Black Strobe

My electronic shit!

Indie Rop

blackstrobe

black strob

Black Strobe - I'm A Man

from David Harrow, Jah Wobble, Justin Adams & Double Dee

thanx & respect to Loïk Dury

Radio Morocco (Acid Arab ㋡ reedit)


From " Godforsaken Roads ", forthcoming Black Strobe 2nd album available in October 2014
Pre order here : geni.us/GodforsakenRoads

Black Strobe Video Live @ Transmusicales Festival : www.youtube.com/watch?v=fhJ-HZcTxq4

www.blackstroberecords.com/
@blackstroberecords
rebotini.blackstroberecords.com/
twitter.com/Rebotini

(Eng)

Godforsaken Roads (BlackStrobe Records / !K7)

A small cellar in a smart building. A carefully curated collection of analogic synthesisers. A pot of Brylcreem on a table. ZZ Top and Muddy Waters vinyl sitting in a corner in front of a gleaming guitar and an old amplifier. Ladies and gentlemen, welcome to Arnaud Rebotini’s lair in Montmartre, Paris.

A hulk of a man, Rebotini may look physically impressive but inside he’s really a big softy who loves singing the blues and has an almost carnal attachment to his keyboards and vintage drum machines. His musical career is now divided between two projects: one uses his own name, Arnaud Rebotini, releasing instrumental electronic albums, both nostalgic and futurist, that he plays live on stage - alone - surrounded by his favourite machines. The other is Black Strobe, where he sings and plays a steamy mix of rock and electronic music heavily influenced by blues and country ‘n’ western. The project comes to life fully on stage with the energy of a four-person group.

In September 2014, Black Strobe will release his second album, Godforsaken Roads. The record confirms Rebotini’s rock sensibility and debt to the great American tradition of songwriting, with songs touching on the classic themes of the blues - the randomness of life, the very weight of existence and the strong emotions that run just below the surface (love, lust, loneliness…). He plunges into this world of the bayou, prison and the devil with real passion and the voice of crooner often compared to Iggy Pop or Nick Cave.

Godforsaken Roads contains ten new tracks, including the latest singles Going Back Home and Broken Phone Blues. The digital edition adds Boogie In Zero Gravity and The Girl From The Bayou released as singles in 2012. On the album, Rebotini also reappropriates Folsom Prison Blues, a Johnny Cash classic, once again with the aim of keeping the blues/country ‘n’ western flame alive (the group’s first album already contained a cover version of Bo Diddley’s famous track I’m A Man). This new version, entirely synth-led with not a guitar in sight, transports the song to another space-time continuum with swathes of keyboard worthy of Tangerine Dream, perfectly resuming the spirit of Black Strobe in 2014.

However, don’t think that Godforsaken Roads is all retro - in fact it’s bang up to date, using electronics, sometimes even of a disco slant, to give Black Strobe its futurist dimension. The album allows Arnaud Rebotini to capture the spirit of America’s cowboy era and transport it to the present day with resolutely modern production, much like the spirit of the blues that seeps from the music of electro-pop idols Depeche Mode.

This contemporary western feel, both melancholic and polished, came to the notice of Quentin Tarantino – who used Black Strobe’s cover version of I’m A Man for the trailer of Django Unchained – and Dior, who chose the same track to advertise their perfume Eau Sauvage. By creating a link between the past, present and future, the group’s music has also appealed to Martin Scorsese (the trailer of The Wolf of Wall Street), Guy Ritchie (the soundtrack to RocknRolla) and the creators of the videogame Grand Theft Auto V (GTA).

Although plaudits are now coming from all quarters, Black Strobe has been around for a while. Founded in 1997, the group has released one album (Burn Your Own Church, produced by Paul Epworth) and more than a dozen singles on labels such as Kitsuné, Output, Crosstown Rebels, Supersoul Recordings and Source. As Black Strobe, Arnaud Rebotini has done more than forty remixes for groups such as Rammstein, Depeche Mode, The Rapture, Bloc Party, Fischerspooner, The Hacker and Dave Clarke.

