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COMPOSITORAS ⊙◉○◌◍◎●| Womencomposers | Lista de reproducción realizada por Melissa Vargas

2016

Extract from Les Constellations - Une Théorie, devised opera on a libretto by Antoine Thiollier, conceived in collaboration with the theatre company L'Éventuel Hérisson Bleu, produced by Miroirs Étendus and co-produced by Lille Opera.

Performed by Marianne Croux (soprano), Josephine Stephenson (electric guitar), Fiona Monbet (violin), Antoine Cambruzzi (clarinet), Romain Louveau (piano), Marion Bordessoulles (voiceover)


Watch the live video teaser of this extract: https://vimeo.com/191270350

Les Constellations - Une Théorie: Je voudrais dormir

Senderos

Live Recording, 18 de Abril 2018. Conservatorio UNAL, Bogotá.

Hara Alonso: Piano cotidiano / Carmen Morales Moreno

Obra comisionada por la Cátedra Arturo Márquez 2017 UNAM
OJUEM
Dir. Massimo Quarta 
Sala Nezahualcóyotl
Marzo 2018
(Live take)

Cleptinae

MOKITA 

Creative Sources 2018

Cecilia Quinteros - cello
Christoph Gallio - saxos
Alex Elgier - piano
Marcelo von Schultz - batería

Grabado el 12 de mayo del 2017 en Estudio Libres, Bs As
Grabado y mezclado por Sam Nacht. Masterizado por Will-Y Strehler 
Diseño gráfico por Anne Hoffman. Foto de portada por Claudio Moser. Toda la música por Mokita. Producción ejecutiva por Ernesto Rodriguez.

MOKITA

Prosopis Ferox (MOKITA)

interACTive ensemble, voices
Elizaveta Koshkina, violin
Maria Alihanova, flute

Rainforest, giant squirrel, song and points

Anna Romashkova was born in 1985 in Khimki, Moscow region, Russia. She studied composition and music theory at the P.I.Tchaikovsky Moscow State Conservatory. From 2010 to 2015 she took part in master-classes by Chaya Czernowin, Brian Ferneyhough, Klaus Lang, Marc Andre, Rebecca Saunders, Mathias Spahlinger, Pierluigi Billone, Georges Aperghis, Johannes Kreidler, Vladimir Tarnopolsky. 
Her compositions have been featured at numerous international music festivals, including Venice Biennale, Darmstadt festival, Tiroler Festspiele Erl, Moscow forum, Druskomanija, Territory, Moscow autumn, Opus 52. 
Her music has been performed in Russia, USA and Europe. She collaborated with Talea ensemble (New York), The Studio for New Music ensemble (Moscow), Moscow Contemporary Music Ensemble, New Moscow Ensemble, Mark Pekarsky Ensemble of Percussion Instruments (Moscow),Vertixe Sonora (Spain), InnoVox (New York), the Pro Arte Foundation eNsemble (St. Petersburg), GAM-ensemble (Moscow), Ensemble Nostri Temporis (Kiev), Ensemble Wiener Collage (Vienna), Ministry of Defense Orchestra (Moscow), P.I.Tchaikovsky Large Symphony Orchestra (Moscow). Her music has been broadcast in Russia, Germany, Great Britain, Sweden, Mexico, and Hong-Kong.

"The focus of my recent compositions is the attempt to enter a state of observation and non-interference with the life of "sound creatures", emerging seemingly on their own in the process of writing music. These creatures have each their own features, demeanor, character, and voice. They decide independently what to do at each moment, where to "turn there heads", what sound to produce; they communicate with each other. These "creatures" determine, or even "decide", what the music will sound like in the end."
(Anna Romashkova, 2016)

Please contact me via anna.romashkova@gmail.com