Clean And Neat - (David Carretta Remix)

BEFORE EDM THERE WAS EBM 😉

I am breathing electronic music since late 70s and that's over 45 years now. From Kraftwerk, Jean Michel Jarre, Mike Oldfield, Depeche Mode, Erasure, Yazoo, Alphaville, Men without Hats, Nitzer Ebb, Die Krupps, Front 242, Anne Clark, Camouflage, Gary Numan, OMD, Apopytygma Berzerk and even the Commodore 64 demo & break dance scene to more contemporary Electronic music artists, I witnessed the evolution of Electronic music, which basically means I am an old fart and consider myself an authority in this music genre 😵 Currently I listen DnB almost exclusively. But I do not like to restrict myself at all, enjoying flavors like Electronica, Trance, Psytrance, Tech House, Dubstep, Deep House, Future Pop, Trap, Techno, UK Bass and of course EBM/Industrial as well.

What you will find in my likes and playlists is the top of the crop in Electronic Music, I will  absolutely not list any bullshit. A track I have not listed might be just that: Bullshit, just mediocre or an artistic gem which I haven't discovered yet.

Record collector from Chimbote, Peru

Residing in Barcelona
@thoodpe

Arnaud Rebotini is a singer, songwriter, producer and remixer, he has become one of the most emblematic figures in electronic music today, adept at straddling genres, both avant-garde and timeless, and bringing them together. 
For example, his Zend Avesta project (Organique, Universal 2000) married electronic music with a chamber orchestra. 
With his analogue synthesisers, he became a central figure on the scene of new international techno, marking renewed enthusiasm for the use of electronic instruments rather than just computers. His live shows have always been unanimously celebrated (Music Components, Citizen 2008, Someone Give Me Religion, K7 - 2010) and his remixes for pour Depeche Mode, David Guetta, Rammstein, The Rapture, Bloc Party, Acid Washed and Tristesse Contemporaine are as indicative of his sets at the biggest clubs and festivals (playing live or mixing) as his collaboration with the highbrow Groupe de Recherches Musicales, especially with Christian Zanési for their Frontières project.