The group is also used to touring in the USA, South America, Japan, Australia and Europe, playing both indoor venues and the world’s biggest festivals (Reading/Leeds, Sónar, Primavera, Pukkelpop, Dour, Transmusicales).

With Rebotini on keyboards and vocals, his current companions are Mathieu Zub (guitar), Benjamin Beaulieu (bass/keyboards) and Mathys Dubois (drums). These three musicians accompany the founder of Black Strobe both in the studio and on stage, and participated in the recording sessions for the album Godforsaken Roads, conducted entirely in Paris at Red Bull Studios, Studios Soyuz and using Rebotini’s home set-up.

With this new album, layered and feverish, the group is back with renewed faith in the power of the blues and a passion for motivating beats.

(Fr)

Godforsaken Roads (BlackStrobe Records / !K7)

Une petite cave sous un immeuble chic où est rangée avec soin une belle collection de synthés analogiques. Un pot de gomina posé sur la table. Des 33 tours de ZZ Top et de Muddy Waters dans un coin, juste devant une guitare rutilante et un vieil ampli. Voilà l’antre d’Arnaud Rebotini. Au pied de Montmartre, en plein cœur de Paris.

Avec sa carrure imposante, Rebotini impressionne physiquement mais l’homme a le cœur sensible. Il aime chanter des ballades blues et entretient un rapport charnel avec ses claviers et ses boîtes à rythmes vintage. Son parcours musical se décline aujourd’hui en deux projets : sous son nom, Arnaud Rebotini, il produit des albums électro synthétiques instrumentaux, nostalgiques et futuristes à la fois, qu’il défend seul en live, entouré de ses machines. Sous l’étiquette Black Strobe, il chante et signe des morceaux au carrefour du rock et de la musique électronique qui se nourrissent d’influences blues et country. Une musique qui se vit sur scène avec toute l’énergie d’un vrai groupe.

Black Strobe va publier en septembre 2014 son deuxième album, Godforsaken Roads. Ce disque affirme l’identité rock du groupe et les racines américaines du songwriting d’Arnaud Rebotini. Les chansons qu’il écrit abordent des thèmes courants dans le blues : les aléas de la vie, les tracas de l’existence, les sentiments à fleur de peau (l’amour, le désir, la solitude). Il plonge dans cet imaginaire - le bayou, la prison, le diable – avec une réelle passion et avec une voix de crooner qui évoque parfois Iggy Pop ou Nick Cave.

L’album Godforsaken Roads comprend dix morceaux originaux, dont les nouveaux singles Going Back Home et Broken Phone Blues (l’édition digitale inclura aussi les morceaux Boogie In Zero Gravity et The Girl From The Bayou publiés en maxis en 2012). Sur ce long-format, Arnaud Rebotini se réapproprie aussi Folsom Prison Blues, un classique de Johnny Cash, avec toujours cette envie de faire vivre le répertoire du blues et de la country (le premier album du groupe comprenait déjà une réinterprétation du célèbre I’m A Man de Bo Diddley). Cette nouvelle reprise, entièrement synthétique et sans guitares, est transportée dans un autre espace temps avec des nappes de claviers dignes de Tangerine Dream. Elle résume parfaitement l’esprit de Black Strobe en 2014.

Mais, loin de l’esprit rétro confit, ce Godforsaken Roads respire la modernité. Avec toujours cette dynamique synthétique, et parfois discoïde, qui donne une dimension futuriste à la musique de Black Strobe. Dans cet album, Arnaud Rebotini capture l’Amérique des cowboys et la fait voyager jusqu’à aujourd’hui en lui apportant une production résolument contemporaine. A l’image de l’esprit blues qui peut transpirer chez les maîtres de l’électro pop Depeche Mode.

