Voice, Sarah Grace Graves
Clarinet, George Papajohn
(Composed by the performers)

Recorded Live at CNMAT in Berkeley, CA | May 8, 2024

TEXT

Prologue - Hommage to Amacher (Ps. 101*:2 BSV) 
	
…clamor meus ad te veniat.

[let my cry come to you.]

/GP/

I. (Ps. 102:6-7 NRSV)

I am like a desert owl of the wilderness,
	like a little owl of the waste places.
I like awake;
	I am like a lonely bird on the housetop.

/GP/

II. Passer Solitarius (Ps. 101*:8 BSV)

…factus sum sicut passer solitarius in tecto.

[I am become as a sparrow all alone on the housetop.]

/SGG/

III. (Ps. 102:4, 24 LUTH1545)

Mein Herz is geschlagen und verdorrt wie Gras, daß ich auch vergesse, mein Brot zu essen.
…
Mein Gott nimm mich nicht weg in der Hälfte meiner Tage!

[My heart is stricken and withered like grass, such that I have forgotten to eat my bread.
…
My God, do not take me away but halfway through my days!]

/GP/

IV. Passer Multus (Ps. 101*:8 BSV)

…factus sum sicut…

/SGG/

V. (Ps. 102:17, 13)

He will regard the prayer of the destitute,
	 and will not despise their prayer.
…
You will rise up and have compassion on Zion…

/GP/

VI. (Ps. 101*:2 BSV)
	
[…cl-] a [-mor m-] e [-us….]

/SGG/

Burlesque (Ps. 101:2-3, 5 NRSV)

I will study the way that is blameless.
	When shall I attain it?

I will walk with integrity of heart
	in my house;
I will not set before my eyes
	anything base.

I hate the work of those who fall away;
	it shall not cling to me.
…
One who secretly slanders a neighbor
	I will destroy.
A haughty look and an arrogant heart
	I will not tolerate.

/GP/

* = The numbering of Psalms in the Latin Vulgate is different than the NRSV: Ps. 101* denotes the same Psalm as Ps. 102.

Passer Solitarius | with Sarah Grace Graves

Symphony of Nadiege Sabate No.63

Symphony of Nadiege Sabate No.64

Symphony of Nadiege Sabate No.65

«Luzbel» (2024), de Franco Aban. Para quenacho en D y voz con pedales de efectos.
Texto: Federico Barreto

Obra ganadora del Primer Premio del Concurso de Música 2024 en la categoría Solistas y conjuntos instrumentales/vocales de cámara del Fondo Nacional de las Artes, Argentina.

Quenacho: Franco Aban
Voz: Magdalena Soria

Luzbel

Background painting (partial view): Judit Zsovár: Girl Asleep (2024)

Monteverdi: L’incoronazione di Poppea - Hor che Seneca è morto (Poppea)

Symphony of Nadiege Sabate No.66

Symphony of Nadiege Sabate No.67

Symphony of Nadiege Sabate No.68

Symphony of Nadiege Sabate No.69

Symphony of Nadiege Sabate No.70

Symphony of Nadiege Sabate No.71

Brahms: Mädchenlied (Op. 107/5)

Schumann: Lied der Suleika (Op. 25, No. 9)

I really hope this works.

Symphony of Nadiege Sabate No.78

The track uses the Svartvik Planing Mill preset in the Klevgrand Revolv reverb app.
Organ drone > Cantoria
Percussion > BeatHawk Classical Percussion | Grancassa 05 & 06
Lead > SWAM Soprano Sax

#347 Inside the Svartvic Planing Mill

Extraits de "Il bacio" de L.Arditi et de "Da tempeste" de l'opéra Jules César de G.F.Haendel.

Extraits pour audition / Nina Joussain

George Papajohn (b. 1998 Milwaukee) is a composer, improvisor, and multi-instrumentalist currently based in the San Francisco Bay Area. His recent work engages with latent tensions of identity held within the material, historical, and phenomenological aspects of sound. 

His music has been performed by Ensemble Dal Niente, the Northwestern University Contemporary Music Ensemble, and by frequent collaborators Cameron Roberts and Julia Ansolabehere. George earned his B.M. in music composition at the Northwestern University Bienen School of Music where he studied with Alex Mincek, Hans Thomalla, and Jay Alan Yim. He is currently pursuing a PhD in music composition at the University of California, Berkeley.

...for more recent music and updates, visit my website...

Nacido en Salta, Argentina. Finalizó la tecnicatura en Armonía y Contrapunto y la licenciatura en Composición en la Universidad Católica de Salta, Argentina. Realizó estudios de Postgrado en la Universidad Nacional del Litoral, en la Universidad Nacional de Tucumán, en la Universidad Católica Argentina y en la Universidad Nacional de Quilmes.

Finalizó el Trayecto Artístico Profesional con especialidad en trompeta en la Escuela Superior de Música de Salta “José Lo Giúdice”.

