes, March 2023

I. Crisp, bright
II. The Cold Song. Desolate, icy
III. Dark, mysterious — As in the first movement — Presto

In the three movements of "An Elemental Music," I seek to explore basic musical materials—things that are primary, fundamental, or “elemental”—in fresh and unanticipated ways. I wanted to delve into some of the core components of my musical craft, and I hoped to infuse them with a new vitality.

In the first movement, I start from a chord (the dominant seventh) ubiquitous in many musical genres, from nineteenth- century symphonies to the twelve-bar blues. But rather than using the chord as a means to an end, I view it as an object of musical exploration in its own right, treating it like a hub where many different harmonic paths converge. The music explores these paths in turn, winding through the orchestra in lively and colorful fashion.

The second movement is by far the longest of the three, comprising over half the total playing time of the work. The movement is a very free reimagining of the aria “What Power Art Thou” from Henry Purcell’s "King Arthur," also known as the “Cold Song.” In Purcell’s aria, the spirit of winter (the “Cold Genius”) is summoned to life: here, then, I use the word “elemental” not only as an adjective, but also as a noun, referring to the primal forces of nature that the Cold Genius embodies. In my version, I freely transform the shivering staccato motif and aspects of the harmonic progression from Purcell’s original, gradually building to an intense, chilling depiction of the Cold Genius. Fittingly, I finished this piece on a day of subzero temperatures in central Illinois.

The brief third movement revisits materials from the first, but in a distorted, out-of-order fashion—perhaps as if being recalled from a distant memory. The music eventually transforms itself into a jig that gives way to a grotesque, march-like climax.

An Elemental Music

02 Sonata In A Minor, RV 43 - A Vivaldi  Allegro 1

Madeline Caine (soprano) & the Eastman Composers' Sinfonietta Kilbourn Hall, The Eastman School, April 11, 2015

Penelope Hymns: I. Morning

SONATA for solo piano
Bernadette Harvey, piano
Recorded at the Sydney Conservatorium of Music, January 2017

I. We ate the stars
II. Cardinal Spada's Gallery
III. Vanishing Point

III. Vanishing Point

II. Cardinal Spada's Gallery

I. We ate the Stars

La Tessitrice, A. Mellos 2016 / Text, A. Negri
Paulina Swierczek, soprano; Daniel Baer, piano
Kilbourn Hall, September 4 2016

La Tessitirce

SOMA, Aristea Mellos, 2014 
Cherry Tsang, piano; Mariel Robert, cello; Sammy Lesnick, clarinet
Hatch Hall, April 4, 2014

Penelope Hymns: I. Morning

Aristea

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