Cet univers de western moderne, mélancolique et classe, a séduit Quentin Tarantino – il a utilisé la reprise de I’m A Man par Black Strobe pour la bande annonce de son film Django Unchained – et Dior qui a choisi le même titre pour la publicité de son parfum Eau Sauvage. En créant ce pont entre passé, présent et futur, la musique du groupe a aussi plu à Martin Scorsese (bande annonce du film Le Loup de Wall Street), Guy Ritchie (bande son de RocknRolla) et aux créateurs du jeu vidéo Grand Theft Auto V (GTA).

L’histoire de Black Strobe s’écrit donc maintenant mais la formation revendique déjà un bon bout de route. Créé en 1997, le groupe a publié un album (Burn Your Own Church, produit par Paul Epworth) et une quinzaine de maxis sur des labels comme Kitsuné, Output, Crosstown Rebels, Supersoul Recordings, Source. Sous l’alias Black Strobe, Arnaud Rebotini a réalisé aussi une quarantaine de remixes pour Rammstein, Depeche Mode, The Rapture, Bloc Party, Fischerspooner, The Hacker ou Dave Clarke.

Par ailleurs, le groupe a joué un peu partout sur la planète (Etats-Unis, Amérique du Sud, Japon, Australie) et en Europe dans d’innombrables salles et dans de grands festivals (Reading/Leeds, Sónar, Primavera, Pukkelpop, Dour, Transmusicales).

Autour d’Arnaud Rebotini (chant/claviers), la formation se compose aujourd’hui de Mathieu Zub (guitares), Benjamin Beaulieu (basse/claviers) et Mathys Dubois (batterie). Ces trois musiciens accompagnent le fondateur de Black Strobe aussi bien en studio que sur scène. Ils ont participé aux séances de l’album Godforsaken Roads qui a été entièrement enregistré à Paris, aux Red Bull Studios, aux Studios Soyuz et dans le studio personnel d’Arnaud Rebotini.

Fort de cet album dense et fiévreux, le quatuor s’apprête maintenant à repartir à l’assaut du monde. Avec la foi du blues et l’amour des boucles synthétiques chevillés au corps.


BSR 016 - Black Strobe - BROKEN PHONE BLUES (precise master)



From " Godforsaken Roads ", forthcoming Black Strobe 2nd album available in October 2014
Pre order here : geni.us/GodforsakenRoads

Black Strobe Video Live @ Transmusicales Festival : www.youtube.com/watch?v=fhJ-HZcTxq4

www.blackstroberecords.com/
@blackstroberecords
rebotini.blackstroberecords.com/
twitter.com/Rebotini

(Eng)

Godforsaken Roads (BlackStrobe Records / !K7)

A small cellar in a smart building. A carefully curated collection of analogic synthesisers. A pot of Brylcreem on a table. ZZ Top and Muddy Waters vinyl sitting in a corner in front of a gleaming guitar and an old amplifier. Ladies and gentlemen, welcome to Arnaud Rebotini’s lair in Montmartre, Paris.

A hulk of a man, Rebotini may look physically impressive but inside he’s really a big softy who loves singing the blues and has an almost carnal attachment to his keyboards and vintage drum machines. His musical career is now divided between two projects: one uses his own name, Arnaud Rebotini, releasing instrumental electronic albums, both nostalgic and futurist, that he plays live on stage - alone - surrounded by his favourite machines. The other is Black Strobe, where he sings and plays a steamy mix of rock and electronic music heavily influenced by blues and country ‘n’ western. The project comes to life fully on stage with the energy of a four-person group.

In September 2014, Black Strobe will release his second album, Godforsaken Roads. The record confirms Rebotini’s rock sensibility and debt to the great American tradition of songwriting, with songs touching on the classic themes of the blues - the randomness of life, the very weight of existence and the strong emotions that run just below the surface (love, lust, loneliness…). He plunges into this world of the bayou, prison and the devil with real passion and the voice of crooner often compared to Iggy Pop or Nick Cave.