Se formó como aerofonista de instrumentos regionales andinos con los maestros Juan Yujra (Bolivia) y Lito Nieva (Argentina).

Recibió diversos premios “Revelación” y “Consagración” en Festivales Nacionales con proyectos de música popular Argentina. Individualmente también obtuvo reconocimientos como la Distinción: "Diez Jóvenes Sobresalientes de la Provincia de Salta". Categoría: Logros Culturales. JCI (Cámara Junior Internacional), TOYP (Ten Outstanding Young Persons) y el reciente Primer Premio de Composición en el Concurso de Música 2024 del Fondo Nacional de las Artes, Argentina.

Actualmente es compositor, arreglador y sesionista de aerófonos en proyectos de música popular y en ensambles de música contemporánea, con presencia nacional e internacional. Es docente en la Escuela Superior de Música de Salta.

Judit Zsovár is a soprano, composer, creative artist and musicologist (PhD); author of the book entitled Anna Maria Strada, Prima Donna of G. F. Handel (Berlin/New York: Peter Lang, 2020). Born in Hungary, she is coming from a  family of musicians and started to play the piano at the age of five. Later, she received extended training at the conservatory not only in this instrument, but also in music theory as well as singing. In 2006, she graduated with a Master of Music degree in Musicology at the Liszt Academy Budapest, and earned her doctorate at the same institute in 2017. Judit has presented her research results combined with her singing in cities including Vienna, Salzburg, Graz, Innsbruck, Hamburg, Helsinki, London, Birmingham, Madrid, Trondheim, Bern, Lugano, Český Krumlov and Budapest. 
   She studied SINGING with Marek Rzepka (Leipzig/Krakow) as well as coach Stephen Hopkins (Vienna State Opera), and has participated in masterclasses held by Roberta Invernizzi, Katalin Halmai, Júlia Hamari, Krisztina Laki, Malcolm Bilson, Luca Pianca, Vittorio Ghielmi, Marcello Gatti and Margit Legler. She was a member of the Erkel Opera Studio (Budapest, 2009-2012), where she sang Mozart and Cimarosa roles. Judit appeared as a soloist at various prestigious venues, such as the Vienna Konzerthaus (Mozarteum Orchestra Salzburg under Ivor Bolton), the Helsinki Music Centre, the Händel-Haus Halle, the Handel & Hendrix in London, the ÖGM Vienna, the Mozarteum University Salzburg, the Zagreb Academy of Music, the Budapest Music Center, the Nádor- as well as Liszt Halls (Budapest) and at the Óbudai Társaskör (with the Simplicissimus Ensemble). Future engagements include concerts in cities like Venice or Trondheim. Her repertoire extends from Renaissance to contemporary music. 
   Regarding her activity as a COMPOSER, jazz and improvisation projects with Bobby McFerrin and Roger Treece (VOCAbuLarieS tours, 2010-2011) turned her musical thinking around and inspired Judit to develop her own compositional style. She composed (many times to her own poems) art songs, song cycles, chamber music; solo pieces for piano, harpsichord, viola da gamba and French horn; orchestral and choral works, a cantata, a concerto, as well as a full-evening opera (to her own libretto). Her work for mixed choir, a musical setting of her own poem called Speed of Light (2021) is going to be premiered by the World Choir for Peace conducted by Nicol Matt.
As a MUSICOLOGIST, Judit collaborated (2016-2019) to the project of the Austrian Academy of Sciences, on the Viennese Kärntnertortheater’s repertoire reconstruction (1728–1748), led by Dr Andrea Sommer-Mathis, and assisted Dr Reinhard Strohm with the upcoming volume of the Halle Handel Edition’s Scipione. Currently, she is co-editor (2022-) of La sorella amante for the Hasse-Werkausgabe (Hasse Gesellschaft Bergendorf, Germany), as well as member of the WoVen research team (Women, Opera and the Public Stage in Eighteenth-Century Venice; www.ntnu.edu/music/woven). She has published several studies in six languages, inter alia in the Händel-Jahrbuch 62 (2016), the Dizionario Biografico degli Italiani 94 (2019) and the Studia Musicologica (2018, 2022). Judit held the Handel Institute Research- as well as Conference Awards (2015), and was granted the Zoltán Kodály Scholarship (2015), the German Academic Exchange Service Scholarship (DAAD, 2014), as well as the Scholarship of the Hungarian State (2004/2005).
   Furthermore, Judit is an evolving PAINTER: apart from various sold paintings, her still life with Baroque instruments became the cover for Mensa Sonora (2021), album of the Simplicissimus Ensemble,  her portrait of G. F. Handel decorated a concert flyer, not to mention that of Anna Maria Strada, appearing on the cover of her own book.
   She is also interested in learning and speaking foreign languages such as English (C2), German (C1), Italian (C1), French (B2) and Spanish (B2).

Everything here is created, recorded and mixed on an IPad Pro using AUM.

I use GeoShred to play everything that is not generated or sequenced.

I also have some tracks on my YouTube channel

New tracks tagged #soprano