Blackstrobe Records proudly presents BSR009.

1997: while the filtered house of the French Touch flounders in its death throes, “Paris Acid City” by Black Strobe, a long, meandering acid track - melancholic and laced with poison - helps reintroduce house music into clubs.
2011 & 2012: Rebotini has had the good taste to turn over some of his favourite Black Strobe tracks such as “Me And Madonna” and “Italian Fireflies” to the younger generation, people like Munk, Wagner , Hey Today! or Rico…

This new Black Strobe EP is announcing a new album in 2013 after the “ Boogie in Zero Gravity “ of summer 2012.

Black Strobe new band, new sound and new boogie !
Sexy & Smart remixs from house & disco producers from all over the world available the 25 of February 2013.

Digital:
The Girl From The Bayou – Extended
The Girl From The Bayou - Radio Edit
The Girl From The Bayou - Dub
A Mojoworker
The Girl From The Bayou - Brioski Remix
The Girl From The Bayou - CrackBoy Remix
The Girl From The Bayou - Pharao Black Magic Remix
The Girl From The Bayou - Hiem Remix
The Girl From The Bayou - Rambla Boys Remix
The Girl From The Bayou - Holmes Price Remix

!!! BLACK STROBE WILL PLAY LIVE IN PARIS, MARCH 6th - http://on.fb.me/UIUX7W !!!

Black Strobe - 04 -  A Mojoworker

I have been an avid collector of music for nearly 25 years years, vinyl, CDs, cassettes and now moving it all over to digital to share the love that is my passion for music. I will in the not so distant future start posting music not for business but pleasure!! For me it’s about releasing music into the wild not to be tamed by corporations or A&R guys judgements screw that corporate BS
🔥🏴󠁧󠁢󠁳󠁣󠁴󠁿👻

Arnaud Rebotini is a singer, songwriter, producer and remixer, he has become one of the most emblematic figures in electronic music today, adept at straddling genres, both avant-garde and timeless, and bringing them together. 
For example, his Zend Avesta project (Organique, Universal 2000) married electronic music with a chamber orchestra. 
With his analogue synthesisers, he became a central figure on the scene of new international techno, marking renewed enthusiasm for the use of electronic instruments rather than just computers. His live shows have always been unanimously celebrated (Music Components, Citizen 2008, Someone Give Me Religion, K7 - 2010) and his remixes for pour Depeche Mode, David Guetta, Rammstein, The Rapture, Bloc Party, Acid Washed and Tristesse Contemporaine are as indicative of his sets at the biggest clubs and festivals (playing live or mixing) as his collaboration with the highbrow Groupe de Recherches Musicales, especially with Christian Zanési for their Frontières project.