Godforsaken Roads contains ten new tracks, including the latest singles Going Back Home and Broken Phone Blues. The digital edition adds Boogie In Zero Gravity and The Girl From The Bayou released as singles in 2012. On the album, Rebotini also reappropriates Folsom Prison Blues, a Johnny Cash classic, once again with the aim of keeping the blues/country ‘n’ western flame alive (the group’s first album already contained a cover version of Bo Diddley’s famous track I’m A Man). This new version, entirely synth-led with not a guitar in sight, transports the song to another space-time continuum with swathes of keyboard worthy of Tangerine Dream, perfectly resuming the spirit of Black Strobe in 2014.

However, don’t think that Godforsaken Roads is all retro - in fact it’s bang up to date, using electronics, sometimes even of a disco slant, to give Black Strobe its futurist dimension. The album allows Arnaud Rebotini to capture the spirit of America’s cowboy era and transport it to the present day with resolutely modern production, much like the spirit of the blues that seeps from the music of electro-pop idols Depeche Mode.

This contemporary western feel, both melancholic and polished, came to the notice of Quentin Tarantino – who used Black Strobe’s cover version of I’m A Man for the trailer of Django Unchained – and Dior, who chose the same track to advertise their perfume Eau Sauvage. By creating a link between the past, present and future, the group’s music has also appealed to Martin Scorsese (the trailer of The Wolf of Wall Street), Guy Ritchie (the soundtrack to RocknRolla) and the creators of the videogame Grand Theft Auto V (GTA).

Although plaudits are now coming from all quarters, Black Strobe has been around for a while. Founded in 1997, the group has released one album (Burn Your Own Church, produced by Paul Epworth) and more than a dozen singles on labels such as Kitsuné, Output, Crosstown Rebels, Supersoul Recordings and Source. As Black Strobe, Arnaud Rebotini has done more than forty remixes for groups such as Rammstein, Depeche Mode, The Rapture, Bloc Party, Fischerspooner, The Hacker and Dave Clarke.

The group is also used to touring in the USA, South America, Japan, Australia and Europe, playing both indoor venues and the world’s biggest festivals (Reading/Leeds, Sónar, Primavera, Pukkelpop, Dour, Transmusicales).

With Rebotini on keyboards and vocals, his current companions are Mathieu Zub (guitar), Benjamin Beaulieu (bass/keyboards) and Mathys Dubois (drums). These three musicians accompany the founder of Black Strobe both in the studio and on stage, and participated in the recording sessions for the album Godforsaken Roads, conducted entirely in Paris at Red Bull Studios, Studios Soyuz and using Rebotini’s home set-up.

With this new album, layered and feverish, the group is back with renewed faith in the power of the blues and a passion for motivating beats.

(Fr)

Godforsaken Roads (BlackStrobe Records / !K7)

Une petite cave sous un immeuble chic où est rangée avec soin une belle collection de synthés analogiques. Un pot de gomina posé sur la table. Des 33 tours de ZZ Top et de Muddy Waters dans un coin, juste devant une guitare rutilante et un vieil ampli. Voilà l’antre d’Arnaud Rebotini. Au pied de Montmartre, en plein cœur de Paris.

Avec sa carrure imposante, Rebotini impressionne physiquement mais l’homme a le cœur sensible. Il aime chanter des ballades blues et entretient un rapport charnel avec ses claviers et ses boîtes à rythmes vintage. Son parcours musical se décline aujourd’hui en deux projets : sous son nom, Arnaud Rebotini, il produit des albums électro synthétiques instrumentaux, nostalgiques et futuristes à la fois, qu’il défend seul en live, entouré de ses machines. Sous l’étiquette Black Strobe, il chante et signe des morceaux au carrefour du rock et de la musique électronique qui se nourrissent d’influences blues et country. Une musique qui se vit sur scène avec toute l’énergie d’un vrai groupe.

Black Strobe va publier en septembre 2014 son deuxième album, Godforsaken Roads. Ce disque affirme l’identité rock du groupe et les racines américaines du songwriting d’Arnaud Rebotini. Les chansons qu’il écrit abordent des thèmes courants dans le blues : les aléas de la vie, les tracas de l’existence, les sentiments à fleur de peau (l’amour, le désir, la solitude). Il plonge dans cet imaginaire - le bayou, la prison, le diable – avec une réelle passion et avec une voix de crooner qui évoque parfois Iggy Pop ou Nick Cave.

L’album Godforsaken Roads comprend dix morceaux originaux, dont les nouveaux singles Going Back Home et Broken Phone Blues (l’édition digitale inclura aussi les morceaux Boogie In Zero Gravity et The Girl From The Bayou publiés en maxis en 2012). Sur ce long-format, Arnaud Rebotini se réapproprie aussi Folsom Prison Blues, un classique de Johnny Cash, avec toujours cette envie de faire vivre le répertoire du blues et de la country (le premier album du groupe comprenait déjà une réinterprétation du célèbre I’m A Man de Bo Diddley). Cette nouvelle reprise, entièrement synthétique et sans guitares, est transportée dans un autre espace temps avec des nappes de claviers dignes de Tangerine Dream. Elle résume parfaitement l’esprit de Black Strobe en 2014.

Mais, loin de l’esprit rétro confit, ce Godforsaken Roads respire la modernité. Avec toujours cette dynamique synthétique, et parfois discoïde, qui donne une dimension futuriste à la musique de Black Strobe. Dans cet album, Arnaud Rebotini capture l’Amérique des cowboys et la fait voyager jusqu’à aujourd’hui en lui apportant une production résolument contemporaine. A l’image de l’esprit blues qui peut transpirer chez les maîtres de l’électro pop Depeche Mode.

Cet univers de western moderne, mélancolique et classe, a séduit Quentin Tarantino – il a utilisé la reprise de I’m A Man par Black Strobe pour la bande annonce de son film Django Unchained – et Dior qui a choisi le même titre pour la publicité de son parfum Eau Sauvage. En créant ce pont entre passé, présent et futur, la musique du groupe a aussi plu à Martin Scorsese (bande annonce du film Le Loup de Wall Street), Guy Ritchie (bande son de RocknRolla) et aux créateurs du jeu vidéo Grand Theft Auto V (GTA).

L’histoire de Black Strobe s’écrit donc maintenant mais la formation revendique déjà un bon bout de route. Créé en 1997, le groupe a publié un album (Burn Your Own Church, produit par Paul Epworth) et une quinzaine de maxis sur des labels comme Kitsuné, Output, Crosstown Rebels, Supersoul Recordings, Source. Sous l’alias Black Strobe, Arnaud Rebotini a réalisé aussi une quarantaine de remixes pour Rammstein, Depeche Mode, The Rapture, Bloc Party, Fischerspooner, The Hacker ou Dave Clarke.

Par ailleurs, le groupe a joué un peu partout sur la planète (Etats-Unis, Amérique du Sud, Japon, Australie) et en Europe dans d’innombrables salles et dans de grands festivals (Reading/Leeds, Sónar, Primavera, Pukkelpop, Dour, Transmusicales).

Autour d’Arnaud Rebotini (chant/claviers), la formation se compose aujourd’hui de Mathieu Zub (guitares), Benjamin Beaulieu (basse/claviers) et Mathys Dubois (batterie). Ces trois musiciens accompagnent le fondateur de Black Strobe aussi bien en studio que sur scène. Ils ont participé aux séances de l’album Godforsaken Roads qui a été entièrement enregistré à Paris, aux Red Bull Studios, aux Studios Soyuz et dans le studio personnel d’Arnaud Rebotini.

Fort de cet album dense et fiévreux, le quatuor s’apprête maintenant à repartir à l’assaut du monde. Avec la foi du blues et l’amour des boucles synthétiques chevillés au corps.


BSR 016 - Black Strobe - MONKEY GLANDS (precise master)

BSR 016 - Black Strobe - HE KEEPS ON CALLING ME (precise master)

BSR 016 - Black Strobe - BLUES FIGHT ( precise master)

BSR 016 - Black Strobe - SWAMP FEVER(precise master)

BSR 016 -Black Strobe -  FOR THOSE WHO CAME ON EARTH THRU THE DEVIL'S ASSHOLE (precise master)

BSR 016 - Black Strobe -  HOUSE OF GOOD LOVIN' (precise master)

BSR 016 - Black Strobe - FROM THE GUTTER (precise master)

BSR 016 - Black Strobe - GOING BACK HOME (precise master)

BSR 016 - Black Strobe - BOOGIE IN ZERO GRAVITY (precise master)

BSR 016 - Black Strobe -  PROMISED MOON (precise master)

BSR 016 - Black Strobe -  THE GIRL FROM THE BAYOU (precise master)

Turn on, tune in on 22nd August 2014 Friday 8pm CET on the Trance channel. 

Northern Psylight records is situated in Bergen, Norway. The label started out in 2006, and the first release, «Psylight Xplosion», was out in september the same year.
The label started with Ketil Mardal ( aka. Dj Ketil m ) and Flips ( Leif Erik Askeland ) running the label together. Flips and Ketil worked together up to the fourth compilation, Psylight the Night», before Flips decided to pursue other goals. 
Ketil has since then been running the label on his own, still trying to keep the sound the way he and Flips have done previously, and traveling around europe to promote the Northern Psylight sound. 
Another important thing for Northern Psylight records ( NPR ) ha been to release unknown artists that NPR feels deserve the help to be heard. NPR have also released known artists as f.ex. Trold, Ajja and Braincell, and the reason is that they have the sound that NPR like to present. 
«5th Dimension» is the 5th compilation from NPR, and the release is here to show that NPR has not given up! To run a psytrance label is no lucrative business, if any business at all? To do it you need 2 things: A GREAT passion for psytrance and all that it involves, and do not expect to make money. If you don´t have these 2 qualities, you can forget running a psytrance label.
The two mixes that I have put together are different in styles. The first part of the mix is a blend of tracks from earlier releases. It´s a mix focused on night time, and these earlier releases shows that NPR was ahead of it´s time when it came to releasing this kind of psytrance. It´s only in the last few years that people have opened their ears to this style.
The second part of the mix is a more «sit down and listen to mix», all the tracks are from NPR´s latest release : «5th Dimension». The tracks are mixed together from track 01 to 09 straight. Hope you will enjoy both! Bom!

«A Drop of Northern Psylight» track list´s:

Track list 01
01 Dimension of the Mind - Uruz and Anzuz
02 Hoffman Child - JJJ
03 White Horse - Gaspard
04 Illegal People - Pirated Machine
05 Serious Shit - Dark Nebula and Xine
06 System Overload - Random
07 Felicidade (Total rmx) - Yab Yum
08 Organismic - Imaginary Sight

Track list 02

01 Jasna Zvezda - Dharmar
02 Buzzon - Girdy Cosm
03 Alienpool - Genepool & Alien Viking
04 Bonehead - Sephirot
05 Syncopated Synapsis - Genepool
06 Psymba - Hashashin
07 Make a Wish - Kala
08 Brazilian Nightsky
09 Patterns - Trold

Northern Psylight Records Bandcamp

DJ Ketil M "A Drop Of Northern Psylight Records" 22/08/2014

1:(00:00): The Herb Garden
2:(14:30): Ineffable Mysteries
3:(24:36): Divine Moments of Truth
4:(35:10): The Aquatic Garden of Extra-Celestial Delights
5:(44:44): Once Upon A Sea of Blissful Awareness
6:(50:12): I Am You

Sphongle Breaks Mix

Black Strobe - Monkey Glands (precise master)

Our Live Desert Dwellers set from the recent Earth Heart Tour November 2015. Recorded in Malibu, CA at Symbiotic Sunday. We had a blast touring with Kalya Scintilla and Eve Olution and look forward to more events with them in 2016!

Artwork is from a collaboration between Eric Howard, Seth McMahon, Gabriel Welch & Jonathan Solter. Live Mural at Symbiosis 2015.


Desert Dwellers Live @ 2015 Earth Heart Tour

From the <a href="http://www.pub.gaga.com.au">Gaga Pub</a> catalogue. If you want to know more, check out our <a href="http://www.gaga.com.au">site</a>, follow us on <a href="http://www.twitter.com/gaga_music">Twitter</a> and <a href="http://www.facebook.com/GagaMusic">Facebook</a>, and <a href="http://eepurl.com/Vtm-">join our mailing list</a>. For all licensing enquiries, <a href="mailto:katie@gaga.com.au">get in touch with Katie</a>. 

The Black Keys: Lonely Boy

Blackstrobe Records proudly presents BSR008.

1997: while the filtered house of the French Touch flounders in its death throes, “Paris Acid City” by Black Strobe, a long, meandering acid track - melancholic and laced with poison - helps reintroduce house music into clubs.
2011 & 2012:  Rebotini has had the good taste to turn over some of his favourite Black Strobe tracks such as “Me And Madonna” and “Italian Fireflies” to the younger generation, people like Munk, Wagner , Hey Today! or Rico…

This new Black Strobe EP is the starter for a new album announcing  in 2013.
Black Strobe new band, new sound and new boogie !
Sexy & Smart remixs from Nu dsisco producers all over the world.

Tweet : https://twitter.com/#!/search/rebotini
Like : https://www.facebook.com/BlackstrobeRecords
Youtube : http://www.youtube.com/user/doraful

Released by: Blackstrobe Records
Release date: July 16, 2012

Black Strobe - Boogie In Zero Gravity (Extended Version)

Blackstrobe Records proudly presents BSR009.

1997: while the filtered house of the French Touch flounders in its death throes, “Paris Acid City” by Black Strobe, a long, meandering acid track - melancholic and laced with poison - helps reintroduce house music into clubs.
2011 & 2012:  Rebotini has had the good taste to turn over some of his favourite Black Strobe tracks such as “Me And Madonna” and “Italian Fireflies” to the younger generation, people like Munk, Wagner , Hey Today! or Rico…

This new Black Strobe EP is announcing a new album  in 2013 after the “ Boogie in Zero Gravity “ of summer 2012.

Black Strobe new band, new sound and new boogie !
Sexy & Smart remixs from house & disco producers from all over the world available the 14 of January 2013.

Digital:
The Girl From The Bayou – Extended
The Girl From The Bayou - Radio Edit 
The Girl From The Bayou - Dub 
A Mojoworker 
The Girl From The Bayou - Brioski Remix
The Girl From The Bayou - CrackBoy Remix 
The Girl From The Bayou - Pharao Black Magic Remix 
The Girl From The Bayou - Hiem Remix 
The Girl From The Bayou - Rambla Boys Remix 
The Girl From The Bayou - Holmes Price Remix

Black Strobe - 01 - The Girl From The Bayou EXTENDED

Blackstrobe Records proudly presents BSR009.

1997: while the filtered house of the French Touch flounders in its death throes, “Paris Acid City” by Black Strobe, a long, meandering acid track - melancholic and laced with poison - helps reintroduce house music into clubs.
2011 & 2012: Rebotini has had the good taste to turn over some of his favourite Black Strobe tracks such as “Me And Madonna” and “Italian Fireflies” to the younger generation, people like Munk, Wagner , Hey Today! or Rico…

This new Black Strobe EP is announcing a new album in 2013 after the “ Boogie in Zero Gravity “ of summer 2012.

Black Strobe new band, new sound and new boogie !
Sexy & Smart remixs from house & disco producers from all over the world available the 25 of February 2013.

Digital:
The Girl From The Bayou – Extended
The Girl From The Bayou - Radio Edit
The Girl From The Bayou - Dub
A Mojoworker
The Girl From The Bayou - Brioski Remix
The Girl From The Bayou - CrackBoy Remix
The Girl From The Bayou - Pharao Black Magic Remix
The Girl From The Bayou - Hiem Remix
The Girl From The Bayou - Rambla Boys Remix
The Girl From The Bayou - Holmes Price Remix

!!! BLACK STROBE WILL PLAY LIVE IN PARIS, MARCH 6th - http://on.fb.me/UIUX7W !!!

Black Strobe - 04 -  A Mojoworker

Blackstrobe Records proudly presents BSR010.

1997: while the filtered house of the French Touch flounders in its death throes, “Paris Acid City” by Black Strobe, a long, meandering acid track - melancholic and laced with poison - helps reintroduce house music into clubs.
2011 & 2012:  Rebotini has had the good taste to turn over some of his favourite Black Strobe tracks such as “Me And Madonna” and “Italian Fireflies” to the younger generation, people like Munk, Wagner , Hey Today! or Rico…

Following the Last EP " The Girl From The Bayou " out in Dec 2012, here we are the remixs !

This new Black Strobe EP is announcing a new album  in 2013 after the “ Boogie in Zero Gravity “ of summer 2012.

Black Strobe new band, new sound and new boogie !
Sexy & Smart remixs from house & disco producers from all over the world.

Digital:

The Girl From The Bayou - Brioski Remix
The Girl From The Bayou - CrackBoy Remix 
The Girl From The Bayou - Pharao Black Magic Remix 
The Girl From The Bayou - Hiem Remix 
The Girl From The Bayou - Rambla Boys Remix 
The Girl From The Bayou - Holmes Price Remix 

Black Strobe - 05 - The Girl From The Bayou BRIOSKI RMX

FREE DOWNLOAD on "The Artist Union" :
https://theartistunion.com/tracks/227a76

Follow GONZI:

➤ Facebook --------- bit.ly/2tDP2Ge
➤ Soundcloud ------ bit.ly/2ggfUbU
➤ Spotify ------------ spoti.fi/2lI3Mza
➤ Instagram -------- goo.gl/vAFmSj
➤ Youtube ----------- bit.ly/2q1I2Ra
➤ Beatport ---------- goo.gl/Qi2Ksj
➤ Twitter ------------- goo.gl/B3X6MR
________________________________________

Info: gonzi.ctr@gmail.com
________________________________________

DELUXO: @deluxo_official
MEDUSA RECORDS: @medusa-records

2013 ©

➥ Free Download

GONZI - DREAM MACHINE

Arnaud Rebotini is a singer, songwriter, producer and remixer, he has become one of the most emblematic figures in electronic music today, adept at straddling genres, both avant-garde and timeless, and bringing them together. 
For example, his Zend Avesta project (Organique, Universal 2000) married electronic music with a chamber orchestra. 
With his analogue synthesisers, he became a central figure on the scene of new international techno, marking renewed enthusiasm for the use of electronic instruments rather than just computers. His live shows have always been unanimously celebrated (Music Components, Citizen 2008, Someone Give Me Religion, K7 - 2010) and his remixes for pour Depeche Mode, David Guetta, Rammstein, The Rapture, Bloc Party, Acid Washed and Tristesse Contemporaine are as indicative of his sets at the biggest clubs and festivals (playing live or mixing) as his collaboration with the highbrow Groupe de Recherches Musicales, especially with Christian Zanési for their Frontières project.